The Death-motif in the Poetry of Emily Dickinson and Christina Rossetti PDF Download
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Author: Claudia Ottlinger
Publisher: Peter Lang Publishing
ISBN:
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Author: Claudia Ottlinger
Publisher: Peter Lang Publishing
ISBN:
Category : Literary Criticism
Languages : en
Pages : 206
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Book Description
Author: Claudia Durst Johnson
Publisher: Greenhaven Publishing
ISBN: 9780737763768
Category : Juvenile Nonfiction
Languages : en
Pages : 0
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Book Description
Great literature resonates with us not only because of well-developed characters and plots, but also because it often reflects important social themes; these books explore a work of literature through the lens of the major issue reflected in it.; Volume explores the poetry of Emily Dickinson through the lens of issues of death and dying. Coverage includes: an examination of Dickinson's life and her experiences with death/attitudes of death during her lifetime, issues of death and dying in Dickinso; This series brings together the disciplines of sociology and literature in a unique format designed to support cross-curricular studies. Each volume explores a work of literature through the lens of the major social issue reflected in it, and features car
Author: Miriam Dauben
Publisher: GRIN Verlag
ISBN: 3640562550
Category : Language Arts & Disciplines
Languages : en
Pages : 37
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 3,0, RWTH Aachen University, language: English, abstract: Table of contents 1. Introduction 2. The death motif in the poetry of Emily Dickinson 2.1 General characteristics of death 2.2 Reasons for her interest in death2.3 The relation between time and death 3. Conclusion References 1. Introduction This term paper deals with the topic ''The death motif in the poetry of Emily Dickinson'' and is written behind the background of the seminar -Emily Dickinson-. First of all my ambition will be to bring out the impact of death and why it is so difficult to define. Further explanations will be given in the paragraph -General characteristics of death-. Death has always been a traditional theme for poetry and therefore it is not surprising that it was important to Emily Dickinson too. Five or six hundred poems, dealing with death, are proof enough for her enormous interest in this theme. Thus, the question arises why death was so important to her. Reasons for that should be constituted in the paragraph 'Reasons for Emily Dickinson's interest in death'. However she could not finally answer the question that she had asked herself, because she tried to find the salvation through imagination and in con-trast death is something that one has to experience at least. Moreover, those who actually experienced death are not able to communicate anymore with those who live, so humans can not get any knowledge about death. Therefore one can say that her quest for an answer was doomed to failure from the very beginning. One problem, she was confronted with while looking for answer, was the difficult time aspect. However, time does not just appear as a reason for her failure, but also as a poetic strategy, a reason for her interest in death and the description of the precise moment of death, which reflects in the central paragraph -The rela
Author: Emily Dickinson
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 168
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Book Description
Author: Miriam Dauben
Publisher: GRIN Verlag
ISBN: 3640562674
Category : Literary Criticism
Languages : en
Pages : 19
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Book Description
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 3,0, RWTH Aachen University, language: English, abstract: Table of contents 1. Introduction 2. The death motif in the poetry of Emily Dickinson 2.1 General characteristics of death 2.2 Reasons for her interest in death 2.3 The relation between time and death 3. Conclusion References 1. Introduction This term paper deals with the topic ''The death motif in the poetry of Emily Dickinson'' and is written behind the background of the seminar “Emily Dickinson”. First of all my ambition will be to bring out the impact of death and why it is so difficult to define. Further explanations will be given in the paragraph “General characteristics of death”. Death has always been a traditional theme for poetry and therefore it is not surprising that it was important to Emily Dickinson too. Five or six hundred poems, dealing with death , are proof enough for her enormous interest in this theme. Thus, the question arises why death was so important to her. Reasons for that should be constituted in the paragraph ‘Reasons for Emily Dickinson’s interest in death’. However she could not finally answer the question that she had asked herself, because she tried to find the salvation through imagination and in con-trast death is something that one has to experience at least. Moreover, those who actually experienced death are not able to communicate anymore with those who live, so humans can not get any knowledge about death. Therefore one can say that her quest for an answer was doomed to failure from the very beginning. One problem, she was confronted with while looking for answer, was the difficult time aspect. However, time does not just appear as a reason for her failure, but also as a poetic strategy, a reason for her interest in death and the description of the precise moment of death, which reflects in the central paragraph “The relation between time and death”. In order to point out the importance of time in Emily Dickinson’s poetry about death, my research question will be what different aspects of time affected her poetry and were expressed through her writing. The most difficult thing of the topic will be to relate the time aspects with each other, because they are settled on different levels. Moreover I am going to analyse the poem “A Clock stopped –“ with respect to the time aspect, because it is representative for the importance of time within her death poetry. [...] Finally a conclusion will be drawn in order to summarize my results and to answer my research question.
Author: Bradford K. Mudge
Publisher: Cambridge University Press
ISBN: 110718407X
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
This Companion offers an introduction to key topics in the study of erotic literature from antiquity to the present.
