Author: Don Cusic
Publisher: Bloomsbury Publishing USA
ISBN: 0313352461
Category : Social Science
Languages : en
Pages : 240
Book Description
Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money — the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
Discovering Country Music
Author: Don Cusic
Publisher: Bloomsbury Publishing USA
ISBN: 0313352461
Category : Social Science
Languages : en
Pages : 240
Book Description
Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money — the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
Publisher: Bloomsbury Publishing USA
ISBN: 0313352461
Category : Social Science
Languages : en
Pages : 240
Book Description
Discovering Country Music chronicles the incredible evolution of country music in America - from the fiddle to the pop charts - and provides an insightful account of the reasons and motives that have determined its various transformations and offshoots over the years. In order to understand what country music is, and why, it is essential to understand how it makes its money — the basic revenue streams, the major companies involved, and how country artists are booked and marketed. Author Don Cusic helps readers do that, and goes even further, covering not only the business and the technology that have shaped the industry, but also tackling the question of country's relationship to the other major genres of the American recording industry, including pop, blues, and rock music. Discovering Country Music is broken down into ten sections which include: key musical trends; ancillary business trends such as recording technology, radio, and the recording industry; and prominent artists, including as a small sample Stephen Foster, The Carter Family, Elvis, Johnny Cash, Dolly Parton, Willie Nelson, Garth Brooks, The Dixie Chicks, Tim McGraw, Faith Hill, and Kenny Chesney. This work should appeal to fans, scholars, educators, libraries and the general reader alike.
Discovering Folk Music
Author: Stephanie P. Ledgin
Publisher: Bloomsbury Publishing USA
ISBN: 157356771X
Category : Music
Languages : en
Pages : 222
Book Description
From Ani DiFranco to Bob Dylan to Woodie Guthrie, American folk music comprises a truly diverse and rich traditionone that's almost impossible to define in broad terms. This book explains why folk music is still highly relevant in the digital age. From indigenous music to Pete Seeger and Bruce Springsteen singing "This Land Is Your Land" side-by-side at the pre-inaugural concert for our first African American president, folk music has been at the center of America's history. Thomas Jefferson wooed his bride-to-be with fiddle playing. Stephen Foster captured the mood of our country in transition. The Carter Family adapted music from across the pond to Appalachia. Paul Robeson carried folk music of many lands to the world stage. Woody Guthrie's dust bowl ballads spoke to the common man, while Sixties protest music put folk on the map, following the Kingston Trio's hit, "Tom Dooley." Folk music has evolved with America's changing landscape, celebrating its multi-cultural traditions. From Irish step dancers to rap, parlor songs to Dixieland, blues to classical, Discovering Folk Music presents the genre as surprisingly diverse, every bit the product of our national melting pot. Demonstrating continuing relevance of folk music in our everyday lives, the book spotlights an amazing array of personalities, with special emphasis on the folk revival era when Dylan, Baez, Odetta, and Peter, Paul and Mary sang out. These and others influenced such contemporary performers as Shawn Colvin and Ani DiFranco. Those on today's "fringes of folk" scene continue to look to these deep roots while embracing alternative sounds. Included are interviews with such legendary artists as Janis Ian, Tom Paxton, and Jean Ritchie. Nora Guthrie, Woody's daughter, also weighs in. Discovering Folk Music is a ground-breaking look at 21st-century folk music in our rapidly changing digital world, family friendly while ripe for rediscovery by the Woodstock generation.
Publisher: Bloomsbury Publishing USA
ISBN: 157356771X
Category : Music
Languages : en
Pages : 222
Book Description
From Ani DiFranco to Bob Dylan to Woodie Guthrie, American folk music comprises a truly diverse and rich traditionone that's almost impossible to define in broad terms. This book explains why folk music is still highly relevant in the digital age. From indigenous music to Pete Seeger and Bruce Springsteen singing "This Land Is Your Land" side-by-side at the pre-inaugural concert for our first African American president, folk music has been at the center of America's history. Thomas Jefferson wooed his bride-to-be with fiddle playing. Stephen Foster captured the mood of our country in transition. The Carter Family adapted music from across the pond to Appalachia. Paul Robeson carried folk music of many lands to the world stage. Woody Guthrie's dust bowl ballads spoke to the common man, while Sixties protest music put folk on the map, following the Kingston Trio's hit, "Tom Dooley." Folk music has evolved with America's changing landscape, celebrating its multi-cultural traditions. From Irish step dancers to rap, parlor songs to Dixieland, blues to classical, Discovering Folk Music presents the genre as surprisingly diverse, every bit the product of our national melting pot. Demonstrating continuing relevance of folk music in our everyday lives, the book spotlights an amazing array of personalities, with special emphasis on the folk revival era when Dylan, Baez, Odetta, and Peter, Paul and Mary sang out. These and others influenced such contemporary performers as Shawn Colvin and Ani DiFranco. Those on today's "fringes of folk" scene continue to look to these deep roots while embracing alternative sounds. Included are interviews with such legendary artists as Janis Ian, Tom Paxton, and Jean Ritchie. Nora Guthrie, Woody's daughter, also weighs in. Discovering Folk Music is a ground-breaking look at 21st-century folk music in our rapidly changing digital world, family friendly while ripe for rediscovery by the Woodstock generation.
