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Author: Eleanor Prescott Hammond
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 614
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Book Description
Author: Eleanor Prescott Hammond
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 614
Get Book Here
Book Description
Author: Eleanor Prescott Hammond
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Eleanor Prescott Hammond
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 591
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Book Description
Author: Eleanor P. Hammond
Publisher:
ISBN: 9780374934392
Category : English poetry
Languages : en
Pages : 591
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Book Description
Author: Derek Pearsall
Publisher: Routledge
ISBN: 042957603X
Category : Literary Criticism
Languages : en
Pages : 372
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Book Description
Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.
Author: Marina Tarlinskaja
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3112419421
Category : Language Arts & Disciplines
Languages : en
Pages : 360
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Book Description
No detailed description available for "English Verse".
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296
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Book Description
Author: Alan T. Gaylord
Publisher: Routledge
ISBN: 1134826427
Category : Literary Criticism
Languages : en
Pages : 445
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Book Description
These fifteen essays, four of them commissioned for this volume, along with a discursive introduction which sets each essay into place and comments on its distinctive features, represent a gathering never before attempted: a symposium on Chaucer's craft that concentrates on his poetic forms, his rhythms, his riming, his versification, his prosody. In his seminal essay, Scanning the Prosodists, Alan Gaylord (the editor of this volume) had asked: To show how Chaucer moves, and in moving, moves us: is that not what the study of his prosody should do? Should it not identify a pattern of sounds in motion, a regular and expressive succession which is part of the order of verse and a major component of its effectiveness? In the two decades that followed that essay, a number of distinguished scholars provided a variety of answers for such questions, arising from the authors' work as metrical theorists, or editors of medieval verse, or literary historians, or critics -- but in every case, such work connected to the initiatives and discoveries of the classroom. The best written and most useful of those essays, by recognized authorities in their fields, have been included in this volume. The volume will be of use to the advanced student of Chaucer and medieval poetry, and to the teacher interested in identifying, explaining, and bringing to life the patterns of sound and sense in Chaucer's verse. The extensive master Bibliography for the whole volume comprises a library of references which will have been reviewed and discussed in the essays.
Author: David Lawton
Publisher: Boydell & Brewer Ltd
ISBN: 0859912175
Category : History
Languages : en
Pages : 186
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Book Description
The book begins with a brief prefatory discussion of its relation to structuralist and post-structuralist criticism. The first chapter, `Apocryphal Voices', surveys the basis of modern critical approaches to persona and `irony' in Chaucer's poetry, and suggests that such approaches are better suited to unequivocally written contexts. A systematic hesitation between a wholly written and a wholly spoken context requires critical distinctions between types of persona, and a number of distinctions in the range between persona and voice. `Morality in its Context' examines the Pardoner and his tale and argues against a `dramatic' view of the tale itself, while the third chapter, 'Chaucer's Development of Persona', is a study of possible sources for Chaucer's handling of the narratorial '1', looking at the English `disour', the French `dits amoureux', Italian and Latin sources of influence, and the Roman de la Rose. The last two chapters apply the principles outlined so far to Troilus and The Canterbury Tales, with a particular examination of the literary history of the Squire'stale to show that modern interest in dramatic persona has obscured many other important issues and leads to drastic misreading. This is a challenging and lucid work which questions many of the received attitudes of recentChaucer criticism, and offers a reasoned and approachable alternative view.
Author: Steven Justice
Publisher: University of Pennsylvania Press
ISBN: 0812292944
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Critics of Piers Plowman have often behaved as if the great fourteenth-century English poem were written by committee, Written Work marks a major shift in orientation by focusing on William Langland instead of Piers Plowman. The five original historicist studies collected here are less concerned with searching for Langland's identity in medieval records than with examining the marks, even scars, left on him by the history he touched. Derek Pearsall studies what Langland knew about London—its geography, economics, and social life—and the way his focus on the city shifted in the course of revising the poem. Kathryn Kerby-Fulton examines the conditions for authorship and publishing in late fourteenth-century England and uncovers evidence of Langland's struggles to attract patronage and maintain control over the text and circulation of Piers. Anne Middleton's stunning chapter explores how the long shadow of fourteenth-century labor laws fell across Langland as he reworked his text. Ralph Hanna III examines the conflicting demands of manual and intellectual labor on the poet, while Lawrence M. Clopper uncovers the deep impressions that contemporary controversies about Franciscan poverty made on Langland and his life-work. Each of the chapters unfolds from Langland's apologia, the extraordinary autobiographical passage unique to the last of the three distinct versions of Piers Plowman that have come down to us.
