Entertainment - Droit, Médias, Art, Culture 2017/2 PDF Download
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Author:
Publisher: Bruylant
ISBN: 2802759507
Category : Social Science
Languages : en
Pages : 278
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Book Description
Découvrez le sommaire de ce numéro et l'article "Le Jihadisme au cinéma". Discover the table of contents and the article "Jihad in the Movies".
Author:
Publisher: Bruylant
ISBN: 2802759507
Category : Social Science
Languages : en
Pages : 278
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Book Description
Découvrez le sommaire de ce numéro et l'article "Le Jihadisme au cinéma". Discover the table of contents and the article "Jihad in the Movies".
Author:
Publisher: Bruylant
ISBN: 2802760149
Category : Social Science
Languages : en
Pages : 269
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Book Description
Ce numéro contient notamment l'article d'analyse "Purchasing and Selling Intellectual Property Assets – The Purchase Price is not Just About Valuation", d'Harold Flegelman.
Author:
Publisher: Bruylant
ISBN: 2802759035
Category : Social Science
Languages : en
Pages : 329
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Book Description
Découvrez le sommaire de ce premier numéro et l'article "Pourquoi une nouvelle revue ?" Discover the table of contents of this first issue and the article "Why a New Publication?"
Author: BRUYLENT
Publisher:
ISBN: 9782802761433
Category :
Languages : en
Pages :
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Book Description
Author: Ruth Towse
Publisher: Edward Elgar Publishing
ISBN: 1788975804
Category : Business & Economics
Languages : en
Pages : 552
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Book Description
Cultural economics has become well established as a subject of interest for students and teachers of courses ranging from economics to arts administration as well as for policy-makers and practitioners in the creative industries. Digitisation has had a tremendous impact on many areas of the creative economy and the third edition of this popular book fully reflects it.
Author: Mathieu Deflem
Publisher: Emerald Group Publishing
ISBN: 1800717296
Category : Computers
Languages : en
Pages : 200
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Book Description
For its breadth and depth of research, this is an essential text for researchers and students of, sociology, law, criminology, and criminal justice. Everything from traditional mass media, to increasingly important social networking sites are explored to understand issues around free speech and censorship, in the modern day.
Author: Shane Homan
Publisher: Bloomsbury Publishing USA
ISBN: 1501345338
Category : Music
Languages : en
Pages : 425
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Book Description
The Bloomsbury Handbook of Popular Music Policy is the first thorough analysis of how policy frames the behavior of audiences, industries, and governments in the production and consumption of popular music. Covering a range of industrial and national contexts, this collection assesses how music policy has become an important arm of government, and a contentious arena of global debate across areas of cultural trade, intellectual property, and mediacultural content. It brings together a diverse range of researchers to reveal how histories of music policy development continue to inform contemporary policy and industry practice. The Handbook maps individual nation case studies with detailed assessment of music industry sectors. Drawing on international experts, the volume offers insight into global debates about popular music within broader social, economic, and geopolitical contexts.
Author: Alisa Freedman
Publisher: Taylor & Francis
ISBN: 1000864170
Category : Social Science
Languages : en
Pages : 440
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Book Description
Specifically designed for use in a range of undergraduate and graduate courses, while reaching specialists and general readers, this second edition of Introducing Japanese Popular Culture is a comprehensive textbook offering an up-to-date overview of a wide variety of media forms. It uses particular case studies as a way into examining the broader themes in Japanese culture and provides a thorough analysis of the historical and contemporary trends that have shaped artistic production, as well as politics, society, and economics. As a result, more than being a time capsule of influential trends, this book teaches enduring lessons about how popular culture reflects the societies that produce and consume it. With contributions from an international team of scholars, representing a range of disciplines from history and anthropology to art history and media studies, the book covers: Characters Television Videogames Fan media and technology Music Popular cinema Anime Manga Spectacles and competitions Sites of popular culture Fashion Contemporary art. Written in an accessible style with ample description and analysis, this textbook is essential reading for students of Japanese culture and society, Asian media and popular culture, globalization, and Asian Studies in general. It is a go-to handbook for interested readers and a compendium for scholars.
Author: William Deresiewicz
Publisher: Henry Holt and Company
ISBN: 1250125529
Category : Art
Languages : en
Pages : 336
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Book Description
A deeply researched warning about how the digital economy threatens artists' lives and work—the music, writing, and visual art that sustain our souls and societies—from an award-winning essayist and critic There are two stories you hear about earning a living as an artist in the digital age. One comes from Silicon Valley. There's never been a better time to be an artist, it goes. If you've got a laptop, you've got a recording studio. If you've got an iPhone, you've got a movie camera. And if production is cheap, distribution is free: it's called the Internet. Everyone's an artist; just tap your creativity and put your stuff out there. The other comes from artists themselves. Sure, it goes, you can put your stuff out there, but who's going to pay you for it? Everyone is not an artist. Making art takes years of dedication, and that requires a means of support. If things don't change, a lot of art will cease to be sustainable. So which account is true? Since people are still making a living as artists today, how are they managing to do it? William Deresiewicz, a leading critic of the arts and of contemporary culture, set out to answer those questions. Based on interviews with artists of all kinds, The Death of the Artist argues that we are in the midst of an epochal transformation. If artists were artisans in the Renaissance, bohemians in the nineteenth century, and professionals in the twentieth, a new paradigm is emerging in the digital age, one that is changing our fundamental ideas about the nature of art and the role of the artist in society.
Author:
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728
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Book Description
