Emanuel Aloys Förster: Six String Quartets, Op.7

Emanuel Aloys Förster: Six String Quartets, Op.7 PDF Author: Emanuel Aloys Förster
Publisher: A-R Editions, Inc.
ISBN: 0895798263
Category : Chamber music
Languages : en
Pages : 280

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Book Description
Emanuel Aloys Förster (1748–1823) was among the most significant composers of Viennese chamber music at the turn of the nineteenth century. The three sets of six string quartets that he published are exemplary works in the genre at that time, fine examples of the intellectually and emotionally engaging nature of classical string quartets. Yet these works are not part of the standard chamber music repertoire, nor are they much discussed by musicologists, except in terms of the supposed “influence” between Förster and Beethoven. This discussion typically relates to Förster’s first set of string quartets, op. 7 (1794), but without detailed consideration of the music or discussion of the other quartets that he composed. Thus our assessment of this important composer in general, and his contributions to Viennese string quartet culture around 1800 in particular, is hampered by a narrowness of vision. This new edition of Förster’s op. 7 not only helps with comparison to Beethoven, but shows his own command of the four string instruments’ expressive resources. A notable feature of the opus is the use of the solo cello in its high register. These works were dedicated to Friedrich Wilhelm II (1744–97), king of Prussia from 1786, who was himself a cellist. Performance parts are available as separate purchases.

Emanuel Aloys Förster: Six String Quartets, Op.7

Emanuel Aloys Förster: Six String Quartets, Op.7 PDF Author: Emanuel Aloys Förster
Publisher: A-R Editions, Inc.
ISBN: 0895798263
Category : Chamber music
Languages : en
Pages : 280

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Book Description
Emanuel Aloys Förster (1748–1823) was among the most significant composers of Viennese chamber music at the turn of the nineteenth century. The three sets of six string quartets that he published are exemplary works in the genre at that time, fine examples of the intellectually and emotionally engaging nature of classical string quartets. Yet these works are not part of the standard chamber music repertoire, nor are they much discussed by musicologists, except in terms of the supposed “influence” between Förster and Beethoven. This discussion typically relates to Förster’s first set of string quartets, op. 7 (1794), but without detailed consideration of the music or discussion of the other quartets that he composed. Thus our assessment of this important composer in general, and his contributions to Viennese string quartet culture around 1800 in particular, is hampered by a narrowness of vision. This new edition of Förster’s op. 7 not only helps with comparison to Beethoven, but shows his own command of the four string instruments’ expressive resources. A notable feature of the opus is the use of the solo cello in its high register. These works were dedicated to Friedrich Wilhelm II (1744–97), king of Prussia from 1786, who was himself a cellist. Performance parts are available as separate purchases.

The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712

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The String Quartet, 1750–1797

The String Quartet, 1750–1797 PDF Author: Mara Parker
Publisher: Routledge
ISBN: 1351540289
Category : Music
Languages : en
Pages : 336

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Book Description
The second half of the eighteenth century witnessed a flourishing of the string quartet, often represented as a smooth and logical progression from first violin-dominated homophony to a more equal conversation between the four voices. Yet this progression was neither as smooth nor as linear as previously thought, as Mara Parker illustrates in her examination of the string quartet during this period. Looking at a wide variety of string quartets by composers such as Pleyel, Distler and Filtz, in addition to Haydn and Mozart, the book proposes a new way of describing the relationships between the four instruments in different works. Broadly speaking, these relationships follow one of four patterns: the 'lecture', the 'polite conversation', the 'debate', and the 'conversation'. In focusing on these musical discourses, it becomes apparent that each work is the product of its composer's stylistic choices, location, intended performers and intended audience. Instead of evolving in a strict and universal sequence, the string quartet in the latter half of the eighteenth century was a complex genre with composers mixing and matching musical discourses as circumstances and their own creative impulses required.

The Cambridge History of Nineteenth-Century Music

The Cambridge History of Nineteenth-Century Music PDF Author: Jim Samson
Publisher: Cambridge University Press
ISBN: 9780521590174
Category : Music
Languages : en
Pages : 796

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Book Description
The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.

Dictionary Catalog of the Music Collection

Dictionary Catalog of the Music Collection PDF Author: New York Public Library. Reference Department
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1016

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String Quartets in Beethoven’s Europe

String Quartets in Beethoven’s Europe PDF Author: Nancy November
Publisher: Academic Studies PRess
ISBN: 1644697890
Category : Music
Languages : en
Pages : 346

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Book Description
String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.

The International Cyclopedia of Music and Musicians

The International Cyclopedia of Music and Musicians PDF Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506

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New Oxford History of Music: The Age of Enlightenment, 1745-1790

New Oxford History of Music: The Age of Enlightenment, 1745-1790 PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 762

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National Union Catalog

National Union Catalog PDF Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 1344

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The International Cyclopedia of Music and Musicians

The International Cyclopedia of Music and Musicians PDF Author: Oscar Thompson
Publisher: New York : Dodd, Mead
ISBN:
Category : Music
Languages : en
Pages : 2504

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Book Description