Author: Herman Melville
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 687
Book Description
This carefully crafted ebook: "MOBY DICK (Modern Classics Series)" is formatted for your eReader with a functional and detailed table of contents. Moby-Dick by Herman Melville: first published in 1851, considered to be one of the Great American Novels and a treasure of world literature, one of the great epics in all of literature. The story tells the adventures of wandering sailor Ishmael, and his voyage on the whaleship Pequod, commanded by Captain Ahab. Ishmael soon learns that Ahab has one purpose on this voyage: to seek out Moby Dick, a ferocious, enigmatic white sperm whale. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg, which now drives Ahab to take revenge...
MOBY DICK (Modern Classics Series)
Author: Herman Melville
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 687
Book Description
This carefully crafted ebook: "MOBY DICK (Modern Classics Series)" is formatted for your eReader with a functional and detailed table of contents. Moby-Dick by Herman Melville: first published in 1851, considered to be one of the Great American Novels and a treasure of world literature, one of the great epics in all of literature. The story tells the adventures of wandering sailor Ishmael, and his voyage on the whaleship Pequod, commanded by Captain Ahab. Ishmael soon learns that Ahab has one purpose on this voyage: to seek out Moby Dick, a ferocious, enigmatic white sperm whale. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg, which now drives Ahab to take revenge...
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 687
Book Description
This carefully crafted ebook: "MOBY DICK (Modern Classics Series)" is formatted for your eReader with a functional and detailed table of contents. Moby-Dick by Herman Melville: first published in 1851, considered to be one of the Great American Novels and a treasure of world literature, one of the great epics in all of literature. The story tells the adventures of wandering sailor Ishmael, and his voyage on the whaleship Pequod, commanded by Captain Ahab. Ishmael soon learns that Ahab has one purpose on this voyage: to seek out Moby Dick, a ferocious, enigmatic white sperm whale. In a previous encounter, the whale destroyed Ahab's boat and bit off his leg, which now drives Ahab to take revenge...
Disturbing Nature in Narrative Literature
Author: Philip Armstrong
Publisher: Taylor & Francis
ISBN: 1040222498
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in‐depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary‐critical analysis, including ecocriticism, new materialism, affect theory, and human‐animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.
Publisher: Taylor & Francis
ISBN: 1040222498
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in‐depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary‐critical analysis, including ecocriticism, new materialism, affect theory, and human‐animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.
American Fiction and the Metaphysics of the Grotesque
Author: Dieter Meindl
Publisher: University of Missouri Press
ISBN: 9780826210791
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
By synthesizing Kayser's and Bakhtin's views of the grotesque and Heidegger's philosophy of Being, American Fiction and the Metaphysics of the Grotesque seeks to demonstrate that American fiction from Poe to Pynchon has tried to convey the existential dimension: the pre-individual totality or flow of life, which defines itself against the mind and its linguistic capacity. Dieter Meindl shows how the grotesque, through its self-contradictory nature, has been instrumental in expressing this reality-conception, an antirationalist stance in basic agreement with existential thought. The historical validity of this new metaphysics, which grants precedence to Being--the context of cognition--over the cognizant subject, must be upheld in the face of deconstructive animadversions upon any metaphysics of presence. The notion of decentering the subject, Meindl argues, did not originate with deconstruction. The existential grotesque confirms the protomodernist character of classic American fiction. Meindl traces its course through a number of well-known texts by Melville, James, Gilman, Anderson, Faulkner, and O'Connor, among others. To convey life conceived as motion, these writers had to capture--that is, immobilize--it in their art: an essentially distortive and, therefore, grotesque device. Melville's "Bartleby," dealing with a mort vivant, is the seminal text in this mode of indirectness. As opposed to the existential grotesque, which grants access to a preverbal realm, the linguistic grotesque of postmodern fiction works on the assumption that all reality is referable to language in a textual universe. American Fiction and the Metaphysics of the Grotesque will significantly alter our understanding of certain traditions in American literature.
