Author: Lisa Jarvinen
Publisher: Rutgers University Press
ISBN: 0813553288
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost ground in the lucrative international Spanish-speaking audience between 1929 and 1939. Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, transnational, Spanish-speaking film market in an attempt to forestall the competition from other national film industries. By the late 1930s, these efforts led to unintended consequences and helped to foster the growth of remarkably robust film industries in Mexico, Spain, and Argentina. Using studio records, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. She shows through case studies based on archival research in the United States, Spain, and Mexico how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.
The Rise of Spanish-Language Filmmaking
Author: Lisa Jarvinen
Publisher: Rutgers University Press
ISBN: 0813553288
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost ground in the lucrative international Spanish-speaking audience between 1929 and 1939. Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, transnational, Spanish-speaking film market in an attempt to forestall the competition from other national film industries. By the late 1930s, these efforts led to unintended consequences and helped to foster the growth of remarkably robust film industries in Mexico, Spain, and Argentina. Using studio records, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. She shows through case studies based on archival research in the United States, Spain, and Mexico how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.
Publisher: Rutgers University Press
ISBN: 0813553288
Category : Performing Arts
Languages : en
Pages : 231
Book Description
Silent film was universally understood and could be exported anywhere. But when “talkies” arrived, the industry began experimenting with dubbing, subtitling, and dual track productions in more than one language. Where language fractured the European film market, for Spanish-speaking countries and communities, it created new opportunities. In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost ground in the lucrative international Spanish-speaking audience between 1929 and 1939. Hollywood studios initially trained cadres of Spanish-speaking film professionals, created networks among them, and demonstrated the viability of a broadly conceived, transnational, Spanish-speaking film market in an attempt to forestall the competition from other national film industries. By the late 1930s, these efforts led to unintended consequences and helped to foster the growth of remarkably robust film industries in Mexico, Spain, and Argentina. Using studio records, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. She shows through case studies based on archival research in the United States, Spain, and Mexico how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.
Proceedings of the Second Pan American Scientific Congress: (section VI) International law, public law and jurisprudence. J. B. Scott, chairman
Author:
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 934
Book Description
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 934
Book Description
Hollywood Goes Latin
Author: María de las Carreras
Publisher: Indiana University Press
ISBN: 2960029674
Category : Performing Arts
Languages : en
Pages : 254
Book Description
In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.
Publisher: Indiana University Press
ISBN: 2960029674
Category : Performing Arts
Languages : en
Pages : 254
Book Description
In the 1920s, Los Angeles enjoyed a buoyant homegrown Spanish-language culture comprised of local and itinerant stock companies that produced zarzuelas, stage plays, and variety acts. After the introduction of sound films, Spanish-language cinema thrived in the city's downtown theatres, screening throughout the 1930s, 1940s, and 1950s in venues such as the Teatro Eléctrico, the California, the Roosevelt, the Mason, the Azteca, the Million Dollar, and the Mayan Theater, among others. With the emergence and growth of Mexican and Argentine sound cinema in the early to mid-1930s, downtown Los Angeles quickly became the undisputed capital of Latin American cinema culture in the United States. Meanwhile, the advent of talkies resulted in the Hollywood studios hiring local and international talent from Latin America and Spain for the production of films in Spanish. Parallel with these productions, a series of Spanish-language films were financed by independent producers. As a result, Los Angeles can be viewed as the most important hub in the United States for the production, distribution, and exhibition of films made in Spanish for Latin American audiences. In April 2017, the International Federation of Film Archives organized a symposium, "Hollywood Goes Latin: Spanish-Language Cinema in Los Angeles," which brought together scholars and film archivists from all of Latin America, Spain, and the United States to discuss the many issues surrounding the creation of Hollywood's "Cine Hispano." The papers presented in this two-day symposium are collected and revised here. This is a joint publication of FIAF and UCLA Film & Television Archive.
Translation of the Law of Criminal Procedure for Cuba and Porto Rico
Author: Cuba
Publisher:
ISBN:
Category : Criminal procedure
Languages : en
Pages : 782
Book Description
Publisher:
ISBN:
Category : Criminal procedure
Languages : en
Pages : 782
Book Description
Spanish-American Short Stories / Cuentos hispanoamericanos
Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 0486120457
Category : Foreign Language Study
Languages : en
Pages : 274
Book Description
These 17 stories from the Caribbean and Central and South America encompass the works of Rubén Darío, José Martí, Amado Nervo, Rómulo Gallegos, and Ricardo Palma.
Publisher: Courier Corporation
ISBN: 0486120457
Category : Foreign Language Study
Languages : en
Pages : 274
Book Description
These 17 stories from the Caribbean and Central and South America encompass the works of Rubén Darío, José Martí, Amado Nervo, Rómulo Gallegos, and Ricardo Palma.
Translation of the Law of Criminal Procedure for Cuba and Porto Rico (with Spanish Text)
Author: Cuba
Publisher:
ISBN:
Category : Criminal procedure
Languages : en
Pages : 766
Book Description
Publisher:
ISBN:
Category : Criminal procedure
Languages : en
Pages : 766
Book Description
International Law, Public Law and Jurisprudence
Author: James Brown Scott
Publisher:
ISBN:
Category : International law
Languages : en
Pages : 896
Book Description
Publisher:
ISBN:
Category : International law
Languages : en
Pages : 896
Book Description
Por D. A. de Peñalosa y Ocon, y don B. Sanchez García de Ariño ... en el pleyto con D. J. de Villegas Barajona, etc
Author: Diego MALDONADO DE LEON
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
Das Staatsarchiv
Author:
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 340
Book Description
Anuario interamericano de derechos humanos 1989
Author: Inter-American Commission on Human Rights/La Comisin Interamericana de Derechos Humanos
Publisher: Martinus Nijhoff Publishers
ISBN: 9780792319627
Category : Political Science
Languages : en
Pages : 906
Book Description
This volume of the "Inter-American Yearbook on Human Rights" covers the year 1989, and contains all the documents and information (in English and Spanish) concerning the activities of the Organization of American States in the field of the promotion and protection of human rights. Like its predecessors, this "Yearbook" aims to contribute to a greater awareness of the functions and activities of the organs of the Inter-American system for the protection of Human Rights.
Publisher: Martinus Nijhoff Publishers
ISBN: 9780792319627
Category : Political Science
Languages : en
Pages : 906
Book Description
This volume of the "Inter-American Yearbook on Human Rights" covers the year 1989, and contains all the documents and information (in English and Spanish) concerning the activities of the Organization of American States in the field of the promotion and protection of human rights. Like its predecessors, this "Yearbook" aims to contribute to a greater awareness of the functions and activities of the organs of the Inter-American system for the protection of Human Rights.