Author: Sandy Isenstadt
Publisher: MIT Press
ISBN: 026203817X
Category : Architecture
Languages : en
Pages : 303
Book Description
How electric light created new spaces that transformed the built environment and the perception of modern architecture. In this book, Sandy Isenstadt examines electric light as a form of architecture—as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity—instantaneous, malleable, ubiquitous, evanescent—is modernity's medium. Isenstadt shows how the introduction of electric lighting at the end of the nineteenth century created new architectural spaces that altered and sometimes eclipsed previously existing spaces. He constructs an architectural history of these new spaces through five examples, ranging from the tangible miracle of the light switch to the immaterial and borderless gloom of the wartime blackout. He describes what it means when an ordinary person can play God by flipping a switch; when the roving cone of automobile headlights places driver and passenger at the vertex of a luminous cavity; when lighting in factories is seen to enhance productivity; when Times Square became an emblem of illuminated commercial speech; and when the absence of electric light in a blackout produced a new type of space. In this book, the first sustained examination of the spatial effects of electric lighting, Isenstadt reconceives modernism in architecture to account for the new perceptual conditions and visual habits that followed widespread electrification.
Electric Light
Author: Sandy Isenstadt
Publisher: MIT Press
ISBN: 026203817X
Category : Architecture
Languages : en
Pages : 303
Book Description
How electric light created new spaces that transformed the built environment and the perception of modern architecture. In this book, Sandy Isenstadt examines electric light as a form of architecture—as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity—instantaneous, malleable, ubiquitous, evanescent—is modernity's medium. Isenstadt shows how the introduction of electric lighting at the end of the nineteenth century created new architectural spaces that altered and sometimes eclipsed previously existing spaces. He constructs an architectural history of these new spaces through five examples, ranging from the tangible miracle of the light switch to the immaterial and borderless gloom of the wartime blackout. He describes what it means when an ordinary person can play God by flipping a switch; when the roving cone of automobile headlights places driver and passenger at the vertex of a luminous cavity; when lighting in factories is seen to enhance productivity; when Times Square became an emblem of illuminated commercial speech; and when the absence of electric light in a blackout produced a new type of space. In this book, the first sustained examination of the spatial effects of electric lighting, Isenstadt reconceives modernism in architecture to account for the new perceptual conditions and visual habits that followed widespread electrification.
Publisher: MIT Press
ISBN: 026203817X
Category : Architecture
Languages : en
Pages : 303
Book Description
How electric light created new spaces that transformed the built environment and the perception of modern architecture. In this book, Sandy Isenstadt examines electric light as a form of architecture—as a new, uniquely modern kind of building material. Electric light was more than just a novel way of brightening a room or illuminating a streetscape; it brought with it new ways of perceiving and experiencing space itself. If modernity can be characterized by rapid, incessant change, and modernism as the creative response to such change, Isenstadt argues, then electricity—instantaneous, malleable, ubiquitous, evanescent—is modernity's medium. Isenstadt shows how the introduction of electric lighting at the end of the nineteenth century created new architectural spaces that altered and sometimes eclipsed previously existing spaces. He constructs an architectural history of these new spaces through five examples, ranging from the tangible miracle of the light switch to the immaterial and borderless gloom of the wartime blackout. He describes what it means when an ordinary person can play God by flipping a switch; when the roving cone of automobile headlights places driver and passenger at the vertex of a luminous cavity; when lighting in factories is seen to enhance productivity; when Times Square became an emblem of illuminated commercial speech; and when the absence of electric light in a blackout produced a new type of space. In this book, the first sustained examination of the spatial effects of electric lighting, Isenstadt reconceives modernism in architecture to account for the new perceptual conditions and visual habits that followed widespread electrification.
Edison's Electric Light
Author: Robert Friedel
Publisher: JHU Press
ISBN: 0801899443
Category : Technology & Engineering
Languages : en
Pages : 247
Book Description
In September 1878, Thomas Alva Edison brashly—and prematurely—proclaimed his breakthrough invention of a workable electric light. That announcement was followed by many months of intense experimentation that led to the successful completion of his Pearl Street station four years later. Edison was not alone—nor was he first—in developing an incandescent light bulb, but his was the most successful of all competing inventions. Drawing from the documents in the Edison archives, Robert Friedel and Paul Israel explain how this came to be. They explore the process of invention through the Menlo Park notes, discussing the full range of experiments, including the testing of a host of materials, the development of such crucial tools as the world's best vacuum pump, and the construction of the first large-scale electrical generators and power distribution systems. The result is a fascinating story of excitement, risk, and competition. Revised and updated from the original 1986 edition, this definitive study of the most famous invention of America's most famous inventor is completely keyed to the printed and electronic versions of the Edison Papers, inviting the reader to explore further the remarkable original sources.
