Author: Bernard Richards
Publisher: Routledge
ISBN: 1317872991
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
This popular anthology provides a collection of the most significant Victoran verse xxx; including some minor figures notably John Clare, Emily Bronte and James Thomson. Fully annotated, this collection contains introductions to individual poets, headnotes to the poems and full and informative footnotes. It represents Victorian poetic taste at its best and is the ideal companion for everyone interested in poetry of the period.
English Verse 1830 - 1890
Author: Bernard Richards
Publisher: Routledge
ISBN: 1317872991
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
This popular anthology provides a collection of the most significant Victoran verse xxx; including some minor figures notably John Clare, Emily Bronte and James Thomson. Fully annotated, this collection contains introductions to individual poets, headnotes to the poems and full and informative footnotes. It represents Victorian poetic taste at its best and is the ideal companion for everyone interested in poetry of the period.
Publisher: Routledge
ISBN: 1317872991
Category : Literary Criticism
Languages : en
Pages : 572
Book Description
This popular anthology provides a collection of the most significant Victoran verse xxx; including some minor figures notably John Clare, Emily Bronte and James Thomson. Fully annotated, this collection contains introductions to individual poets, headnotes to the poems and full and informative footnotes. It represents Victorian poetic taste at its best and is the ideal companion for everyone interested in poetry of the period.
John Betjeman
Author: Greg Morse
Publisher: Apollo Books
ISBN: 9781845195342
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. But beneath the thoroughly modern window on Britain that he opened during his lifetime lay the influence of his nineteenth-century forbears. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and -- more importantly -- religious doubt. It was, nevertheless, a process which took time. In the 1930s Betjeman's work was tinted with modernism and traditionalism. He found Victorian buildings 'funny' and wrote much in praise of the Bauhaus style, even though his early poetry was peppered with Victorian references. This leaning was incorporated into a greater sense of purpose during World War 2, when he transformed himself from precious humorist into propagandist. The resulting sense of cohesion grew when the dangers of post-war urban redevelopment heightened the need to critique the present via the poetics of the past, a mood which continued up to and beyond his gaining the Laureateship in 1972. This duty proved to be a millstone, so the 'official' poems are thus explored by the author more fully than hitherto. The conclusion of looks back to Betjeman's 1960 verse-autobiography, 'Summoned by Bells', which is seen as the apogee of his achievement and a snapshot of his identity. Included here is the first critical appreciation of the lyrics embodied within the text, which are taken as a map of the young poet's literary growth. Larkin's 1959 question 'What exactly is Betjeman?' then leads to a final appraisal of his originality, as evidenced by his glances towards postmodernism, feminism, and post-colonialism. The fact is that Betjeman never quite fits in anywhere. He is always a square peg in a round hole or a round peg in a square hole -- often for the sheer enjoyment of so being. In a sense, his desire to be as non-conformist as a Quaker meeting house makes him a radical, rather than the reactionary that his interests imply. He was a champion of beauty and the British Isles, and clearly did much to make us see the worth of our Victorian forebears. Greg Morse's book highlights this important facet of his work.
Publisher: Apollo Books
ISBN: 9781845195342
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
John Betjeman was undoubtedly the most popular Poet Laureate since Tennyson. But beneath the thoroughly modern window on Britain that he opened during his lifetime lay the influence of his nineteenth-century forbears. This book explores his identity through such Victorianism via the verse of that period, but also its architecture, religious faith and -- more importantly -- religious doubt. It was, nevertheless, a process which took time. In the 1930s Betjeman's work was tinted with modernism and traditionalism. He found Victorian buildings 'funny' and wrote much in praise of the Bauhaus style, even though his early poetry was peppered with Victorian references. This leaning was incorporated into a greater sense of purpose during World War 2, when he transformed himself from precious humorist into propagandist. The resulting sense of cohesion grew when the dangers of post-war urban redevelopment heightened the need to critique the present via the poetics of the past, a mood which continued up to and beyond his gaining the Laureateship in 1972. This duty proved to be a millstone, so the 'official' poems are thus explored by the author more fully than hitherto. The conclusion of looks back to Betjeman's 1960 verse-autobiography, 'Summoned by Bells', which is seen as the apogee of his achievement and a snapshot of his identity. Included here is the first critical appreciation of the lyrics embodied within the text, which are taken as a map of the young poet's literary growth. Larkin's 1959 question 'What exactly is Betjeman?' then leads to a final appraisal of his originality, as evidenced by his glances towards postmodernism, feminism, and post-colonialism. The fact is that Betjeman never quite fits in anywhere. He is always a square peg in a round hole or a round peg in a square hole -- often for the sheer enjoyment of so being. In a sense, his desire to be as non-conformist as a Quaker meeting house makes him a radical, rather than the reactionary that his interests imply. He was a champion of beauty and the British Isles, and clearly did much to make us see the worth of our Victorian forebears. Greg Morse's book highlights this important facet of his work.