Publisher: University of Missouri Press
ISBN: 9780826210791
Category : Literary Criticism
Languages : en
Pages : 262
Book Description
By synthesizing Kayser's and Bakhtin's views of the grotesque and Heidegger's philosophy of Being, American Fiction and the Metaphysics of the Grotesque seeks to demonstrate that American fiction from Poe to Pynchon has tried to convey the existential dimension: the pre-individual totality or flow of life, which defines itself against the mind and its linguistic capacity. Dieter Meindl shows how the grotesque, through its self-contradictory nature, has been instrumental in expressing this reality-conception, an antirationalist stance in basic agreement with existential thought. The historical validity of this new metaphysics, which grants precedence to Being--the context of cognition--over the cognizant subject, must be upheld in the face of deconstructive animadversions upon any metaphysics of presence. The notion of decentering the subject, Meindl argues, did not originate with deconstruction. The existential grotesque confirms the protomodernist character of classic American fiction. Meindl traces its course through a number of well-known texts by Melville, James, Gilman, Anderson, Faulkner, and O'Connor, among others. To convey life conceived as motion, these writers had to capture--that is, immobilize--it in their art: an essentially distortive and, therefore, grotesque device. Melville's "Bartleby," dealing with a mort vivant, is the seminal text in this mode of indirectness. As opposed to the existential grotesque, which grants access to a preverbal realm, the linguistic grotesque of postmodern fiction works on the assumption that all reality is referable to language in a textual universe. American Fiction and the Metaphysics of the Grotesque will significantly alter our understanding of certain traditions in American literature.
Moby-Dick and Melville’s Anti-Slavery Allegory
Author: Brian R. Pellar
Publisher: Springer
ISBN: 3319522671
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
This book unfurls and examines the anti-slavery allegory at the subtextual core of Herman Melville’s famed novel, Moby-Dick. Brian Pellar points to symbols and allusions in the novel such as the albinism of the famed whale, the “Ship of State” motif, Calhoun’s “cords,” the equator, Jonah, Narcissus, St. Paul, and Thomas Hobbe’s Leviathan. The work contextualizes these devices within a historical discussion of the Compromise of 1850 and subsequently strengthened Fugitive Slave Laws. Drawing on a rich variety of sources such as unpublished papers, letters, reviews, and family memorabilia, the chapters discuss the significance of these laws within Melville’s own life. After clarifying the hidden allegory interconnecting black slaves and black whales, this book carefully sheds the layers of a hidden meaning that will be too convincing to ignore for future readings: Moby-Dick is ultimately a novel that is intimately connected with questions of race, slavery, and the state.
Publisher: Springer
ISBN: 3319522671
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
This book unfurls and examines the anti-slavery allegory at the subtextual core of Herman Melville’s famed novel, Moby-Dick. Brian Pellar points to symbols and allusions in the novel such as the albinism of the famed whale, the “Ship of State” motif, Calhoun’s “cords,” the equator, Jonah, Narcissus, St. Paul, and Thomas Hobbe’s Leviathan. The work contextualizes these devices within a historical discussion of the Compromise of 1850 and subsequently strengthened Fugitive Slave Laws. Drawing on a rich variety of sources such as unpublished papers, letters, reviews, and family memorabilia, the chapters discuss the significance of these laws within Melville’s own life. After clarifying the hidden allegory interconnecting black slaves and black whales, this book carefully sheds the layers of a hidden meaning that will be too convincing to ignore for future readings: Moby-Dick is ultimately a novel that is intimately connected with questions of race, slavery, and the state.
Melville's Short Fiction, 1853-1856
Author: William B. Dillingham
Publisher: University of Georgia Press
ISBN: 0820332712
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
This study treats comprehensively the sixteen short works of fiction that Herman Melville wrote between 1853 and 1856, most of which were published in Harper's and Putnam's magazines. Concentrating on the writer's two basic motivations for writing as he did in these stories, Dillingham argues that Melville created a surface of almost inane congeniality in many of the works, an illusion of vapidity that camouflages a profundity often missed by his readers. He sought to to hide disturbing themes because the magazines for which he was writing would almost certainly have rejected his attempts to be more direct. Dillingham's method is not, however, confined to a reading of the texts. Melville's stories contain so many allusions to the contemporary scene that they constitute in themselves a cultural study. An important contribution of Melville's Short Fiction is its discussion of these allusions. Finally, Dillingham examines the relationship between the short fiction and Melville's own life. Much of the writer's frustration and struggle is concealed in these early works. Melville's friendship with Hawthorne, for example, an intense and yet in some ways disappointing relationship for both men, is explored as an important influence on several of the stories.
Publisher: University of Georgia Press
ISBN: 0820332712
Category : Literary Criticism
Languages : en
Pages : 406
Book Description
This study treats comprehensively the sixteen short works of fiction that Herman Melville wrote between 1853 and 1856, most of which were published in Harper's and Putnam's magazines. Concentrating on the writer's two basic motivations for writing as he did in these stories, Dillingham argues that Melville created a surface of almost inane congeniality in many of the works, an illusion of vapidity that camouflages a profundity often missed by his readers. He sought to to hide disturbing themes because the magazines for which he was writing would almost certainly have rejected his attempts to be more direct. Dillingham's method is not, however, confined to a reading of the texts. Melville's stories contain so many allusions to the contemporary scene that they constitute in themselves a cultural study. An important contribution of Melville's Short Fiction is its discussion of these allusions. Finally, Dillingham examines the relationship between the short fiction and Melville's own life. Much of the writer's frustration and struggle is concealed in these early works. Melville's friendship with Hawthorne, for example, an intense and yet in some ways disappointing relationship for both men, is explored as an important influence on several of the stories.
