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Author: Jeffery P. Green
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 238
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Book Description
Born in Charleston, S.C., Jenkins was an African American composer and musician. He began his musical career during his childhood with the Jenkins Orphanage Band, which was organized and led by his father, the Rev. Daniel Jenkins to raise money for the orphanage he had established in Charleston in 1871. Composed of boys in the orphanage, the band performed jazz and ragtime in the United States and England. These tours provided the largest single source of revenue for the orphanage. E.T. Jenkins received his musical training from the musical directors of the Jenkins Orphanage Band, at Morehouse College and at London's Royal Academy of Music (1914-1921). He remained in Europe following the completion of his studies at the Academy, performing with dance bands, making jazz recordings and eventually leading the Ermitage Orchestra.
Author: Jeffery P. Green
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 238
Get Book Here
Book Description
Born in Charleston, S.C., Jenkins was an African American composer and musician. He began his musical career during his childhood with the Jenkins Orphanage Band, which was organized and led by his father, the Rev. Daniel Jenkins to raise money for the orphanage he had established in Charleston in 1871. Composed of boys in the orphanage, the band performed jazz and ragtime in the United States and England. These tours provided the largest single source of revenue for the orphanage. E.T. Jenkins received his musical training from the musical directors of the Jenkins Orphanage Band, at Morehouse College and at London's Royal Academy of Music (1914-1921). He remained in Europe following the completion of his studies at the Academy, performing with dance bands, making jazz recordings and eventually leading the Ermitage Orchestra.
Author: Jeffery P. Green
Publisher: Praeger
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
Get Book Here
Book Description
Born in Charleston, S.C., Jenkins was an African American composer and musician. He began his musical career during his childhood with the Jenkins Orphanage Band, which was organized and led by his father, the Rev. Daniel Jenkins to raise money for the orphanage he had established in Charleston in 1871. Composed of boys in the orphanage, the band performed jazz and ragtime in the United States and England. These tours provided the largest single source of revenue for the orphanage. E.T. Jenkins received his musical training from the musical directors of the Jenkins Orphanage Band, at Morehouse College and at London's Royal Academy of Music (1914-1921). He remained in Europe following the completion of his studies at the Academy, performing with dance bands, making jazz recordings and eventually leading the Ermitage Orchestra.
Author: Aaron Horne
Publisher: Bloomsbury Publishing USA
ISBN: 0313064865
Category : Music
Languages : en
Pages : 558
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Book Description
Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.
Author: Neil A. Wynn
Publisher: Univ. Press of Mississippi
ISBN: 1604735473
Category : Music
Languages : en
Pages : 302
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Book Description
Contributions from Christopher G. Bakriges, Sean Creighton, Jeffrey Green, Leighton Grist, Bob Groom, Rainer E. Lotz, Paul Oliver, Catherine Parsonage, Iris Schmeisser, Roberta Freund Schwartz, Robert Springer, Rupert Till, Guido van Rijn, David Webster, Jen Wilson, and Neil A. Wynn This unique collection of essays examines the flow of African American music and musicians across the Atlantic to Europe from the time of slavery to the twentieth century. In a sweeping examination of different musical forms--spirituals, blues, jazz, skiffle, and orchestral music--the contributors consider the reception and influence of black music on a number of different European audiences, particularly in Britain, but also France, Germany, and the Netherlands. The essayists approach the subject through diverse historical, musicological, and philosophical perspectives. A number of essays document little-known performances and recordings of African American musicians in Europe. Several pieces, including one by Paul Oliver, focus on the appeal of the blues to British listeners. At the same time, these considerations often reveal the ambiguous nature of European responses to black music and in so doing add to our knowledge of transatlantic race relations.
Author: John A. Garraty
Publisher: Oxford University Press
ISBN: 0199771499
Category : History
Languages : en
Pages : 848
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Book Description
American National Biography is the first new comprehensive biographical dicionary focused on American history to be published in seventy years. Produced under the auspices of the American Council of Learned Societies, the ANB contains over 17,500 profiles on historical figures written by an expert in the field and completed with a bibliography. The scope of the work is enormous--from the earlest recorded European explorations to the very recent past.
Author: Samuel A. Floyd Jr.
Publisher: Oxford University Press
ISBN: 0199839298
Category : Social Science
Languages : en
Pages : 334
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Book Description
When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.
Author: Benjamin Franklin
Publisher: Univ of South Carolina Press
ISBN: 1611176220
Category : Music
Languages : en
Pages : 815
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Book Description
This comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives). This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson). Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like. Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations. “Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of Music Includes photos
Author: Cary D. Wintz
Publisher: Routledge
ISBN: 1135455368
Category : Social Science
Languages : en
Pages : 708
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Book Description
From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period. For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance website.
Author: Kendra Y. Hamilton
Publisher: University of Georgia Press
ISBN: 0820362905
Category : Literary Criticism
Languages : en
Pages : 416
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Book Description
Romancing the Gullah in the Age of Porgy and Bess is a literary and cultural history of a place: the Gullah Geechee Coast, a four-state area that’s one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. Romancing the Gullah seeks to fill a gap and correct the maps. While there is a veritable industry of books on literary Charleston and on “the lowcountry,” along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Great Migration and the Harlem (and Charleston) Renaissance. By giving voice to artists and culture makers on both sides of the color line, uncovering buried histories, and revealing secret connections between races amid official practices of Jim Crow, Romancing the Gullah sheds new light on an only partially told tale. A labor of love by a Charleston insider, the book imparts a lively and accessible overview of its subject in a manner that will satisfy the book lover and the scholar.
Author: Jeffrey Green
Publisher: Routledge
ISBN: 1317322630
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Green’s study is more than a biography of an Anglo-African composer.The first comprehensive study of Coleridge-Taylor’s life for almost a century, it reveals how class-ridden Britain could embrace even the most unlikely of cultural icons.
