Drawings; the Complete Albums PDF Download
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Author: Francisco Goya
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Book Description
Author: Francisco Goya
Publisher:
ISBN:
Category :
Languages : en
Pages : 656
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Book Description
Author: Stacie Dolin
Publisher: Quarry Books
ISBN: 1610586204
Category : Crafts & Hobbies
Languages : en
Pages : 160
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Book Description
DIVHow to Make Books, Albums, Slipcases, and More /divDIVThere’s nothing like making your own sketchbook, or wrapping a favorite book in the perfect homemade slipcase. And you can create it all yourself! Select the tools and materials you’ll need, master basic book-binding techniques, and practice your new skills on 12 eye-catching projects. Then explore the gallery of variations for more inspiration to make each book form your own. Whether you’re an experienced book binder or new to the art,Book Art Studio Handbookwill help you take your books to the next level./divDIV/divDIVWithBook Art Studio Handbook, you’ll learn how to:/divDIV/divDIV-Set up your workspace or studio/divDIV-Choose the right board, paper, book cloth, and other supplies for your project/divDIV-Fold a textblock, make a sewing template, glue a cover, and practice other essential techniques/divDIV-Create albums: Imagine your photos in an Accordion Album with Frames, for example/divDIV- Create books: How about a flexible Tacketed Book to customize?/divDIV-Create enclosures: From Slipcase to French Box/divDIV-Challenge yourself: Try your hand at an advanced project, such as a Travel Journal/div
Author: Andrew Robison
Publisher: Prestel Publishing
ISBN: 9783791352879
Category :
Languages : en
Pages : 0
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Book Description
Issued in connection with an exhibition held March 24-June 9, 2013, National Gallery of Art, Washington.
Author: John Clowes GRUNDY
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Book Description
Author: Graham Marsh
Publisher: Chronicle Books
ISBN: 9780811836883
Category : Art
Languages : en
Pages : 304
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Book Description
Smaller in trim size, greatly expanded in content, this compendium of Chronicle's classic Blue Note books is now an appealingly chunky paperback. Featuring 400 of the legendary covers, spanning the '40s to the '70s, features the greatest work of legendary Blue Note art director Reid Miles.
Author: Francisco Goya
Publisher: Metropolitan Museum of Art
ISBN: 0870990918
Category :
Languages : en
Pages : 142
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Book Description
Author: Jennifer McKnight-Trontz
Publisher: Macmillan
ISBN: 9780312201333
Category : Art
Languages : en
Pages : 132
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Book Description
Take a giddy guided tour through the greatest moments of 1950s and 1960s spage-age pop and exotica. From newly rediscovered musicians like Esquivel and Yma Sumac to lesser-knowns like Markko Polo Adventurers, this collection of bizarre and fascinating vintage musical ephemera with enthrall both the serious collector and the neo-Swinger weekend enthusiast. Exotiquarium supplies information about the artists (both musical and visual), the (mood) music they created, definitions of the odd instruments they used to create these strage and beautiful sounds (like the theremin), and much more. Complete with a foreward by Lenny Dee-Decca recording artist and "Organ Lounge Master"--Exotiquarium offers a vibrant portrait of this surreal time in American music history. A must-have for lounge lizards young and old.
Author: George R. Goldner
Publisher: Getty Publications
ISBN: 0892360925
Category : Art
Languages : en
Pages : 370
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Book Description
Within a short time the Department of Drawings has acquired impressive holdings of European works on paper. This volume, the first in a series intended to keep scholars apprised of acquisitions, contains 149 entries on Italian, French, Flemish, Dutch, and other works ranging in date from the Renaissance through the nineteenth century. Artists represented include Rembrandt, Cezanne, Blake, Goya, Dürer, Savery, Rubens, Millet, Veronese, Caravaggio, Raphael, and numerous others. All drawings are illustrated at full-page size.
Author: Aubrey Beardsley
Publisher: Random House Value Publishing
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Author: Sylvia Heudecker
Publisher: Cambridge Scholars Publishing
ISBN: 1527526542
Category : Art
Languages : en
Pages : 441
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Book Description
Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?