Publisher: JHU Press
ISBN: 0801899443
Category : Technology & Engineering
Languages : en
Pages : 247
Book Description
In September 1878, Thomas Alva Edison brashly—and prematurely—proclaimed his breakthrough invention of a workable electric light. That announcement was followed by many months of intense experimentation that led to the successful completion of his Pearl Street station four years later. Edison was not alone—nor was he first—in developing an incandescent light bulb, but his was the most successful of all competing inventions. Drawing from the documents in the Edison archives, Robert Friedel and Paul Israel explain how this came to be. They explore the process of invention through the Menlo Park notes, discussing the full range of experiments, including the testing of a host of materials, the development of such crucial tools as the world's best vacuum pump, and the construction of the first large-scale electrical generators and power distribution systems. The result is a fascinating story of excitement, risk, and competition. Revised and updated from the original 1986 edition, this definitive study of the most famous invention of America's most famous inventor is completely keyed to the printed and electronic versions of the Edison Papers, inviting the reader to explore further the remarkable original sources.
A Rudimentary Treatise on the Manufacture of Bricks and Tiles Containing an Outline of the Principles of Brickmaking
Author: Edward Dobson
Publisher:
ISBN:
Category : Brickmaking
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : Brickmaking
Languages : en
Pages : 382
Book Description
Field Implements & Machines, a Practical Treatise on the Varieties Now in Use, with Principles & Details of Construction ...
Author: John Scott (agriculturist.)
Publisher:
ISBN:
Category : Agricultural machinery
Languages : en
Pages : 254
Book Description
Publisher:
ISBN:
Category : Agricultural machinery
Languages : en
Pages : 254
Book Description
The Works' Manager's Hand-book of Modern Rules, Tables, and Data for Civil and Mechanical Engineers, Millwrights, and Boiler Makers; Tool Makers, Machinists, and Metal Workers; Iron and Brass Founders, Etc., Etc
Author: Walter S. Hutton
Publisher:
ISBN:
Category : Mechanical engineering
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Mechanical engineering
Languages : en
Pages : 552
Book Description
The Elementary & Practical Principles of the Construction of Ships for Ocean & River Service
Author: Hakon Adelsten Sommerfeldt
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
Book Description
The goldsmith's handbook
Author: G. Gee
Publisher: Рипол Классик
ISBN: 5873513570
Category : History
Languages : en
Pages : 342
Book Description
The goldsmith's handbook : containing full instructions for the alloying and working of gold ; including the art of alloying, melting, reducing, colouring, collecting and refining ; the processes of manipulation, recovery of waste ; chemical and physical properties of gold ; with new system of mixing its alloys ; solders, enamels, and other useful rules and recipes. by George E. Gee. Third edition, considerably enlarged. London : Crosby Lockwood and Co. 1886
Publisher: Рипол Классик
ISBN: 5873513570
Category : History
Languages : en
Pages : 342
Book Description
The goldsmith's handbook : containing full instructions for the alloying and working of gold ; including the art of alloying, melting, reducing, colouring, collecting and refining ; the processes of manipulation, recovery of waste ; chemical and physical properties of gold ; with new system of mixing its alloys ; solders, enamels, and other useful rules and recipes. by George E. Gee. Third edition, considerably enlarged. London : Crosby Lockwood and Co. 1886
Electro-typing. A Practical Manual Forming a New and Systematic Guide to the Reproduction and Multiplication of Printing Surfaces and Works of Art by the Electro-deposition of Metals
Author: John W. Urquhart
Publisher: BoD – Books on Demand
ISBN: 3385425638
Category : Fiction
Languages : en
Pages : 290
Book Description
Reprint of the original, first published in 1881.
Publisher: BoD – Books on Demand
ISBN: 3385425638
Category : Fiction
Languages : en
Pages : 290
Book Description
Reprint of the original, first published in 1881.
Handbook of the Telegraph
Author: R. Bond (of London.)
Publisher:
ISBN:
Category : Telegraph
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : Telegraph
Languages : en
Pages : 260
Book Description
A Treatise on the Blasting and Quarrying of Stone
Author: John Burgoyne
Publisher: BoD – Books on Demand
ISBN: 3368851977
Category : Fiction
Languages : en
Pages : 206
Book Description
Reprint of the original, first published in 1874.
Publisher: BoD – Books on Demand
ISBN: 3368851977
Category : Fiction
Languages : en
Pages : 206
Book Description
Reprint of the original, first published in 1874.