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Author: Rachel Gotlieb
Publisher: Bloomsbury Publishing
ISBN: 1350354856
Category : Art
Languages : en
Pages : 313
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Book Description
This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.
Author: Rachel Gotlieb
Publisher: Bloomsbury Publishing
ISBN: 1350354856
Category : Art
Languages : en
Pages : 313
Get Book Here
Book Description
This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.
Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 514
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Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Author: Neil Guthrie
Publisher: Cambridge University Press
ISBN: 1107041333
Category : History
Languages : en
Pages : 287
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Book Description
A comprehensive study of material objects associated with the Jacobites, produced, acquired and treasured in the late seventeenth and eighteenth centuries.
Author: Tristram Hunt
Publisher: Metropolitan Books
ISBN: 1250128358
Category : Biography & Autobiography
Languages : en
Pages : 280
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Book Description
From one of Britain’s leading historians and the director of the Victoria & Albert Museum, a scintillating biography of Josiah Wedgwood, the celebrated eighteenth-century potter, entrepreneur, and abolitionist Wedgwood’s pottery, such as his celebrated light-blue jasperware, is famous worldwide. Jane Austen bought it and wrote of it in her novels; Empress Catherine II of Russia ordered hundreds of pieces for her palace; British diplomats hauled it with them on their first-ever mission to Peking, audaciously planning to impress China with their china. But the life of Josiah Wedgwood is far richer than just his accomplishments in ceramics. He was a leader of the Industrial Revolution, a pioneering businessman, a cultural tastemaker, and a tireless scientific experimenter whose inventions made him a fellow of the Royal Society. He was also an ardent abolitionist, whose Emancipation Badge medallion—depicting an enslaved African and inscribed “Am I Not a Man and a Brother?”—became the most popular symbol of the antislavery movement on both sides of the Atlantic. And he did it all in the face of chronic disability and relentless pain: a childhood bout with smallpox eventually led to the amputation of his right leg. As historian Tristram Hunt puts it in this lively, vivid biography, Wedgwood was the Steve Jobs of the eighteenth century: a difficult, brilliant, creative figure whose personal drive and extraordinary gifts changed the way we work and live. Drawing on a rich array of letters, journals, and historical documents, The Radical Potter brings us the story of a singular man, his dazzling contributions to design and innovation, and his remarkable global impact.
Author: Neil Ewins
Publisher: Bloomsbury Publishing
ISBN: 1474289908
Category : Art
Languages : en
Pages : 231
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Book Description
Neil Ewins' study of the Staffordshire potteries in a period of great global change traces how ceramics production has been affected by globalisation in both familiar and unexpected ways. Although many manufacturers such as Wedgwood initially moved production to cheaper labour markets in East Asia, others remained in or returned to England once it became clear that outsourcing manufacturing was affecting the brand value and customer perception of their products. Neil Ewins explores the complex behaviour of the UK ceramics industry, using a combination of evidence from the press, trade journals, ceramic objects, and primary interview evidence of manufacturers, retailers and a ceramic designer. Ewins suggests that, although the surface designs of UK ceramics invariably reflect diverse cultural and stylistic influences, a notion of authenticity often still resides in the place and context in which the ceramic product was originally made. Overall, the book argues that UK ceramics remain culturally complex because of issues of supply and demand, and ties to heritage, imagined or otherwise. Within a context of globalization, the book highlights compelling issues which have huge ramifications on UK manufacturing futures.
Author: Howard Coutts
Publisher: Yale University Press
ISBN: 0300083874
Category : Art
Languages : en
Pages : 272
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Book Description
The great age of European ceramic design began around 1500 and ended in the early 19th century with the introduction of large-scale production of ceramics. In this illustrated history, with nearly 300 color and black and white photos and reproductions, curator Howard Coutts considers the main stylistic trends�Renaissance, Mannerism, Oriental, Rococo, and Neoclassicism�as they were represented in such products as Italian Majolica, Dutch Delftware, Meissen and S�vres porcelain, Staffordshire, and Wedgwood pottery. He pays close attention to changes in eating habits over the period, particularly the layout of a formal dinner, and discusses the development of ceramics as room decoration, the transmission of images via prints, marketing of ceramics and other luxury goods, and the intellectual background to Neoclassicism.
Author: Rick Pardue
Publisher: Old Salem
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 108
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Book Description
Author: William Harcourt Hooper
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 256
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Book Description
Author: David Drakard
Publisher: Antique Collectors Club Dist
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 336
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Book Description
A Definitive guide which catalogues three types of printed Spode techniques. Over 900 illustrations, many of the blue printed ware and shapes in colour. Each pattern and shape individually photographed. Totally revised second edition, including much new research.
Author: Aileen Dawson
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 328
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Book Description
"Tin-glazed earthenware has been made in Europe since the 15th century. In Britain, floor tiles and drug pots were made in Aldgate, London in the 16th century by immigrant potters from the Low Countries. In the early 17th century, factories making dishes and other wares were set up in London close to the River Thames. Their products were initially much influenced by Chinese porcelain as well as by Italian maiolica. Manufacture spread from London to centres such as Bristol, Liverpool and Dublin. Known as 'gally ware' in the 17th century, this type of pottery has come to be known as 'delftware' from the Dutch town of Delft which was renowned for its manufacture ... The British Museum collection of delftware, which was established in the later part of the 19th century, is one of the finest in the world. It is especially notable for the number of pieces bearing dates and for those which document historical personages and events. This beautifully illustrated book will feature more than 140 items from this extensive collection and include pieces which have never before been fully described or published in colour."--Publisher's description.