Author: Neeru Tandon & Anjana Trevedi
Publisher: Atlantic Publishers & Dist
ISBN: 9788126909292
Category :
Languages : en
Pages : 192
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Book Description
Emily Dickinson, 1830-1886, American poet.
Author: Emily Dickinson
Publisher: Rock Point Gift & Stationery
ISBN: 1631068415
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Share in Dickinson’s admiration of language, nature, and life and death, with The Selected Poems of Emily Dickinson.
Author: Cynthia Griffin Wolff
Publisher: Doubleday
ISBN: 0804153469
Category : Biography & Autobiography
Languages : en
Pages : 1007
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Book Description
Emily Dickinson led a quiet life, treasuring her privacy and eventually giving herself over completely to her art: it was in her poetry that she “deliberately decided to live” and there that she is most clearly revealed to us. Yet until now, no biography of this most enigmatic of American poets has attempted to unravel the intricate relationship between the poet’s life and her poetry, between the life of her mind and the voice of her poems. Now, Cynthia Griffin Wolff (author of the highly acclaimed A Feast of Words: The Triumph of Edith Wharton) gives us a brilliantly literary biography of Emily Dickinson that reveals this relationship through a rich, comprehensive understanding of Dickinson herself and a new, extraordinarily illuminating reading of her exquisite yet often daunting poems.
Author: Judith FARR
Publisher: Harvard University Press
ISBN: 0674036727
Category : Poetry
Languages : en
Pages : 368
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Book Description
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality. Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today. Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere. Table of Contents: Introduction 1. Gardening in Eden 2. The Woodland Garden 3. The Enclosed Garden 4. The "Garden in the Brain" 5. Gardening with Emily Dickinson Louise Carter Epilogue: The Gardener in Her Seasons Appendix: Flowers and Plants Grown by Emily Dickinson Abbreviations Notes Acknowledgments Index of Poems Cited Index Reviews of this book: In this first major study of our beloved poet Dickinson's devotion to gardening, Farr shows us that like poetry, gardening was her daily passion, her spiritual sustenance, and her literary inspiration...Rather than speaking generally about Dickinson's gardening habits, as other articles on the subject have done, Farr immerses the reader in a stimulating and detailed discussion of the flowers Dickinson grew, collected, and eulogized...The result is an intimate study of Dickinson that invites readers to imagine the floral landscapes that she saw, both in and out of doors, and to re-create those landscapes by growing the same flowers (the final chapter is chock-full of practical gardening tips). --Maria Kochis, Library Journal Reviews of this book: This is a beautiful book on heavy white paper with rich reproductions of Emily Dickinson's favorite flowers, including sheets from the herbarium she kept as a young girl. But which came first, the flowers or the poems? So intertwined are Dickinson's verses with her life in flowers that they seem to be the lens through which she saw the world. In her day (1830-86), many people spoke 'the language of flowers.' Judith Farr shows how closely the poet linked certain flowers with her few and beloved friends: jasmine with editor Samuel Bowles, Crown Imperial with Susan Gilbert, heliotrope with Judge Otis Lord and day lilies with her image of herself. The Belle of Amherst, Mass., spent most of her life on 14 acres behind her father's house on Main Street. Her gardens were full of scented flowers and blossoming trees. She sent notes with nosegays and bouquets to neighbors instead of appearing in the flesh. Flowers were her messengers. Resisting digressions into the world of Dickinson scholarship, Farr stays true to her purpose, even offering a guide to the flowers the poet grew and how to replicate her gardens. --Susan Salter Reynolds, Los Angeles Times Cuttings from the book: "The pansy, like the anemone, was a favorite of Emily Dickinson because it came up early, announcing the longed-for spring, and, as a type of bravery, could withstand cold and even an April snow flurry or two in her Amherst garden. In her poem the pansy announces itself boldly, telling her it has been 'resoluter' than the 'Coward Bumble Bee' that loiters by a warm hearth waiting for May." "She spoke of the written word as a flower, telling Emily Fowler Ford, for example, 'thank you for writing me, one precious little "forget-me-not" to bloom along my way.' She often spoke of a flower when she meant herself: 'You failed to keep your appointment with the apple-blossoms,' she reproached her friend Maria Whitney in June 1883, meaning that Maria had not visited her . . . Sometimes she marked the day or season by alluding to flowers that had or had not bloomed: 'I said I should send some flowers this week . . . [but] my Vale Lily asked me to wait for her.'" "People were also associated with flowers . . . Thus, her loyal, brisk, homemaking sister Lavinia is mentioned in Dickinson's letters in concert with sweet apple blossoms and sturdy chrysanthemums . . . Emily's vivid, ambitious sister-in-law Susan Dickinson is mentioned in the company of cardinal flowers and of that grand member of the fritillaria family, the Crown Imperial."
