Author:
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 34
Book Description
"Libretto by Alphonse Royer and Gustave Vaëz, with additions by Eugène Scribe, partly based on the plot of L'ange de Nisida (derived in some measure from Baculard d'Arnaud: Le comte de Comminges), on which the story of Eleonora di Guzman is grafted." See Grove Music online.
Donizetti's Grand Opera of La Favorita
Author:
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 34
Book Description
"Libretto by Alphonse Royer and Gustave Vaëz, with additions by Eugène Scribe, partly based on the plot of L'ange de Nisida (derived in some measure from Baculard d'Arnaud: Le comte de Comminges), on which the story of Eleonora di Guzman is grafted." See Grove Music online.
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 34
Book Description
"Libretto by Alphonse Royer and Gustave Vaëz, with additions by Eugène Scribe, partly based on the plot of L'ange de Nisida (derived in some measure from Baculard d'Arnaud: Le comte de Comminges), on which the story of Eleonora di Guzman is grafted." See Grove Music online.
Donizetti's Opera La Favorita
Author: Gaetano Donizetti
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 44
Book Description
The Cambridge Companion to Grand Opera
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 9780521646833
Category : Music
Languages : en
Pages : 524
Book Description
Table of contents
Publisher: Cambridge University Press
ISBN: 9780521646833
Category : Music
Languages : en
Pages : 524
Book Description
Table of contents
Gaetano Donizetti
Author: James P. Cassaro
Publisher: Routledge
ISBN: 113584660X
Category : Art
Languages : en
Pages : 305
Book Description
Gaetano Donizetti: A Research and Information Guide offers an annotated reference guide to the life and works of this important Italian opera composer. The book opens with a complete chronology of Donizetti's life (1797-1848) and career, relating it to contemporary events. The balance of the book details secondary resources and other works, including general sources, catalogs, correspondence, biographical sources, critical works; production/review sources, singers and theaters, and the individual operas.
Publisher: Routledge
ISBN: 113584660X
Category : Art
Languages : en
Pages : 305
Book Description
Gaetano Donizetti: A Research and Information Guide offers an annotated reference guide to the life and works of this important Italian opera composer. The book opens with a complete chronology of Donizetti's life (1797-1848) and career, relating it to contemporary events. The balance of the book details secondary resources and other works, including general sources, catalogs, correspondence, biographical sources, critical works; production/review sources, singers and theaters, and the individual operas.
Donizetti and His Operas
Author: William Ashbrook
Publisher: Cambridge University Press
ISBN: 9780521276634
Category : Music
Languages : en
Pages : 766
Book Description
The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs.
Publisher: Cambridge University Press
ISBN: 9780521276634
Category : Music
Languages : en
Pages : 766
Book Description
The series will include both new and recent titles drawn from the whole range of the Press's very substantial publishing programs.
Catalogue
Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 62
Book Description
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 62
Book Description
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Book Description
Opera in Paris from the Empire to the Commune
Author: Mark Everist
Publisher: Routledge
ISBN: 1351661019
Category : Music
Languages : en
Pages : 511
Book Description
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.
Publisher: Routledge
ISBN: 1351661019
Category : Music
Languages : en
Pages : 511
Book Description
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.
Opera
Author: Alan Riding
Publisher: Penguin
ISBN: 0744076919
Category : Music
Languages : en
Pages : 362
Book Description
Experience the passion and drama of the world’s greatest operas with this sumptuously illustrated visual guide. Immerse yourself in more than 400 years of the world’s most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera. From its origins in the 17th-century courts of Italy to live screenings in public spaces today, Opera: The Definitive Illustrated Story follows the history of opera from Monteverdi’s L'Orfeo in 1607, to Cosi fan Tutte, La Bohème, and modern operas such as Brokeback Mountain. It explains musical terminology, traces historical developments, and sets everything in a cultural context. This awe-inspiring opera book further features: -Includes all of the most important operas from the Renaissance to the 21st century -Profiles the key composers, librettists, performers, and companies, with details of their lives, works, and influence -Arranged in chronological order to show the evolution of the genre -Clear, informative explanation of musical terminology and different types of opera This book revels in the sets and costumes that make up the grand spectacle of opera. It also explores the great opera houses of the world, such as La Scala, Milan, the Met in New York, and the Sydney Opera House. Opera: The Definitive Illustrated Story is the essential book for anyone who wants to understand and enjoy the constantly evolving world of this beloved art form. Did you know that there are more than 25,000 opera performances per year worldwide? Opera: The Definitive Illustrated Story can be regarded as the most lavishly illustrated history of opera currently available, covering all of the most important operas from the Renaissance to the 21st century, and is completely global in scope. A must-have volume for opera buffs, whether as a gift or self-purchase, if you’re a music lover looking for an accessible introduction to opera, then this is the book for you!
Publisher: Penguin
ISBN: 0744076919
Category : Music
Languages : en
Pages : 362
Book Description
Experience the passion and drama of the world’s greatest operas with this sumptuously illustrated visual guide. Immerse yourself in more than 400 years of the world’s most celebrated operas and discover the fascinating stories behind them. Explore the lives of singers such as Maria Callas, Luciano Pavarotti, and Jonas Kaufmann. Meet composers like Mozart, Wagner, and Britten, and the librettists with whom they collaborated to create the magical blend of words and music that make up opera. From its origins in the 17th-century courts of Italy to live screenings in public spaces today, Opera: The Definitive Illustrated Story follows the history of opera from Monteverdi’s L'Orfeo in 1607, to Cosi fan Tutte, La Bohème, and modern operas such as Brokeback Mountain. It explains musical terminology, traces historical developments, and sets everything in a cultural context. This awe-inspiring opera book further features: -Includes all of the most important operas from the Renaissance to the 21st century -Profiles the key composers, librettists, performers, and companies, with details of their lives, works, and influence -Arranged in chronological order to show the evolution of the genre -Clear, informative explanation of musical terminology and different types of opera This book revels in the sets and costumes that make up the grand spectacle of opera. It also explores the great opera houses of the world, such as La Scala, Milan, the Met in New York, and the Sydney Opera House. Opera: The Definitive Illustrated Story is the essential book for anyone who wants to understand and enjoy the constantly evolving world of this beloved art form. Did you know that there are more than 25,000 opera performances per year worldwide? Opera: The Definitive Illustrated Story can be regarded as the most lavishly illustrated history of opera currently available, covering all of the most important operas from the Renaissance to the 21st century, and is completely global in scope. A must-have volume for opera buffs, whether as a gift or self-purchase, if you’re a music lover looking for an accessible introduction to opera, then this is the book for you!
Fashions and Legacies of Nineteenth-Century Italian Opera
Author: Roberta Montemorra Marvin
Publisher: Cambridge University Press
ISBN: 0521889987
Category : Music
Languages : en
Pages : 303
Book Description
Leading scholars investigate the ways in which operas by nineteenth-century Italian composers have been reshaped and revived over time.
Publisher: Cambridge University Press
ISBN: 0521889987
Category : Music
Languages : en
Pages : 303
Book Description
Leading scholars investigate the ways in which operas by nineteenth-century Italian composers have been reshaped and revived over time.