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Author: Fiona MacCarthy
Publisher:
ISBN: 9780571143023
Category : Artists
Languages : en
Pages : 338
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Book Description
Eric Gill was perhaps the greatest English artist-craftsman of the twentieth century: a typographer and lettercutter of genius and a master in the art of sculpture and wood-engraving.'A wonderfully detailed account of his personality - so vivid, you feel you know just what it would have been like to visit him at one of his patriarchal communes . . . A Dominican, dining with the Gills, once thought he saw a nimbus shining around Eric's head. Despite the sexual improprieties it unearths, MacCarthy's authoritative biography allows you to understand how someone might have thought that.' John Carey, Sunday Times
Author: Fiona MacCarthy
Publisher:
ISBN: 9780571143023
Category : Artists
Languages : en
Pages : 338
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Book Description
Eric Gill was perhaps the greatest English artist-craftsman of the twentieth century: a typographer and lettercutter of genius and a master in the art of sculpture and wood-engraving.'A wonderfully detailed account of his personality - so vivid, you feel you know just what it would have been like to visit him at one of his patriarchal communes . . . A Dominican, dining with the Gills, once thought he saw a nimbus shining around Eric's head. Despite the sexual improprieties it unearths, MacCarthy's authoritative biography allows you to understand how someone might have thought that.' John Carey, Sunday Times
Author: Eric Gill
Publisher: Penguin UK
ISBN: 0141395362
Category : Design
Languages : en
Pages : 144
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Book Description
Eric Gill's opinionated manifesto on typography argues that 'a good piece of lettering is as beautiful a thing to see as any sculpture or painted picture'. This essay explores the place of typography in culture and is also a moral treatise celebrating the role of craftsmanship in an industrial age. Gill, a sculptor, engraver, printmaker and creator of many classic typefaces that can be seen around us today, fused art, history and polemic in a visionary work which has been hugely influential on modern graphic design. 'Written with clarity, humility and a touch of humour . . . timeless and absorbing' Paul Rand, The New York Times 'His lettering was clear, confident and hugely influential on the development of modern type design. The world has now caught up with Gill' Guardian How do we see the world around us? This is one of a number of pivotal works by creative thinkers like John Berger and Susan Sontag whose writings on art, design and the media have changed our vision for ever.
Author: John Physick
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Eric Gill
Publisher:
ISBN:
Category :
Languages : en
Pages : 60
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Book Description
Author: Eric Gill
Publisher: Courier Corporation
ISBN: 0486482057
Category : Design
Languages : en
Pages : 162
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Book Description
"This original collection gathers the finest woodcuts of one of the most creative and prolific English artists of the early 20th century. Ranging from the religious to the erotic, featured designs include images inspired by The Song of Songs, The Canterbury Tales, and The Four Gospels. A feast for the eyes and an important and accessible reference. "--
Author: Malcolm Yorke
Publisher: Tauris Parke Paperbacks
ISBN: 9781860645846
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
Eric Gill is perhaps the greatest English artist-craftsman of the twentieth century. His most celebrated achievements were sculptures in stone and wood ("Prospero and Ariel" on Broadcasting House; the "Stations of the Cross" in Westminster Cathedral). Malcolm Yorke reassesses this cranky, eccentric but vulnerable and modest man and illustrates his life and work with over 100 examples of Gill’s engravings, sculptures and erotic drawings.
Author: Hilary Douglas Clarke Pepler
Publisher:
ISBN:
Category : Capitalism
Languages : en
Pages : 144
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Book Description
Author: Eric Gill
Publisher: David R. Godine Publisher
ISBN: 9780879239503
Category : Art
Languages : en
Pages : 166
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Book Description
An Essay on Typography was first published in 1931, instantly recognized as a classic, and has long been unavailable. It represents Gill at his best: opinionated, fustian, and consistently humane. It is his only major work on typography and remains indispensable for anyone interested in the art of letter forms and the presentation of graphic information. This manifesto, however, is not only about letters "š€š" their form, fit, and function "š€š" but also about man's role in an industrial society. As Gill wrote later, it was his chief object "to describe two worlds "š€š" that of industrialism and that of the human workman "š€š" and to define their limits." His thinking about type is still provocative. Here are the seeds of modern advertising: unjustified lines, tight word and letter spacing, ample leading. Here is vintage Gill, as polemical as he is practical, as much concerned about the soul of man as the work of man; as much obsessed by the ends as by the means.
Author: Judith Collins
Publisher: Ben Uri Gallery & Museum
ISBN:
Category : Architecture
Languages : en
Pages : 132
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Book Description
Author: Anthony Hoyland
Publisher:
ISBN: 9781861713223
Category :
Languages : en
Pages : 232
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Book Description
ERIC GILL: NUPTIALS OF GOD by ANTHONY HOYLAND ERIC GILL (1882-1940) is one of the major erotic artists of the 20th century, and one of the key British modern artists. Gill is still a controversial figure in art. His personal life was notorious for its sexual relationships. Wyndham Lewis called his work 'excellent and ribald', while influential critic Roger Fry, one of Gill's supporters, said Gill's sculpture was 'the outcome of a desire to express something felt in the adventure of human life.' For Eric Gill, eroticism was a vital part of life, and should be openly displayed in art. He moved from nudes to Madonnas easily and simply: sex and religion were part of the same mystery for him. Eric Gill built eroticism into most of his depictions of people. 'Quite mad on sex', Gill wrote of Jacob Epstein, the sculptor, in his diary (December 9, 1913). The statement might equally apply to Gill. He thought of sex a lot, to put it mildly. EXTRACT FROM CHAPTER FOUR Eric Gill set up mirrors to watch his love-making, collected erotic photographs and books, drew genitals in detail (his own and other people's), wrote up his sexual exploits in his diary, copied out extracts from Havelock Ellis, studied animals mating and recorded their activities in his diary, spent a day photographing himself and the Epstein family nude, played tennis in the nude, made a good deal of erotic art, and spied on people having sex (as in Hyde Park). Robert Speaight said Gill was 'prey to an obsessive curiosity'. Despite his self-confessed fascination with sexuality and human bodies, some critics remarked that Eric Gill was also curiously reticent about it, perhaps due to his Victorian and Non-conformist childhood; he was also seen as being ignorant of women's bodies. Gill's ethical view of sex in art is essentially that of the pornographer: people have sex, so why not show sex in images and texts? It's natural, so it's natural people should depict sexuality in art. Gill wrote in his Autobiography: '...even pornographic photographs are generally photographs of things very good in themselves. I mean: what's wrong with a naked girl that you shouldn't look at the photograph of one? What's wrong with sexual intercourse that it should be considered damnable?' Eric Gill loses himself here in the art versus pornography debate, a tangled area of debate where the relations between art and life, between politics and the body, between things-in-themselves and the representations of them are complicated by all manner of issues. Fully illustrated, featuring many lesser-known works by Eric Gill, as well as the works of his contemporaries, and from the history of erotic art. With bibliography and notes. 232 pages. ISBN 9781861713223. www.crmoon.com