The Princeton Handbook of World Poetries
Author: Roland Greene
Publisher: Princeton University Press
ISBN: 1400880637
Category : Literary Criticism
Languages : en
Pages : 718
Book Description
An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index
Publisher: Princeton University Press
ISBN: 1400880637
Category : Literary Criticism
Languages : en
Pages : 718
Book Description
An authoritative and comprehensive guide to poetry throughout the world The Princeton Handbook of World Poetries—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides a comprehensive and authoritative survey of the history and practice of poetry in more than 100 major regional, national, and diasporic literatures and language traditions around the globe. With more than 165 entries, the book combines broad overviews and focused accounts to give extensive coverage of poetic traditions throughout the world. For students, teachers, researchers, poets, and other readers, it supplies a one-of-a-kind resource, offering in-depth treatment of Indo-European poetries (all the major Celtic, Slavic, Germanic, and Romance languages, and others); ancient Middle Eastern poetries (Hebrew, Persian, Sumerian, and Assyro-Babylonian); subcontinental Indian poetries (Bengali, Hindi, Marathi, Punjabi, Sanskrit, Tamil, Urdu, and more); Asian and Pacific poetries (Chinese, Japanese, Korean, Vietnamese, Mongolian, Nepalese, Thai, and Tibetan); Spanish American poetries (those of Mexico, Peru, Argentina, Chile, and many other Latin American countries); indigenous American poetries (Guaraní, Inuit, and Navajo); and African poetries (those of Ethiopia, Somalia, South Africa, and other countries, and including African languages, English, French, and Portuguese). Complete with an introduction by the editors, this is an essential volume for anyone interested in understanding poetry in an international context. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides more than 165 authoritative entries on poetry in more than 100 regional, national, and diasporic literatures and language traditions throughout the world Features extensive coverage of non-Western poetic traditions Includes an introduction, bibliographies, cross-references, and a general index
Mole
Author: Steve Gronert Ellerhoff
Publisher: Reaktion Books
ISBN: 178914261X
Category : Nature
Languages : en
Pages : 217
Book Description
Though moles are rarely seen, they live in close proximity to humans around the world. Gardeners and farmers go to great lengths to remove molehills from their fields and gardens; mole-catching has been a profession for the past two millennia. Moles are also close to our imagination, appearing in myths, fairy tales, and comic books as either wealthy, undesirable grooms or seekers of enlightenment. In Mole, Steve Gronert Ellerhoff examines moles in nature as well as their representation throughout history and across cultures. Balancing evolution and ecology with photographs and artworks, Ellerhoff provides a veritable mountain of new insight into this exceedingly private mammal.
Publisher: Reaktion Books
ISBN: 178914261X
Category : Nature
Languages : en
Pages : 217
Book Description
Though moles are rarely seen, they live in close proximity to humans around the world. Gardeners and farmers go to great lengths to remove molehills from their fields and gardens; mole-catching has been a profession for the past two millennia. Moles are also close to our imagination, appearing in myths, fairy tales, and comic books as either wealthy, undesirable grooms or seekers of enlightenment. In Mole, Steve Gronert Ellerhoff examines moles in nature as well as their representation throughout history and across cultures. Balancing evolution and ecology with photographs and artworks, Ellerhoff provides a veritable mountain of new insight into this exceedingly private mammal.
