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Author: Jaimie Baron
Publisher: Routledge
ISBN: 1135077096
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.
Author: Jaimie Baron
Publisher: Routledge
ISBN: 1135077096
Category : Performing Arts
Languages : en
Pages : 200
Get Book Here
Book Description
The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.
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Publisher:
ISBN:
Category : America
Languages : es
Pages : 220
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Book Description
Author: Víctor Silva Echeto
Publisher: Editorial GEDISA
ISBN: 8416572852
Category : Language Arts & Disciplines
Languages : en
Pages : 122
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Book Description
La desilusión de la imagen. Arqueología, cuerpo(s) y mirada(s), plantea que las imágenes son vínculos entre distintas épocas y culturas, son síntomas e indicios que dejan huellas en el imaginario cultural. Son la elegíaca memoria como musa que deambula por los tiempos pero fuera de los tiempos (genealogía) o, en otros términos, las imágenes son Mnemosyne, es decir, la musa de todas las musas. Una arqueología de la imagen, implica considerar a la imagen desde la intermedialidad (entre-medios), los cuerpos y las miradas. Concebirla desde una crítica de la cultura en una contemporaneidad atravesada por la crisis. La pregunta ¿qué son las imágenes? que se formula desde la debilidad de cierta inocencia de la escritura, adquiere toda su dimensión desde el momento en que se confunde imagen con visualidad o imagen con medios audiovisuales, dejando por el camino todos los restos de imágenes que no son visuales. Aún más, ese debate se torna más complejo, cuando en su trasfondo está la «memoria» del holocausto (o de los holocaustos); las imágenes de la crisis política, económica y social o los miles de refugiados, en la paradigmática imagen de un niño muerto en la playa, deambulando por geografías europeas. La imagen es, en efecto, «nómada», viaja por territorios y culturas. Entonces, la inocencia de la pregunta se transforma en la imagen frágil de los que no tienen imagen. «La propuesta de Víctor Silva Echeto, es una de las mejor articuladas que conozco para pensar posibles alternativas a la situación de impasse a que parece abocarnos el mundo contemporáneo.» JENARO TALENS (escritor).
Author: Jay Ruby
Publisher: University of Chicago Press
ISBN: 9780226730998
Category : Performing Arts
Languages : en
Pages : 358
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Book Description
Here, Jay Ruby—a founder of visual anthropology—distills his thirty-year exploration of the relationship of film and anthropology. Spurred by a conviction that the ideal of an anthropological cinema has not even remotely begun to be realized, Ruby argues that ethnographic filmmakers should generate a set of critical standards analogous to those for written ethnographies. Cinematic artistry and the desire to entertain, he argues, can eclipse the original intention, which is to provide an anthropological representation of the subjects. The book begins with analyses of key filmmakers (Robert Flaherty, Robert Garner, and Tim Asch) who have striven to generate profound statements about human behavior on film. Ruby then discusses the idea of research film, Eric Michaels and indigenous media, the ethics of representation, the nature of ethnography, anthropological knowledge, and film and lays the groundwork for a critical approach to the field that borrows selectively from film, communication, media, and cultural studies. Witty and original, yet intensely theoretical, this collection is a major contribution to the field of visual anthropology.
Author: Peter Szondi
Publisher: John Wiley & Sons
ISBN: 150954559X
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
Author: Stephen Barber
Publisher: Reaktion Books
ISBN: 9781861891273
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
The books that comprise the Locations series address the links between film and society. In Cinema and Urban Space Stephen Barber explores the use of urban images in film from early to contemporary cinema.
Author: Marc Furstenau
Publisher:
ISBN: 9780415493222
Category : Social Science
Languages : en
Pages : 304
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Book Description
"The Film Theory Reader brings together a range of key theoretical texts, organized thematically to emphasise the development of specific critical concepts and theoretical models in the field of film theory.
Author:
Publisher:
ISBN:
Category : Latin America
Languages : es
Pages : 642
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Book Description
Author: Paul Hockings
Publisher: Walter de Gruyter
ISBN: 3110290693
Category : Science
Languages : en
Pages : 592
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Book Description
This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.
Author: Patrik N. Juslin
Publisher:
ISBN: 019875342X
Category : Music
Languages : en
Pages : 625
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Book Description
Can music really arouse emotions? If so, what emotions, and how? Based on ground-breaking research, Musical Emotions Explained explores how music expresses and arouses emotions, and how it becomes an object of aesthetic judgments. The book is accessibly written by one of the leading researchers in the field worldwide.
