Author: Patricia Eichenbaum Karetzky
Publisher: University Press of America
ISBN: 9780761816713
Category : Art
Languages : en
Pages : 304
Book Description
Early Buddhist Narrative Art is a pictorial journey through the transmission of the narrative cycle based on the life of the historical Buddha. Karetzky, while demonstrating the various evolutions that the image of the Buddha underwent, maintains that there is an underlying homogeneity of the tradition in the cultures of India, Central Asia, China and Japan. The author, while focusing on the visual representation of the Buddhist narrative, goes into some detail regarding the importance of scriptures in each society, and how the written tradition informed the pictorial. Over seventy photos fill this book, which will be of interest to scholars of art history, Eastern religion and Buddhism in particular.
Early Buddhist Narrative Art
Author: Patricia Eichenbaum Karetzky
Publisher: University Press of America
ISBN: 9780761816713
Category : Art
Languages : en
Pages : 304
Book Description
Early Buddhist Narrative Art is a pictorial journey through the transmission of the narrative cycle based on the life of the historical Buddha. Karetzky, while demonstrating the various evolutions that the image of the Buddha underwent, maintains that there is an underlying homogeneity of the tradition in the cultures of India, Central Asia, China and Japan. The author, while focusing on the visual representation of the Buddhist narrative, goes into some detail regarding the importance of scriptures in each society, and how the written tradition informed the pictorial. Over seventy photos fill this book, which will be of interest to scholars of art history, Eastern religion and Buddhism in particular.
Publisher: University Press of America
ISBN: 9780761816713
Category : Art
Languages : en
Pages : 304
Book Description
Early Buddhist Narrative Art is a pictorial journey through the transmission of the narrative cycle based on the life of the historical Buddha. Karetzky, while demonstrating the various evolutions that the image of the Buddha underwent, maintains that there is an underlying homogeneity of the tradition in the cultures of India, Central Asia, China and Japan. The author, while focusing on the visual representation of the Buddhist narrative, goes into some detail regarding the importance of scriptures in each society, and how the written tradition informed the pictorial. Over seventy photos fill this book, which will be of interest to scholars of art history, Eastern religion and Buddhism in particular.
Discourse in Early Buddhist Art
Author: Vidya Dehejia
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
Illustrations: Numerous B/w Illustrations Description: Story-telling is an ever popular activity that occurs across space and time. Which child has not sat enthralled by the magic of story-tellers, and which adult has not succumbed to the seduction of reenactments of great legends? India's ancient Buddhists capitalized on the lure of stories, portraying them visually in stone reliefs and painted murals, to introduce viewers to the Buddhist faith and to confirm them in their belief. Commencing in the first century BC, Buddhist monasteries across the Indian subcontinent were extensively decorated with visual narratives of varying sizes, from a mere twelve inch panel to an extensive fifty foot wall. This book is a pioneering exploration of the manner in which stories are told. It identifies seven modes of visual story-telling used by the artist in early India, considers the reason for one mode being chosen over another, and explores how the effect of a story on the viewer varied according to the manner chosen to portray it. The book is a contribution to the expanding sphere of art, historical investigation and also to the field of Buddhist studies. Contents Preface Photographic Sources Discourse and Story 1. On Modes of Visual Narration 2. The Multivalent Sign in Early Buddhist Art 3. Text and Image II. Sites Of Narrative 4. Towards Narrative : Sanchi Stupa 5. Emergence of Visual Narrative : Bharhut Stupa 6. Narrative Achieves Assurance : Sanchi Stupa 7. Variations in Narrativity : Lesser Monasteries 8. Maturity of Narrative : Amaravati and Nagarjunakonda 9. Narrative Cycles at Gandhara 10. Ajanta's Painted Murals 11. The Narrative Tradition Recedes 12. Concluding Remarks
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 352
Book Description
