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Author: Derek Hughes
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 528
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Book Description
This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject.
Author: Derek Hughes
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 528
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Book Description
This extremely readable volume analyses many individual texts, often in detail and for the first time, and also places them within the whole range of contemporary theatrical output, with its diversity of outlook and constant shifts in fashion and subject.
Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1317871464
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
The most important period in the history of English drama is revealed in Alexander Leggatt's challenging account. The author considers English drama from the beginning of Shakespeare's career to the restoration of Charles II. Focusing on Shakespeare and the development of his art, he examines all his major contemporaries: Jonson, Middleton, Webster, Beaumont, Fletcher and Ford. He combines close analysis of specific plays with a broader look at trends within drama.
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109314
Category : Drama
Languages : en
Pages : 688
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Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Author: Richard W. Bevis
Publisher: Routledge
ISBN: 1317870921
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
What were the causes of Restoration drama's licentiousness? How did the elegantly-turned comedy of Congreve become the pointed satire of Fielding? And how did Sheridan and Goldsmith reshape the materials they inherited? In the first account of the entire period for more than a decade, Richard Bevis argues that none of these questions can be answered without an understanding of Augustan and Georgian history. The years between 1660 and 1789 saw considerable political and social upheaval, which is reflected in the eclectic array of dramatic forms that is Georgian theatre's essential characteristic.
Author: Barbara Ravelhofer
Publisher: Springer
ISBN: 0230593267
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, this collection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats. An introduction provides a survey of current criticism, exploring both early modern and contemporary definitions of the 'history play'. Individual essays in chronological order discuss a wide variety of possible sources for historical drama, ranging from oral traditions to chronicles. They also explore genres outside the canon which think of 'history' in different ways, such as shows, moralities and closet drama.
Author: Dale B.J. Randall
Publisher: University Press of Kentucky
ISBN: 0813157706
Category : Drama
Languages : en
Pages : 472
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Book Description
Probably the most blighted period in the history of English drama was the time of the Civil Wars, Commonwealth, and Protectorate. With the theaters closed, the country at war, the throne in fatal decline, and the powers of Parliament and Cromwell growing greater, the received wisdom has been that drama in England largely withered and died. Not so, demonstrates Dale Randall in this magisterial study, the first book in nearly sixty years to attempt a comprehensive analysis of mid-seventeenth-century English drama. Throughout the official hiatus in playing, he shows, dramas continued to be composed, translated, transmuted, published, bought, read, and even covertly acted. Furthermore, the tendency of drama to become interestingly topical and political grew more pronounced. In illuminating one of the least understood periods in English literary history, Randall's study not only encompasses a large amount of dramatic and historical material but also takes into account much of the scholarship published in recent decades. Winter Fruit is a major interpretive work in literary and social history.
Author: Thomas L. Berger
Publisher: Cambridge University Press
ISBN: 9780521621496
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
A reference book which indexes all the characters who appear in English drama from 1500 to 1660.
Author: Elizabeth Howe
Publisher: Cambridge University Press
ISBN: 9780521422109
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
This book describes how and why women were permitted to act on the public stage after 1660 in England.
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109307
Category : Drama
Languages : en
Pages : 436
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Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Author: Pamela Allen Brown
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754665359
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was all male in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.