Tennyson
Author: Christopher Ricks
Publisher: Routledge
ISBN: 1317865618
Category : Literary Criticism
Languages : en
Pages : 1067
Book Description
This is the only fully annotated and comprehensive selection of Tennyson’s poetry. Acknowledged as a major achievement of editorial scholarship, it has established itself as the standard edition of Tennyson. The collection contains in full all four of Tennyson's long poems: The Princess, In Memoriam, Maud, and Idylls of the King. Other key works are included from Mariana, The Lady of Shallott, Morte d'Arthur, Ulysses, and Tithonus through Tennyson's middle life and the Ode on the Death of the Duke of Wellington, to his last years and Crossing the Bar.
Publisher: Routledge
ISBN: 1317865618
Category : Literary Criticism
Languages : en
Pages : 1067
Book Description
This is the only fully annotated and comprehensive selection of Tennyson’s poetry. Acknowledged as a major achievement of editorial scholarship, it has established itself as the standard edition of Tennyson. The collection contains in full all four of Tennyson's long poems: The Princess, In Memoriam, Maud, and Idylls of the King. Other key works are included from Mariana, The Lady of Shallott, Morte d'Arthur, Ulysses, and Tithonus through Tennyson's middle life and the Ode on the Death of the Duke of Wellington, to his last years and Crossing the Bar.
The Story of Prosecco Superiore
Author: Susan H. Gordon
Publisher: Rowman & Littlefield
ISBN: 1538191288
Category : Cooking
Languages : en
Pages : 315
Book Description
Why is Prosecco so popular? In the United States, Prosecco is now a household word. Throughout the world, Prosecco bottles sell at twice the rate of Champagne’s, even during a pandemic. Although the comparison with Champagne, the great sparkling wine of northern France often erroneously used as synonym of sparkling wine, is a common one, it is not immediately obvious why it should be. This story of Prosecco Superiore — sparkling Prosecco grown in two small hilly historic zones of the ancient Venetian Republic’s interior lands — shows them as uniquely Italian sparkling wines, tracing them to those hills at the second half of the 19th century, time of uprisings that would oust Napoleon’s France and the Habsburgs’ Austria and lead to the creation of an Italian nation. Among the many who fought to make an Italy was a pharmaceutical student born four decades after the fall of Venice: local chemist, follower of ardent Italian insurgent Giuseppe Mazzini, Garibaldian soldier, winemaker, writer, inventor, cheerful and optimistic if informal politician Antonio Carpenè, founder of the oldest Prosecco winery and who created these wines’ prototype a century before materials such as stainless steel would finally exist to make them possible. To tell the science and history of the making of Prosecco Superiore, its roots in Italian languages and cultures and in the lives and sounds of those hills of the Veneto’s upper Marca Trevigiana long celebrated as sites of the top Prosecco vineyards, this book is written in a style that leads readers to unfamiliar places so that they might move richly and daringly through 150 years of Prosecco’s landscape. The story moves through Carpenè’s days and follows his work into the mid-20th century as modern Prosecco began its rise, then into the 21st as farmers and scientists work Prosecco Superiore’s culture of hills and ingenuity into new blends of complexity, technology, and artisanship. Built on intensive and, as appropriate to wine, wide-ranging research, this story is both an imaginative and personal telling of the histories, methods, and places of Prosecco Superiore and a reader’s guide to wonder and wandering, acts well suited to both the enjoyment and the effects of Italy’s most important sparkling wines.
