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Author: Timothy Chase
Publisher: Page Publishing Inc
ISBN: 1662482396
Category : Fiction
Languages : en
Pages : 504
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Book Description
What is the meaning of life? Jenny and Craig Chaise, along with a close friend, Debbie-Sue, own a candle and wine company, Dionysus Refined, creating a candle line that is unique to their business. Craig is a police officer. The couple and close friends involve themselves in the world of horse show competition as a way to enhance their social status and network their company. Growth and introduction of businesspeople with intentions creates tension. Marital problems, infidelity, career change meeting and developing relationships, death, upper-class individuals with differing rules and inhibitions with the ability to change the direction of the lives of people, like products creates a rift. The world of art is introduced. Craig Chaise finds himself digging into the depths of himself while standing firm in the belief in the power of the individual amid life's changes. Dionysus Refined is a novel that discusses many life and death topics along with business and its process. Maturation and truths they face even when it hurts have questions. What happens to the Chaises' sense of well-being and security when someone takes it awav? What motivates self more than love and work while realizing failure and striving for meaning? Dionysus Refined is a novel about imperfect refinement and why it is important to believe in your best self.
Author: Timothy Chase
Publisher: Page Publishing Inc
ISBN: 1662482396
Category : Fiction
Languages : en
Pages : 504
Get Book Here
Book Description
What is the meaning of life? Jenny and Craig Chaise, along with a close friend, Debbie-Sue, own a candle and wine company, Dionysus Refined, creating a candle line that is unique to their business. Craig is a police officer. The couple and close friends involve themselves in the world of horse show competition as a way to enhance their social status and network their company. Growth and introduction of businesspeople with intentions creates tension. Marital problems, infidelity, career change meeting and developing relationships, death, upper-class individuals with differing rules and inhibitions with the ability to change the direction of the lives of people, like products creates a rift. The world of art is introduced. Craig Chaise finds himself digging into the depths of himself while standing firm in the belief in the power of the individual amid life's changes. Dionysus Refined is a novel that discusses many life and death topics along with business and its process. Maturation and truths they face even when it hurts have questions. What happens to the Chaises' sense of well-being and security when someone takes it awav? What motivates self more than love and work while realizing failure and striving for meaning? Dionysus Refined is a novel about imperfect refinement and why it is important to believe in your best self.
Author: Gary Winship
Publisher: Routledge
ISBN: 0429910584
Category : Psychology
Languages : en
Pages : 170
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Book Description
'Why do we take drugs? I haven't the faintest idea, but Gary Winship has a damned good go at telling me the answer. Some might say this is a largely academic book, but as an ex-psychiatric nurse and a Jo Public for the last twenty-five years, I'd say there's something in here for everyone. We've all taken drugs at some point in our lives (except, perhaps, my grandma) so one way to find out why is by reading this fascinating book.'- Jo Brand, comic, author, and actress
Author: Giuseppe Fornari
Publisher: MSU Press
ISBN: 1628953934
Category : History
Languages : en
Pages : 517
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Book Description
This magisterial reflection on the history and destiny of the West compares Greco-Roman civilization and the Judeo-Christian tradition in order to understand what both unites and divides them. Mediation, understood as a collective, symbolic experience, gives society unity and meaning, putting human beings in contact with a universal object known as the world or reality. But unity has a price: the very force that enables peaceful coexistence also makes us prone to conflict. As a result, in order to find a common point of convergence—of at-one-ment—someone must be sacrificed. Sacrifice, then, is the historical pillar of mediation. It was endorsed in a cosmic-religious sense in antiquity and rejected for ethical reasons in modernity, where the Judeo-Christian tradition plays an intermediate role in condemning sacrificial violence as such, while accepting sacrifice as a voluntary act offered to save other human beings. Today, as we face the collapse of all shared mediations, this intermediating solution offers a way out of our moral and cultural plight.
Author: Esther Eidinow
Publisher: Cambridge University Press
ISBN: 1316715213
Category : History
Languages : en
Pages : 443
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Book Description
Studied for many years by scholars with Christianising assumptions, Greek religion has often been said to be quite unlike Christianity: a matter of particular actions (orthopraxy), rather than particular beliefs (orthodoxies). This volume dares to think that, both in and through religious practices and in and through religious thought and literature, the ancient Greeks engaged in a sustained conversation about the nature of the gods and how to represent and worship them. It excavates the attitudes towards the gods implicit in cult practice and analyses the beliefs about the gods embedded in such diverse texts and contexts as comedy, tragedy, rhetoric, philosophy, ancient Greek blood sacrifice, myth and other forms of storytelling. The result is a richer picture of the supernatural in ancient Greece, and a whole series of fresh questions about how views of and relations to the gods changed over time.