Discovering Rock Violin
Author: Chris Haigh
Publisher: Schott & Company Limited
ISBN: 9781847612670
Category : Music
Languages : en
Pages : 192
Book Description
(Schott). Here is a practical, in-depth instruction book covering all aspects of pop, folk and rock violin technique. Over 150 different rock violinists are referred to in detail covering a range of styles including blues, folk rock, country rock, progressive rock, jazz rock and heavy metal. This book explores a wide variety of technical aspects including chords, scales, soloing and effects, and is accompanied by a CD containing demonstrations, play-along tracks and exercises performed by Chris Haigh on violin with a live backing band. Ideal for the budding rock star, or classical player looking for something a little different!
Publisher: Schott & Company Limited
ISBN: 9781847612670
Category : Music
Languages : en
Pages : 192
Book Description
(Schott). Here is a practical, in-depth instruction book covering all aspects of pop, folk and rock violin technique. Over 150 different rock violinists are referred to in detail covering a range of styles including blues, folk rock, country rock, progressive rock, jazz rock and heavy metal. This book explores a wide variety of technical aspects including chords, scales, soloing and effects, and is accompanied by a CD containing demonstrations, play-along tracks and exercises performed by Chris Haigh on violin with a live backing band. Ideal for the budding rock star, or classical player looking for something a little different!
Woman Walk the Line
Author: Holly Gleason
Publisher: University of Texas Press
ISBN: 1477314903
Category : Music
Languages : en
Pages : 233
Book Description
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.
Publisher: University of Texas Press
ISBN: 1477314903
Category : Music
Languages : en
Pages : 233
Book Description
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.
Country Music USA
Author: Bill C. Malone
Publisher: University of Texas Press
ISBN: 1477315357
Category : Music
Languages : en
Pages : 769
Book Description
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
Publisher: University of Texas Press
ISBN: 1477315357
Category : Music
Languages : en
Pages : 769
Book Description
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
Nashville Portraits
Author: Jim McGuire
Publisher: Globe Pequot
ISBN: 9781599211688
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
Expanded book version about "Nashville portraits," including the sixty photographs in the traveling exhibition and new materials: five additional photos, an essay by folklorist/historian WIlliam R. Ferris, and biographies and quotations to accompany the photographic project.
Publisher: Globe Pequot
ISBN: 9781599211688
Category : Biography & Autobiography
Languages : en
Pages : 0
Book Description
Expanded book version about "Nashville portraits," including the sixty photographs in the traveling exhibition and new materials: five additional photos, an essay by folklorist/historian WIlliam R. Ferris, and biographies and quotations to accompany the photographic project.
Dating Nashville
Author: Ann Maree Craven
Publisher: Twin Rivers Press
ISBN:
Category : Fiction
Languages : en
Pages : 257
Book Description
How does a straight guy accidentally come out as gay to the entire country music world? The truth is, he doesn’t. It happened so fast. One moment, Beckett Anderson stood on stage watching his best friend’s little brother standing in a sea of people as his heart broke in two. The next, he’d jumped off stage to give him the kiss of his life—or maybe the kiss of Becks’ life. So, that question about the straight guy… well, maybe it’s not so black and white. Maybe when Beckett begs Nicky to play his boyfriend for the media, a part of him wants it all to be real. Don’t miss your chance to fall in love with Becks and Nicky in this lovable sweet romance about a country superstar and his best friend’s brother. Dating Nashville is a standalone, clean MM novel in the complete Dating Him Series, perfect for fans of Love Simon and What if it’s Us. (HEA guaranteed) The Dating Him series: Dating Nashville Dating Washington Dating Texas Keywords: gay romance, gay romance books, rockstar romance, gay romance ebooks, bisexual romance, bisexual romance ebooks, bisexual romance books, rockstar romance ebooks, rockstar romance books, brothers best friend, friends to lovers, famous person romance, media relations, press, free romance books, download and read, free LGBT
Publisher: Twin Rivers Press
ISBN:
Category : Fiction
Languages : en
Pages : 257
Book Description
How does a straight guy accidentally come out as gay to the entire country music world? The truth is, he doesn’t. It happened so fast. One moment, Beckett Anderson stood on stage watching his best friend’s little brother standing in a sea of people as his heart broke in two. The next, he’d jumped off stage to give him the kiss of his life—or maybe the kiss of Becks’ life. So, that question about the straight guy… well, maybe it’s not so black and white. Maybe when Beckett begs Nicky to play his boyfriend for the media, a part of him wants it all to be real. Don’t miss your chance to fall in love with Becks and Nicky in this lovable sweet romance about a country superstar and his best friend’s brother. Dating Nashville is a standalone, clean MM novel in the complete Dating Him Series, perfect for fans of Love Simon and What if it’s Us. (HEA guaranteed) The Dating Him series: Dating Nashville Dating Washington Dating Texas Keywords: gay romance, gay romance books, rockstar romance, gay romance ebooks, bisexual romance, bisexual romance ebooks, bisexual romance books, rockstar romance ebooks, rockstar romance books, brothers best friend, friends to lovers, famous person romance, media relations, press, free romance books, download and read, free LGBT
Outlaws Still at Large!