Publisher: Rowman & Littlefield
ISBN: 1538191288
Category : Cooking
Languages : en
Pages : 315
Book Description
Why is Prosecco so popular? In the United States, Prosecco is now a household word. Throughout the world, Prosecco bottles sell at twice the rate of Champagne’s, even during a pandemic. Although the comparison with Champagne, the great sparkling wine of northern France often erroneously used as synonym of sparkling wine, is a common one, it is not immediately obvious why it should be. This story of Prosecco Superiore — sparkling Prosecco grown in two small hilly historic zones of the ancient Venetian Republic’s interior lands — shows them as uniquely Italian sparkling wines, tracing them to those hills at the second half of the 19th century, time of uprisings that would oust Napoleon’s France and the Habsburgs’ Austria and lead to the creation of an Italian nation. Among the many who fought to make an Italy was a pharmaceutical student born four decades after the fall of Venice: local chemist, follower of ardent Italian insurgent Giuseppe Mazzini, Garibaldian soldier, winemaker, writer, inventor, cheerful and optimistic if informal politician Antonio Carpenè, founder of the oldest Prosecco winery and who created these wines’ prototype a century before materials such as stainless steel would finally exist to make them possible. To tell the science and history of the making of Prosecco Superiore, its roots in Italian languages and cultures and in the lives and sounds of those hills of the Veneto’s upper Marca Trevigiana long celebrated as sites of the top Prosecco vineyards, this book is written in a style that leads readers to unfamiliar places so that they might move richly and daringly through 150 years of Prosecco’s landscape. The story moves through Carpenè’s days and follows his work into the mid-20th century as modern Prosecco began its rise, then into the 21st as farmers and scientists work Prosecco Superiore’s culture of hills and ingenuity into new blends of complexity, technology, and artisanship. Built on intensive and, as appropriate to wine, wide-ranging research, this story is both an imaginative and personal telling of the histories, methods, and places of Prosecco Superiore and a reader’s guide to wonder and wandering, acts well suited to both the enjoyment and the effects of Italy’s most important sparkling wines.
The Victorian Literature Handbook
Author: Alexandra Warwick
Publisher: Bloomsbury Publishing
ISBN: 1441126422
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Victorian Literature Handbook is an accessible and comprehensive introduction to literature and culture in the Victorian period. It is a one-stop resource for literature students, providing the essential information and guidance needed from introducing the historical and cultural context to key authors, texts and genres. It includes case studies for reading literary and critical texts, a guide to key critical concepts, introductions to key critical approaches, and a timeline of literary and cultural events. Essays on changes in the canon, interdisciplinary research and current and future directions in the field lead into more advanced topics and guided further reading enables further independent work. Written in clear language by leading academics, it is an indispensable starting point for anyone beginning their study of nineteenth century literature.
Publisher: Bloomsbury Publishing
ISBN: 1441126422
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Victorian Literature Handbook is an accessible and comprehensive introduction to literature and culture in the Victorian period. It is a one-stop resource for literature students, providing the essential information and guidance needed from introducing the historical and cultural context to key authors, texts and genres. It includes case studies for reading literary and critical texts, a guide to key critical concepts, introductions to key critical approaches, and a timeline of literary and cultural events. Essays on changes in the canon, interdisciplinary research and current and future directions in the field lead into more advanced topics and guided further reading enables further independent work. Written in clear language by leading academics, it is an indispensable starting point for anyone beginning their study of nineteenth century literature.
Poetry by Women in Ireland
Author: Lucy Collins
Publisher: Liverpool University Press
ISBN: 1846317568
Category : Poetry
Languages : en
Pages : 318
Book Description
Uncovering the hidden history of poetry written by women in Ireland from 1870 to 1970, this anthology includes more than 180 poems by fifteen women with diverse backgrounds, experiences, and creative aims. Challenging the assumption that women wrote little poetry of note during this period, this rich and original collection reveals the range of their achievement and the lasting value of their work. Presented alongside biographical sketches of their authors, the poems span the political and the personal. From nationalist ballads to modernist lyrics, this book is an essential resource for students and scholars of Irish literature.
Publisher: Liverpool University Press
ISBN: 1846317568
Category : Poetry
Languages : en
Pages : 318
Book Description
Uncovering the hidden history of poetry written by women in Ireland from 1870 to 1970, this anthology includes more than 180 poems by fifteen women with diverse backgrounds, experiences, and creative aims. Challenging the assumption that women wrote little poetry of note during this period, this rich and original collection reveals the range of their achievement and the lasting value of their work. Presented alongside biographical sketches of their authors, the poems span the political and the personal. From nationalist ballads to modernist lyrics, this book is an essential resource for students and scholars of Irish literature.
The Oxford Handbook of Victorian Medievalism
Author: Joanne Parker
Publisher: Oxford University Press
ISBN: 0191648264
Category : Literary Criticism
Languages : en
Pages : 709
Book Description
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
Publisher: Oxford University Press
ISBN: 0191648264
Category : Literary Criticism
Languages : en
Pages : 709
Book Description
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
The Cambridge bibliography of English literature. 3. 1800 - 1900
Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 1132
Book Description
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 1132
Book Description