Art & Auction

Art & Auction PDF Author:
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 616

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Art & Auction

Art & Auction PDF Author:
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 616

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Book Description


The Illustrated London News

The Illustrated London News PDF Author:
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 980

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The Burlington Magazine

The Burlington Magazine PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 822

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V.1-9, No.7; Mar. 1961-Sept. 1969, International Art Market

V.1-9, No.7; Mar. 1961-Sept. 1969, International Art Market PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 600

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The academy

The academy PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 858

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The Art Interchange

The Art Interchange PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 492

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European Furniture in The Metropolitan Museum of Art

European Furniture in The Metropolitan Museum of Art PDF Author: Daniëlle O. Kisluk-Grosheide,
Publisher: Metropolitan Museum of Art
ISBN: 0300104847
Category : Design
Languages : en
Pages : 300

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Book Description
This beautifully produced volume is the first to survey the Metropolitan Museum's world-renowned collection of European furniture. One hundred and three superb examples from the Museum's vast holdings are featured. They originated in workshops in England, France, Germany, Italy, the Netherlands, Austria, Russia, or Spain and date from the Renaissance to the late nineteenth century. A number of them belonged to such important historical figures as Pope Urban VIII, Louis XIV, Madame de Pompadour, and Napoleon. The selection includes chairs, tables, beds, cabinets, commodes, settees and sofas, bookcases and standing shelves, desks, fire screens, athéniennes, coffers, chests, mirrors and frames, showcases, and lighting equipment. There is also one purely decorative piece, a superb vase made for a Russian noble family who, according to one awestruck viewer, "owned all the malachite mines in the world." The makers of some of the objects are unknown, but most of the pieces can be identified by label, documentation, or style as the work of an outstanding European designer-craftsman, such as André-Charles Boulle, Thomas Chippendale, David Roentgen, or Karl Friedrich Schinkel.

Titian Remade

Titian Remade PDF Author: Maria H. Loh
Publisher: Getty Publications
ISBN: 089236873X
Category : Imitation in art
Languages : en
Pages : 218

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Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.

A Century of Artists Books

A Century of Artists Books PDF Author: Riva Castleman
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0

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Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.

In Defiance of Painting

In Defiance of Painting PDF Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318

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Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.