Illustrations: Numerous B/w Illustrations Description: Story-telling is an ever popular activity that occurs across space and time. Which child has not sat enthralled by the magic of story-tellers, and which adult has not succumbed to the seduction of reenactments of great legends? India's ancient Buddhists capitalized on the lure of stories, portraying them visually in stone reliefs and painted murals, to introduce viewers to the Buddhist faith and to confirm them in their belief. Commencing in the first century BC, Buddhist monasteries across the Indian subcontinent were extensively decorated with visual narratives of varying sizes, from a mere twelve inch panel to an extensive fifty foot wall. This book is a pioneering exploration of the manner in which stories are told. It identifies seven modes of visual story-telling used by the artist in early India, considers the reason for one mode being chosen over another, and explores how the effect of a story on the viewer varied according to the manner chosen to portray it. The book is a contribution to the expanding sphere of art, historical investigation and also to the field of Buddhist studies. Contents Preface Photographic Sources Discourse and Story 1. On Modes of Visual Narration 2. The Multivalent Sign in Early Buddhist Art 3. Text and Image II. Sites Of Narrative 4. Towards Narrative : Sanchi Stupa 5. Emergence of Visual Narrative : Bharhut Stupa 6. Narrative Achieves Assurance : Sanchi Stupa 7. Variations in Narrativity : Lesser Monasteries 8. Maturity of Narrative : Amaravati and Nagarjunakonda 9. Narrative Cycles at Gandhara 10. Ajanta's Painted Murals 11. The Narrative Tradition Recedes 12. Concluding Remarks
Early Buddhist Discourses
Author:
Publisher: Hackett Publishing
ISBN: 1603840028
Category : Philosophy
Languages : en
Pages : 242
Book Description
Twenty discourses from the Pali Canon--including those most essential to the study and teaching of early Buddhism--are provided in fresh translations, accompanied by introductions that highlight the main themes and set the ideas presented in the context of wider philosophical and religious issues. Taken together, these fascinating works give an account of Buddhist teachings directly from the earliest primary sources. In his General Introduction, John J. Holder discusses the structure and language of the Pali Canon--its importance within the Buddhist tradition and the historical context in which it developed--and gives an overview of the basic doctrines of early Buddhism.
Publisher: Hackett Publishing
ISBN: 1603840028
Category : Philosophy
Languages : en
Pages : 242
Book Description
Twenty discourses from the Pali Canon--including those most essential to the study and teaching of early Buddhism--are provided in fresh translations, accompanied by introductions that highlight the main themes and set the ideas presented in the context of wider philosophical and religious issues. Taken together, these fascinating works give an account of Buddhist teachings directly from the earliest primary sources. In his General Introduction, John J. Holder discusses the structure and language of the Pali Canon--its importance within the Buddhist tradition and the historical context in which it developed--and gives an overview of the basic doctrines of early Buddhism.
Early Buddhist Architecture in Context
Author: Akira Shimada
Publisher: BRILL
ISBN: 9004232834
Category : History
Languages : en
Pages : 329
Book Description
The book provides an updated chronology of the Amar?vat? st?pa and argues its close link with the long-term development of urbanization of this region between ca. 200 BCE-250 CE based on the latest archaeological, art-historical and epigraphic evidence.
Publisher: BRILL
ISBN: 9004232834
Category : History
Languages : en
Pages : 329
Book Description
The book provides an updated chronology of the Amar?vat? st?pa and argues its close link with the long-term development of urbanization of this region between ca. 200 BCE-250 CE based on the latest archaeological, art-historical and epigraphic evidence.
Portraiture in Early India
Author: Vincent Lefèvre
Publisher: BRILL
ISBN: 900420735X
Category : Art
Languages : en
Pages : 290
Book Description
This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.
Publisher: BRILL
ISBN: 900420735X
Category : Art
Languages : en
Pages : 290
Book Description
This book highlights the specificities of Indian portraiture in sculpted and painted images, its relationship with divine images and aims, with the help of textual and epigraphical references, to understand the development of Indian imagery. It questions also the social and religious implications related to this issue.
How to Read Buddhist Art
Author: Kurt Behrendt
Publisher: Metropolitan Museum of Art
ISBN: 1588396738
Category : Religion
Languages : en
Pages : 139
Book Description
Intended to inspire the devout and provide a focus for religious practice, Buddhist artworks stand at the center of a great religious tradition that swept across Asia during the first millennia. How to Read Buddhist Art assembles fifty-four masterpieces from The Met collection to explore how images of the Buddha crossed linguistic and cultural barriers, and how they took on different (yet remarkably consistent) characteristics in India, Pakistan, Afghanistan, the Himalayas, China, Korea, Japan, Sri Lanka, Thailand, Cambodia, and Indonesia. Works highlighted in this rich, concise overview include reliquaries, images of the Buddha that attempt to capture his transcendence, diverse bodhisattvas who protect and help the devout on their personal path, and representations of important teachers. The book offers the essential iconographic frameworks needed to understand Buddhist art and practice, helping the reader to appreciate how artists gave form to subtle aspects of the teachings, especially in the sublime expression of the Buddha himself.