The Paradise of Bachelors and The Tartarus of Maids
Author: Herman Melville
Publisher: Harper Collins
ISBN: 0061921629
Category : Fiction
Languages : en
Pages : 35
Book Description
A short story from the Classic Shorts collection: The Happy Failure by Herman Melville
Publisher: Harper Collins
ISBN: 0061921629
Category : Fiction
Languages : en
Pages : 35
Book Description
A short story from the Classic Shorts collection: The Happy Failure by Herman Melville
That Cunning Alphabet
Author: Richard S. Moore
Publisher: BRILL
ISBN: 9004490892
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Publisher: BRILL
ISBN: 9004490892
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Style Manual for Writers
Author: Mary Ellen Pitts
Publisher:
ISBN: 9780840336095
Category : Language Arts & Disciplines
Languages : en
Pages : 132
Book Description
Publisher:
ISBN: 9780840336095
Category : Language Arts & Disciplines
Languages : en
Pages : 132
Book Description
Take Control of Scrivener 3
Author: Kirk McElhearn
Publisher: alt concepts
ISBN: 1947282026
Category : Computers
Languages : en
Pages : 147
Book Description
Create and organize writing projects with ease using Scrivener 3! Version 1.1.1, updated June 4, 2021 Compose a masterpiece with Literature & Latte's Scrivener. Whether you're writing science fiction, a historical novel, or a zombie travelogue, learn how Scrivener's powerful tools can take your work to the next level. Kirk McElhearn shows you how to collect notes, organize your work, arrange and rearrange sections, and more. Covers Mac, Windows, and iOS/iPadOS versions! Scrivener is a powerful tool for managing long-form writing projects—like novels and screenplays—and Take Control of Scrivener 3 gives you all the details you need to know to harness its potential. In this book, best-selling author Kirk McElhearn walks you through setting up, organizing, writing, formatting, revising, and compiling a Scrivener project, whether you’re working on a Mac, a Windows PC, or in iOS/iPadOS. Using this extensive guide, you’ll be able to: • Meet Scrivener: Learn about the Scrivener philosophy and its basic layout • Start your project: Pick a template and add existing materials to your project • Brainstorm and organize: Discover three different ways to work with your material using the Binder, Corkboard, and Outliner. • Set up your writing environment and avoid distractions: Choose default fonts and colors, opt for Script Mode if you’re writing a script or screenplay, and simplify your workspace by hiding interface elements or by using Composition Mode or Full Screen Mode. • Make the most of key features: Learn how to work with styles; use annotations and comments; add footnotes and endnotes; view more than one file at once; use collections to view selected items from the Binder; store bookmarks and project notes; and share and synchronize your project with others. • Go further with Scrivener: Get the details on special features like Scrivenings View (write in sections, but view as a single document) and Snapshots (allows you to make and view periodic backups of your text). • Revise and edit your work: Learn how to find and replace text, and work with revisions. • Use Scrivener in iOS and iPadOS: Sync your projects to iOS/iPadOS and work on an iPhone or iPad. • Print and export: Understand the process of preparing your project to be printed, and what’s involved in compiling it so that it can be exported in a different format. Kirk also highlights the many changes to Scrivener since the last version (see the What's New section below), including updates to the interface, styles, outlining and metadata capabilities, and improved searching and writing features. In addition, he explains brand-new features in Scrivener 3, including Bookmarks (lets you store references to other sections of your project), Linguistic Focus (Mac only—highlights specific elements such as dialog, adverbs, or adjectives), Section types (such as Chapter Text and Scene), and Copyholders (allows you to view three or four documents at once).
