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Author: University of Michigan. Museum of Art (Ann Arbor)
Publisher:
ISBN: 9780912303048
Category : Art
Languages : en
Pages : 0
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Book Description
Author: University of Michigan. Museum of Art (Ann Arbor)
Publisher:
ISBN: 9780912303048
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Katherine Crawford Luber
Publisher: Cambridge University Press
ISBN: 9780521562881
Category : Art
Languages : en
Pages : 310
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Book Description
Publisher Description
Author: Jane Campbell Hutchison
Publisher: Routledge
ISBN: 1135581711
Category : Art
Languages : en
Pages : 351
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Book Description
Hutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
Author: Clifton C. Olds
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
Author: Jeffrey Chipps Smith
Publisher: University of Texas Press
ISBN: 1477306382
Category : Art
Languages : en
Pages : 729
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Book Description
This illustrated study of Renaissance Nuremberg explores the city’s social and artistic history through the sixteenth century and beyond. The German city of Nuremberg reached the height of its artistic brilliance during the Renaissance, becoming one of the foremost cultural centers in all of Europe by 1500. Nuremberg was the home of painter Albrecht Dürer, whose creative genius inspired generations of German artists. However, Dürer was only one of a host of extraordinary painters, printmakers, sculptors, and goldsmiths working in the city. Following a map of the city’s principal landmarks, Guy Fitch Lytle provides a compact historical background for Jeffrey Chipps Smith's detailed discussions of the city’s social and artistic significance. Smith examines the religious function of art before and during the Reformation; the early manifestations of humanism in Nuremberg and its influence on the art of Dürer and his contemporaries; and the central role of Dürer’s pedagogical ideas and his workshop in the dissemination of Renaissance artistic concepts. Finally, Smith surveys the principal artists and stylistic trends in Nuremberg from 1500 to the outbreak of the Thirty Years War. Nuremberg: A Renaissance City, 1500-1618 contains biographical sketches of forty-five major artists of the period, plus more than three hundred illustrations depicting the city and its most magnificent artistic treasures.
Author: Stacey Bieler
Publisher: Wipf and Stock Publishers
ISBN: 1532619650
Category : Religion
Languages : en
Pages : 329
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Book Description
The artist and entrepreneur Albrecht Dürer lived in Germany in the early 1500s, when two storms were threatening the Holy Roman Empire. First, Suleiman the Magnificent and his army of Ottoman Turks were expanding from Constantinople to Vienna, the doorstep of Europe. Second, Martin Luther, a German monk and professor, wrote his Ninety-Five Theses identifying corruption within the Roman Catholic Church. This challenged the authority of both Emperor Charles V and Pope Leo X, who responded by accusing Luther of heresy. Albrecht Dürer influenced art and media throughout Europe as strongly as Martin Luther influenced people’s views of life, death, and their relationship with God. Dürer's art and writing reveal how this creative and thoughtful man responded to the changes offered by Luther. Why was Dürer so attracted to Luther’s writings? Why would he risk being accused of being a heretic? Both of these men inspired changes in art, religion, and politics that still underlie the foundation of today’s social structures and Western culture.
Author: Jennie Ellis Keysor
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 56
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Book Description
Author: University of Michigan
Publisher:
ISBN:
Category :
Languages : en
Pages : 600
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Book Description
Author: Susan Dackerman
Publisher: Princeton University Press
ISBN: 0691250456
Category : Art
Languages : en
Pages : 200
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Book Description
An important new examination of Islamic themes in the art of Albrecht Dürer Albrecht Dürer’s depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer’s art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture. In this beautifully illustrated book, Dackerman provides new readings of three of the artist’s most enigmatic print projects—Sea Monster, Knots, and Landscape with Cannon—situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg’s development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg’s workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer’s prints, she shows, instead emphasize instances of affiliation between Christendom and Islam. A breathtaking work of scholarship, Dürer’s Knots shows how the artist’s prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.
Author: Julian Raby
Publisher: Philip Wilson Publishers
ISBN:
Category : Art
Languages : en
Pages : 112
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Book Description
This study aims to clarify Venetian Quattrocento Orientalism, which affected Durer and thus Northern Europe, and to define the sources and practitioners of its Oriental motifs. At the end of the fifteenth century a large number of paintings were produced in Venice that depict exotic animals and figures set against the backdrop of Oriental architecture. It was Europe's earliest attempt to portray Muslims in a Muslim habitat, but it was more than a vague and ill-informed evocation of the East. Realistic in many of their details, these Orientalist pictures reflect the Serenissima's political and mercantile links with the fifteenth century Islamic Empires of the Eastern Mediterranean.