Author: Neil A. Hamilton
Publisher:
ISBN: 9780615764047
Category : Country music
Languages : en
Pages : 546
Book Description
The first-ever book to cover the history of the renegade Outlaw country music movement from its beginnings in the 1970s to its resurgence today, "Outlaws Still At Large " draws from the author's interviews with current artists to reveal a rich, vibrant music scene beneath the mainstream Nashville gloss, while it shows the trials and adventures of life on the road. Hamilton traveled more than 20,000 miles with the Outlaws to get his story, and in the end, the music changed his life. One of the Outlaws, Shooter Jennings, who is the son of 1970s Outlaws Waylon Jennings and Jessi Colter, says about Hamilton and this book: "Besides his insanely neurotic attention to detail, or his relentless obsession with perfection, Neil is someone who cares very deeply for music and art. He cares so deeply that he's willing to spend as much time as he finds necessary to do this right, to do it true, and do justice to the thing he loves and protects with such grace and dignity. He is, like us, a warrior." Hamilton begins with a historical background to the rise of country music and the Outlaw movement, before offering five chapter profiles on prominent Outlaws from the 1970s: Waylon, Willie Nelson, Billy Joe Shaver, Johnny Paycheck, and David Allan Coe. He then shows how the 1970s Outlaw movement faded, how Nashville pop regained its crown, and how the current Outlaw movement has emerged. From there he presents chapter profiles on 15 current artists, including Shooter, Blackberry Smoke, Elizabeth Cook, Dallas Moore, Jackson Taylor, Jason Boland, Lydia Loveless, Whitey Morgan, Wayne Mills, Joey Allcorn, and Hellbound Glory. The book concludes with a look at the promoters behind the Outlaw scene and the emergence of Outlaw music on SiriusXM radio. Hamilton found that there's really no one Outlaw musical form. Some of the artists are most heavily influenced by Hank Williams, others by Elvis Presley, or by the 1970s Outlaws, or by Southern rock, or even punk rock. Yet, beneath this diversity and creativity, there remains a central attachment to country's roots and to the belief that music should be created primarily for the heart and not the wallet-even if it means many a hungry night in a low-pay honky tonk. If readers bathed in music history get a feeling that Hamilton formatted the book in word similar to the way that Willie Nelson formatted his path breaking album "Red Headed Stanger" in music, they will be right on the mark. That structure is meant to convey the continuing link between country roots past and present and the continuing belief that country music based on sincerity still has something to say in a society awash with shallow forms and fleeting moments.