Publisher: alt concepts
ISBN: 1947282026
Category : Computers
Languages : en
Pages : 147
Book Description
Create and organize writing projects with ease using Scrivener 3! Version 1.1.1, updated June 4, 2021 Compose a masterpiece with Literature & Latte's Scrivener. Whether you're writing science fiction, a historical novel, or a zombie travelogue, learn how Scrivener's powerful tools can take your work to the next level. Kirk McElhearn shows you how to collect notes, organize your work, arrange and rearrange sections, and more. Covers Mac, Windows, and iOS/iPadOS versions! Scrivener is a powerful tool for managing long-form writing projects—like novels and screenplays—and Take Control of Scrivener 3 gives you all the details you need to know to harness its potential. In this book, best-selling author Kirk McElhearn walks you through setting up, organizing, writing, formatting, revising, and compiling a Scrivener project, whether you’re working on a Mac, a Windows PC, or in iOS/iPadOS. Using this extensive guide, you’ll be able to: • Meet Scrivener: Learn about the Scrivener philosophy and its basic layout • Start your project: Pick a template and add existing materials to your project • Brainstorm and organize: Discover three different ways to work with your material using the Binder, Corkboard, and Outliner. • Set up your writing environment and avoid distractions: Choose default fonts and colors, opt for Script Mode if you’re writing a script or screenplay, and simplify your workspace by hiding interface elements or by using Composition Mode or Full Screen Mode. • Make the most of key features: Learn how to work with styles; use annotations and comments; add footnotes and endnotes; view more than one file at once; use collections to view selected items from the Binder; store bookmarks and project notes; and share and synchronize your project with others. • Go further with Scrivener: Get the details on special features like Scrivenings View (write in sections, but view as a single document) and Snapshots (allows you to make and view periodic backups of your text). • Revise and edit your work: Learn how to find and replace text, and work with revisions. • Use Scrivener in iOS and iPadOS: Sync your projects to iOS/iPadOS and work on an iPhone or iPad. • Print and export: Understand the process of preparing your project to be printed, and what’s involved in compiling it so that it can be exported in a different format. Kirk also highlights the many changes to Scrivener since the last version (see the What's New section below), including updates to the interface, styles, outlining and metadata capabilities, and improved searching and writing features. In addition, he explains brand-new features in Scrivener 3, including Bookmarks (lets you store references to other sections of your project), Linguistic Focus (Mac only—highlights specific elements such as dialog, adverbs, or adjectives), Section types (such as Chapter Text and Scene), and Copyholders (allows you to view three or four documents at once).
The Diamond Lens and Other Stories
Author: Fitz-James O'Brien
Publisher: Hesperus Press
ISBN: 1780940920
Category : Fiction
Languages : en
Pages : 89
Book Description
An absorbing and haunting collection of early science fiction tales by an Irish-American author Fitz-James O'Brien capitalized on the success of his predecessors Edgar Allan Poe and Mary Shelley in writing disturbing stories with demented protagonists, and this collection of three tales shows his mastery of the macabre. "The Diamond Lens" tells of a lone scientist's discovery of a microcosmic world within a drop of water, and his growing obsession with the beautiful Animula, a fair maiden within this world which he can see but never enter. His uncompromising pursuit of knowledge at any cost foreshadows the mad scientist familiar to readers in a multitude of works. In "What Was It?" an invisible man is discovered by residents of a boarding house. The residents' capture and investigation of the creature blends the fantastic with the scientific as they seek rational explanations for this extraordinary phenomenon. "The Wondersmith" is a macabre tale of an embittered toymaker who seeks revenge upon the society that has persecuted him by creating demonic mannequins and imbuing them with life in order to slaughter the masses— a fantastic melodrama in which the cunning Wondersmith is offset by the unassuming and unlikely hero Solon the hunchback, in love with the villain's daughter.
Publisher: Hesperus Press
ISBN: 1780940920
Category : Fiction
Languages : en
Pages : 89
Book Description
An absorbing and haunting collection of early science fiction tales by an Irish-American author Fitz-James O'Brien capitalized on the success of his predecessors Edgar Allan Poe and Mary Shelley in writing disturbing stories with demented protagonists, and this collection of three tales shows his mastery of the macabre. "The Diamond Lens" tells of a lone scientist's discovery of a microcosmic world within a drop of water, and his growing obsession with the beautiful Animula, a fair maiden within this world which he can see but never enter. His uncompromising pursuit of knowledge at any cost foreshadows the mad scientist familiar to readers in a multitude of works. In "What Was It?" an invisible man is discovered by residents of a boarding house. The residents' capture and investigation of the creature blends the fantastic with the scientific as they seek rational explanations for this extraordinary phenomenon. "The Wondersmith" is a macabre tale of an embittered toymaker who seeks revenge upon the society that has persecuted him by creating demonic mannequins and imbuing them with life in order to slaughter the masses— a fantastic melodrama in which the cunning Wondersmith is offset by the unassuming and unlikely hero Solon the hunchback, in love with the villain's daughter.