Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter

Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter PDF Author: Derek Hughes
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 366

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Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter

Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter PDF Author: Derek Hughes
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 366

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Book Description


Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter

Eighteenth-century Women Playwrights: Mary Pix and Catherine Trotter PDF Author:
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 0

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Eighteenth-Century Women Playwrights, vol 1

Eighteenth-Century Women Playwrights, vol 1 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040281192
Category : Literary Criticism
Languages : en
Pages : 295

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Eighteenth-Century Women Dramatists

Eighteenth-Century Women Dramatists PDF Author: Mary Pix
Publisher: Oxford University Press
ISBN: 0192656511
Category : Drama
Languages : en
Pages : 449

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Book Description
Mary Pix: The Innocent Mistress (1697) Susanna Centlivre: The Busy-Body (1709) Elizabeth Griffith: The Times (1779) Hannah Cowley: The Belle's Stratagem (1780) Oxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographies illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. 'The series should reshape the canon in a number of signficant areas. A splendid and imaginative project' Professor Anne Barton, Cambridge University ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Eighteenth-Century Women Playwrights, vol 3

Eighteenth-Century Women Playwrights, vol 3 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040278515
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Stuart Women Playwrights, 1613–1713

Stuart Women Playwrights, 1613–1713 PDF Author: Pilar Cuder-Dominguez
Publisher: Routledge
ISBN: 1317048997
Category : Performing Arts
Languages : en
Pages : 177

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Book Description
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.

Eighteenth-century Women Playwrights: Susanna Centlivre

Eighteenth-century Women Playwrights: Susanna Centlivre PDF Author: Derek Hughes
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 304

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Eighteenth-Century Women Playwrights, vol 2

Eighteenth-Century Women Playwrights, vol 2 PDF Author: Derek Hughes
Publisher: Taylor & Francis
ISBN: 1040287891
Category : Literary Criticism
Languages : en
Pages : 376

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Book Description
This six-volume anthology documents the history of women's drama throughout the 18th century, starting with the emergence in 1695-6 of the second generation of women dramatists to Aphra Benn. It includes the work of Catherine Trotter, Mary Pix, Eliza Haywood and Elizabeth Griffith.

Mary Pix and Catharine Trotter

Mary Pix and Catharine Trotter PDF Author: Catharine Trotter
Publisher:
ISBN: 9781851966165
Category :
Languages : en
Pages :

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Mentoring in Eighteenth-Century British Literature and Culture

Mentoring in Eighteenth-Century British Literature and Culture PDF Author: Anthony W. Lee
Publisher: Routledge
ISBN: 1317097246
Category : Literary Criticism
Languages : en
Pages : 265

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Book Description
In the first collection devoted to mentoring relationships in British literature and culture, the editor and contributors offer a fresh lens through which to observe familiar and lesser known authors and texts. Employing a variety of critical and methodological approaches, which reflect the diversity of the mentoring experiences under consideration, the collection highlights in particular the importance of mentoring in expanding print culture. Topics include John Wilmot the Earl of Rochester's relationships to a range of role models, John Dryden's mentoring of women writers, Alexander Pope's problematic attempts at mentoring, the vexed nature of Jonathan Swift's cross-gender and cross-class mentoring relationships, Samuel Richardson's largely unsuccessful efforts to influence Urania Hill Johnson, and an examination of Elizabeth Carter and Samuel Johnson's as co-mentors of one another's work. Taken together, the essays further the case for mentoring as a globally operative critical concept, not only in the eighteenth century, but in other literary periods as well.