Publisher: Metropolitan Museum of Art
ISBN: 1588396738
Category : Religion
Languages : en
Pages : 139
Book Description
Intended to inspire the devout and provide a focus for religious practice, Buddhist artworks stand at the center of a great religious tradition that swept across Asia during the first millennia. How to Read Buddhist Art assembles fifty-four masterpieces from The Met collection to explore how images of the Buddha crossed linguistic and cultural barriers, and how they took on different (yet remarkably consistent) characteristics in India, Pakistan, Afghanistan, the Himalayas, China, Korea, Japan, Sri Lanka, Thailand, Cambodia, and Indonesia. Works highlighted in this rich, concise overview include reliquaries, images of the Buddha that attempt to capture his transcendence, diverse bodhisattvas who protect and help the devout on their personal path, and representations of important teachers. The book offers the essential iconographic frameworks needed to understand Buddhist art and practice, helping the reader to appreciate how artists gave form to subtle aspects of the teachings, especially in the sublime expression of the Buddha himself.
Historical Dictionary of Buddhism
Author: Carl Olson
Publisher: Rowman & Littlefield
ISBN: 1538130246
Category : Religion
Languages : en
Pages : 419
Book Description
Moving beyond the original bodhi tree where the historical Buddha attained enlightenment, Buddhism spread throughout Asia and in more recent history has become ubiquitous in America and other Western nations as it marches into the status of a major global religion. During its history westward, it has changed, adapted to new cultures, and offered spiritual help to those looking for answers to the problems of life. Buddhism is studied in institutions of higher education, practice by many people worldwide, and its literature is translated in numerous languages. Historical Dictionary of Buddhism, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 900 cross-referenced entries on important personalities as well as complex theological concepts, significant practices, and basic writings and texts. This book is an excellent resource for students, researchers, and anyone wanting to know more about Buddhism.
Publisher: Rowman & Littlefield
ISBN: 1538130246
Category : Religion
Languages : en
Pages : 419
Book Description
Moving beyond the original bodhi tree where the historical Buddha attained enlightenment, Buddhism spread throughout Asia and in more recent history has become ubiquitous in America and other Western nations as it marches into the status of a major global religion. During its history westward, it has changed, adapted to new cultures, and offered spiritual help to those looking for answers to the problems of life. Buddhism is studied in institutions of higher education, practice by many people worldwide, and its literature is translated in numerous languages. Historical Dictionary of Buddhism, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 900 cross-referenced entries on important personalities as well as complex theological concepts, significant practices, and basic writings and texts. This book is an excellent resource for students, researchers, and anyone wanting to know more about Buddhism.
Surviving Nirvana
Author: Sonya S. Lee
Publisher: Hong Kong University Press
ISBN: 9622091253
Category : Art
Languages : en
Pages : 374
Book Description
The Buddha's nirvana marks the end of the life of a great spiritual figure and the beginning of Buddhism as a world religion. Surviving Nirvana is the first book in the English language to examine how this historic moment was represented and received in the visual culture of China, of which the nirvana image has been a part for over 1,500 years. --Mining a selection of well-documented and well-preserved examples from the sixth to twelfth centuries, Sonya Lee offers a reassessment of medieval Chinese Buddhism by focusing on practices of devotion and image-making that were inspired by the Buddha's "complete extinction." The nirvana image, comprised of a reclining Buddha and a mourning audience, was central to defining the local meanings of the nirvana moment in different times and places. The motif's many guises, whether on a stone-carved stele, inside a pagoda crypt, or as a painted mural in a cave temple, were the product of social interactions, religious institutions, and artistic practices prevalent in a given historical context. They were also cogent responses to the fundamental anxiety about the absence of the Buddha and the prospect of one's salvation. By reinventing the nirvana image to address its own needs, each community of patrons, makers, and viewers sought to recast the Buddha's "death" into an allegory of survival that was charged with local pride and contemporary relevance.- -Thoroughly researched, this study engages methods and debates from the fields of art history, religion, archaeology, architecture, and East Asian history that are relevant to scholars and students alike. The many examples analyzed in the book offer well-defined local contexts to discuss broader historical and theoretical issues concerning representation, patronage, religion and politics, family values, and vision.--Sonya S. Lee is assistant professor of art history and East Asian languages and cultures at University of Southern California.-- -
Publisher: Hong Kong University Press
ISBN: 9622091253
Category : Art
Languages : en
Pages : 374
Book Description