Publisher:
ISBN: 9780615764047
Category : Country music
Languages : en
Pages : 546
Book Description
The first-ever book to cover the history of the renegade Outlaw country music movement from its beginnings in the 1970s to its resurgence today, "Outlaws Still At Large " draws from the author's interviews with current artists to reveal a rich, vibrant music scene beneath the mainstream Nashville gloss, while it shows the trials and adventures of life on the road. Hamilton traveled more than 20,000 miles with the Outlaws to get his story, and in the end, the music changed his life. One of the Outlaws, Shooter Jennings, who is the son of 1970s Outlaws Waylon Jennings and Jessi Colter, says about Hamilton and this book: "Besides his insanely neurotic attention to detail, or his relentless obsession with perfection, Neil is someone who cares very deeply for music and art. He cares so deeply that he's willing to spend as much time as he finds necessary to do this right, to do it true, and do justice to the thing he loves and protects with such grace and dignity. He is, like us, a warrior." Hamilton begins with a historical background to the rise of country music and the Outlaw movement, before offering five chapter profiles on prominent Outlaws from the 1970s: Waylon, Willie Nelson, Billy Joe Shaver, Johnny Paycheck, and David Allan Coe. He then shows how the 1970s Outlaw movement faded, how Nashville pop regained its crown, and how the current Outlaw movement has emerged. From there he presents chapter profiles on 15 current artists, including Shooter, Blackberry Smoke, Elizabeth Cook, Dallas Moore, Jackson Taylor, Jason Boland, Lydia Loveless, Whitey Morgan, Wayne Mills, Joey Allcorn, and Hellbound Glory. The book concludes with a look at the promoters behind the Outlaw scene and the emergence of Outlaw music on SiriusXM radio. Hamilton found that there's really no one Outlaw musical form. Some of the artists are most heavily influenced by Hank Williams, others by Elvis Presley, or by the 1970s Outlaws, or by Southern rock, or even punk rock. Yet, beneath this diversity and creativity, there remains a central attachment to country's roots and to the belief that music should be created primarily for the heart and not the wallet-even if it means many a hungry night in a low-pay honky tonk. If readers bathed in music history get a feeling that Hamilton formatted the book in word similar to the way that Willie Nelson formatted his path breaking album "Red Headed Stanger" in music, they will be right on the mark. That structure is meant to convey the continuing link between country roots past and present and the continuing belief that country music based on sincerity still has something to say in a society awash with shallow forms and fleeting moments.
Getting Good at Being You
Author: Lauren Alaina
Publisher: Thomas Nelson
ISBN: 1400226767
Category : Religion
Languages : en
Pages : 225
Book Description
With a little bit of country, a whole lot of faith, and a healthy dose of sass, award-winning singer-songwriter Lauren Alaina's debut book, Getting Good at Being You, invites you to take the road less traveled as you step right up to who God calls you to be. After years in the spotlight on American Idol and Dancing with the Stars, country music star Lauren Alaina has learned a thing or two about fighting self-doubt and feeling at home in her own skin. In Getting Good at Being You, Lauren shares stories about everything from lost loves to getting a nose ring to battling an eating disorder to grieving a loved one’s death. Each story leads to practical tips, take-it-on-the-road strategies, and encouragement for your own personal and spiritual growth. In this book, you will be inspired to: speak to yourself with kindness and compassion chase the dreams that light your spirit on fire cultivate rich relationships with family and friends identify self-sabotaging beliefs and behaviors offer forgiveness for yourself and others Throughout the book, you will find: behind-the-scenes photos from Lauren's career in country music. lists, tips, and strategies to boost your self-confidence. prompts to help you dream big and run toward who you are. This beautiful book is a perfect gift for women who celebrate other women birthday celebrations or career promotions high school and college graduations fans who want to know more about country music stardom Each of us deserves head-over-heels, can't-get-enough, shout-it-from-the-mountaintops self-love. By the final page of Getting Good at Being You, that's just the kind of confidence you'll have. As Lauren discovered, maybe life is getting good after all.
Publisher: Thomas Nelson
ISBN: 1400226767
Category : Religion
Languages : en
Pages : 225
Book Description
With a little bit of country, a whole lot of faith, and a healthy dose of sass, award-winning singer-songwriter Lauren Alaina's debut book, Getting Good at Being You, invites you to take the road less traveled as you step right up to who God calls you to be. After years in the spotlight on American Idol and Dancing with the Stars, country music star Lauren Alaina has learned a thing or two about fighting self-doubt and feeling at home in her own skin. In Getting Good at Being You, Lauren shares stories about everything from lost loves to getting a nose ring to battling an eating disorder to grieving a loved one’s death. Each story leads to practical tips, take-it-on-the-road strategies, and encouragement for your own personal and spiritual growth. In this book, you will be inspired to: speak to yourself with kindness and compassion chase the dreams that light your spirit on fire cultivate rich relationships with family and friends identify self-sabotaging beliefs and behaviors offer forgiveness for yourself and others Throughout the book, you will find: behind-the-scenes photos from Lauren's career in country music. lists, tips, and strategies to boost your self-confidence. prompts to help you dream big and run toward who you are. This beautiful book is a perfect gift for women who celebrate other women birthday celebrations or career promotions high school and college graduations fans who want to know more about country music stardom Each of us deserves head-over-heels, can't-get-enough, shout-it-from-the-mountaintops self-love. By the final page of Getting Good at Being You, that's just the kind of confidence you'll have. As Lauren discovered, maybe life is getting good after all.
Segregating Sound
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.