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Author: Van Gendt Book Auctions BV.
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Van Gendt Book Auctions BV.
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Van Gendt Book Auctioners B.V.
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Baltimore Museum of Art
Publisher: Conran Octopus
ISBN:
Category : Art
Languages : en
Pages : 218
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Author: Theodore E. Stebbins
Publisher: New York : Harper & Row
ISBN:
Category : Art
Languages : en
Pages : 498
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Author: James A. Craig
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 180
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Book Description
For Frank Vining Smith (1879-1967), the nineteenth-century clipper ship, like the cathedral of the Middle Ages, was one of men's most glorious accomplishments. As Monet had done with the cathedral, Smith painted the ship, featuring it in different angles and at different times of the day. Having studied under the supervision of Frank W. Benson, and Edmund Tarbell at the Museum School in Boston, Smith brought a new approach to the conservative art of marine painting. When looking at a painting by Smith, one does not see the blueprint of detail that was common in ship painting at the turn of the century, instead one sees masses of shadows and the suggestion of details. Up close, it is difficult to see where one brush-stroke ends and another begins, but seen from a distance, his compositions work perfectly, and is what contributor Peter Williams calls "the alchemy of Smith's impressionism". AUTHOR: James A. Craig is a curator and lecturer specializing in nineteenth-century American marine art. SELLING POINTS: *Definitive exploration of the art and life of this prolific Massachusetts artist's 70 year career *Of interest to museums, universities, yacht clubs, yachting enthusiasts, and antique collectors *Vining Smith's work is in collections across the United States including in navy wardrooms, and he counted former President Franklin Delano Roosevelt as one of his loyal patrons ILLUSTRATIONS: 93 colour & 72 b/w
Author: Plaza Art Gallery, New York
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: John Singer Sargent
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Ships and the sea through the eyes of one of the most remarkable painters of the early 20th century As a young man the American painter John Singer Sargent (1856-1925) was passionate about the sea and deeply knowledgeable about ships and seafaring. Between the ages of 18 and 23 he started his career as a professional painter with a remarkable range of maritime works that form the subject of this exhibition and book. The key works are the two versions of the Oyster Gatherers of Cancale, painted in 1878 on the northern coast of Brittany in France, and the group of studies and sketches around them. The authors relate Sargent's freely handled marine drawings, large and small, to his watercolors, oil sketches, and finished oil paintings of marine subjects. The works demonstrate his transition from a plein-air painter to a tonalist exploring interiors and urban scenes. Also presented is a unique scrapbook, held by the Metropolitan Museum of Art, that includes more than 50 drawings and sketches, mostly of sea scenes, and postcards and commercial photography of works of art, architecture, and tourist views. This scrapbook provides an intimate glimpse at the thoughts and experiences of the young artist on his first European voyage. Exhibition Schedule: Corcoran Gallery, Washington (9/12/09 - 1/3/10) The Museum of Fine Arts, Houston (2/14/10 - 5/23/10) Royal Academy of Arts, London (7/10/10 - 9/23/10)
Author: Carol Strickland
Publisher: Andrews McMeel Publishing
ISBN: 9780740768729
Category : Art
Languages : en
Pages : 220
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Book Description
Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.
Author: Charles Ross Kinghan
Publisher:
ISBN: 9781258453480
Category :
Languages : en
Pages : 114
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Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 1588393089
Category : Interior architecture in art
Languages : en
Pages : 210
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Book Description
"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