The Buddha's nirvana marks the end of the life of a great spiritual figure and the beginning of Buddhism as a world religion. Surviving Nirvana is the first book in the English language to examine how this historic moment was represented and received in the visual culture of China, of which the nirvana image has been a part for over 1,500 years. --Mining a selection of well-documented and well-preserved examples from the sixth to twelfth centuries, Sonya Lee offers a reassessment of medieval Chinese Buddhism by focusing on practices of devotion and image-making that were inspired by the Buddha's "complete extinction." The nirvana image, comprised of a reclining Buddha and a mourning audience, was central to defining the local meanings of the nirvana moment in different times and places. The motif's many guises, whether on a stone-carved stele, inside a pagoda crypt, or as a painted mural in a cave temple, were the product of social interactions, religious institutions, and artistic practices prevalent in a given historical context. They were also cogent responses to the fundamental anxiety about the absence of the Buddha and the prospect of one's salvation. By reinventing the nirvana image to address its own needs, each community of patrons, makers, and viewers sought to recast the Buddha's "death" into an allegory of survival that was charged with local pride and contemporary relevance.- -Thoroughly researched, this study engages methods and debates from the fields of art history, religion, archaeology, architecture, and East Asian history that are relevant to scholars and students alike. The many examples analyzed in the book offer well-defined local contexts to discuss broader historical and theoretical issues concerning representation, patronage, religion and politics, family values, and vision.--Sonya S. Lee is assistant professor of art history and East Asian languages and cultures at University of Southern California.-- -
Tree and Serpent: Early Buddhist Art in India
Author: John Guy
Publisher: Metropolitan Museum of Art
ISBN: 1588396932
Category : Art
Languages : en
Pages : 348
Book Description
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
Publisher: Metropolitan Museum of Art
ISBN: 1588396932
Category : Art
Languages : en
Pages : 348
Book Description
A pioneering study of the emergence of Buddhist art in southern India, featuring vibrant photography of rare works, many published here for the first time Named for two primary motifs in Buddhist art, the sacred bodhi tree and the protective snake, Tree & Serpent: Early Buddhist Art in India is the first publication to foreground devotional works produced in the Deccan from 200 BCE to 400 CE. Unlike traditional narratives, which focus on northern India (where the Buddha was born, taught, and died), this groundbreaking book presents Buddhist art from monastic sites in the south. Long neglected, this is among the earliest surviving bodies of Buddhist art, and among the most sublimely beautiful. An international team of researchers contributes new scholarship on the sculptural and devotional art associated with Buddhism, and masterpieces from recently excavated Buddhist sites are published here for the first time—including Kanaganahalli and Phanigiri, the most important new discoveries in a generation. With its exploration of Buddhism’s emergence in southern India, as well as of India’s deep commercial and cultural engagement with the Hellenized and Roman worlds, this definitive study expands our understanding of the origins of Buddhist art itself.
Tales of Royalty
Author: Elisabeth Wagner-Durand
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501506854
Category : History
Languages : en
Pages : 377
Book Description
The volume sheds light on Ancient Near Eastern kingship by focusing on its constant urge for legitimation. Thus, it highlights specific aspects like royal building activities, warfare and wisdom and frames these into material and textual expressions that take the powerful form of narratives. The contributions made in this volume look for specific topoi of kingship and examine which shapes they took and why. The publication determines which narrative topoi have once been selected to legitimize kingship, which media have been chosen to transmit these narratives, and what kind of narrative strategies have been applied. To consider both, texts and images, in the same margin, the book is based on a dual approach: referring to certain narrative themes both philological and archaeological material will be presented. By joining diverse perspectives of scholars of material culture and texts and their various approaches the publication promises new and special insight into the connection of narration and legitimation in Mesopotamia. It reflects Ancient Near Eastern kingship and its narrative strategies from a interdisciplinary and transmedial point of view and gives new insights into the matter of royal legitimation.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501506854
Category : History
Languages : en
Pages : 377
Book Description
The volume sheds light on Ancient Near Eastern kingship by focusing on its constant urge for legitimation. Thus, it highlights specific aspects like royal building activities, warfare and wisdom and frames these into material and textual expressions that take the powerful form of narratives. The contributions made in this volume look for specific topoi of kingship and examine which shapes they took and why. The publication determines which narrative topoi have once been selected to legitimize kingship, which media have been chosen to transmit these narratives, and what kind of narrative strategies have been applied. To consider both, texts and images, in the same margin, the book is based on a dual approach: referring to certain narrative themes both philological and archaeological material will be presented. By joining diverse perspectives of scholars of material culture and texts and their various approaches the publication promises new and special insight into the connection of narration and legitimation in Mesopotamia. It reflects Ancient Near Eastern kingship and its narrative strategies from a interdisciplinary and transmedial point of view and gives new insights into the matter of royal legitimation.