Documents concernant le film "Pour une femme", d'après une nouvelle de Michaël Arlen, 1928 PDF Download
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Author:
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Category :
Languages : fr
Pages : 6
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Category :
Languages : fr
Pages : 6
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Category :
Languages : fr
Pages : 2
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Category :
Languages : fr
Pages : 22
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Languages : fr
Pages :
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Author: A. Guneratne
Publisher: Springer
ISBN: 023061373X
Category : Performing Arts
Languages : en
Pages : 367
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Book Description
This book is the first in-depth cultural history of cinema's polyvalent and often contradictory appropriations of Shakespearean drama and performance traditions. The author argues that these adapatations have helped shape multiple aspects of film, from cinematic style to genre and narrative construction.
Author: Chittharanjan Felix Amerasinghe
Publisher:
ISBN:
Category : International administrative courts
Languages : en
Pages : 728
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Author: Maurice Hinson
Publisher: Indiana University Press
ISBN: 9780253339539
Category : Concerto (Piano)
Languages : en
Pages : 390
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Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.
Author: Claude Cahun
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 260
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Book Description
By making this lost masterpiece of Surrealist literature available to an English-speaking readership, this publication will bring further recognition to a seminal and previously underrated figure in 20th century art and literature.
Author: Mark Evan Bonds
Publisher: Oxford University Press, USA
ISBN: 0190068477
Category : Music
Languages : en
Pages : 345
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Book Description
The "Beethoven Syndrome" is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged only after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers in general--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of "New Objectivity" marked a return not only to certain stylistic features of eighteenth-century music but to the earlier concept of expression itself. Objectivity would go on to become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening.
Author: Robert D. Tamilia
Publisher: École des hautes études commerciales, Chaire de commerce Omer DeSerres
ISBN:
Category : Department stores
Languages : fr
Pages : 128
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