Author:
Publisher: Liverpool University Press
ISBN: 1836241313
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
Traditional theatre semiotics promoted a scientific approach to theatre studies, albeit viewing semiotics as the unique discipline of research. Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies suggests instead a multi-disciplinary approach, including the following theoretical disciplines: narratology, mythology, pragmatics, ethics, theatre irony, theory of genres, aesthetics, semiotics, theory of non-verbal figures of speech, rhetoric, psychoanalysis, reception theory, history, and sociology -- with semiotics being only one among equals. These disciplines are presented from the perspective of their possible contributions to a sound methodology of theatre-texts analysis. Traditional theatre semiotics, moreover, holds the view that the actual performance on stage is the genuine text of theatre, instead of the play-script. Despite this paradigmatic shift, however, this viewpoint has failed to produce commendable analyses of such texts. The alternative presupposition put forward in this volume entails a series of novel perceptions of the theatre-text and its possible impact on the experiencing spectator, whose role in reading, interpreting and experiencing the theatre-text is not less crucial than that of the text itself. This view presupposes that the theatre-text is a description of a fictional world generated by the theatre medium. The author also contests the age-old view that a theatre/fictional-text reflects a simple narrative structure, and suggests instead a complexity that consists of seven layers: personified, mythical, praxical, naive, ironic, modal and aesthetic -- with each one of them re-structuring the previous layer. Professor Rozik also presents and describes a semiotic layer that lends communicative capacity to the description of a fictional world, and two additional metaphoric and rhetoric layers, which structure the theatre experience. The underlying purpose is to illustrate the application of the aforementioned disciplines to these fictional layers, and eventually their joint application to entire theatre / fictional texts. Organisation of the book reflects the structure of a university course.
Author: Clive Bloom
Publisher: Springer Nature
ISBN: 3030408663
Category : Social Science
Languages : en
Pages : 867
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Book Description
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
Author: Giles Whitely
Publisher: Routledge
ISBN: 1351193775
Category : Philosophy
Languages : en
Pages : 223
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Book Description
"Walter Pater, best known as the author of The Renaissance (1873) and as Oscar Wildes tutor and friend, was a leading figure in European aestheticism and British fin-de-siecle culture. Despite this, he has received only limited critical attention, and has tended to be read conservatively. Drawing on Paters unpublished manuscripts, Giles Whiteley challenges this view of Pater as a closeted don who spend the remainder of his life regretting the excesses of his Renaissance. Focusing on Paters reading of the German idealist philosopher, G. W. F. Hegel, Whiteley argues that Paters response to both the philosophical and the ideological legacies of idealism was significantly more advanced than has been hitherto thought. Presenting a persuasive new reading of the genre of the imaginary portrait Paters most elusive form of writing the book paints a picture of Walter Pater as a truly revolutionary thinker. Pater, like Nietzsche during the same period, breaks with the dialectic as a method. Anticipating the radical critiques of ideology of post- Hegelians such as Derrida and Deleuze, Pater becomes a radical and transgressive thinker in his own right."
Author:
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 456
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Book Description
Author: Ann Ward
Publisher: Cambridge Scholars Publishing
ISBN: 1443865044
Category : Art
Languages : en
Pages : 275
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Book Description
Socrates and Dionysus engages and seeks to redraw the boundaries between philosophy and poetry, science and art. Friedrich Nietzsche argues in his work The Birth of Tragedy that science conquers art, especially the tragic art of the Dionysian poet of ancient Greece. Appealing to the natural, primeval self that is suppressed but not extinguished by the knowledge of culture, Dionysian tragedy establishes contact with our bodies and their deepest longings. Science and philosophy, associated with the ‘Socratism’ of the theoretical man, celebrate the human mind in particular and the mind or rationality of the universe more generally. According to Nietzsche, it is Euripides who destroys the Dionysian entirely. Euripides celebrated the unadorned individual because only the individual, separated from their god, is intelligible or accessible to human reason; he insisted that art be comprehended by mind or that it be rationally understood. Euripides was possessed of such a rationalizing drive, Nietzsche claims, because his primary audience was Socrates. It is Socrates, therefore, who is the true opponent of Dionysus. Following Nietzsche’s bifurcation between philosophy and art, postmodern political philosopher Richard Rorty rejects the tendency of philosophy to posit absolute, universal truths and turns to the concept of ‘redescription’ which he associates with the ‘wisdom of the novel’. The novel is wise because it posits the relative truths and perspectives of the various individuals, societies and cultures that it represents. As an art form, it can therefore include every possible perspective of every particular situation, event or person. New interdisciplinary fields in politics, literature and film are giving rise to an expanding community of scholars who disagree with the approaches taken by Nietzsche and Rorty. These scholars are shedding light on the ways in which philosophy and art are friends rather than enemies. They seek to bridge the theoretical and ethical gaps between the world of ‘fiction’ and the world of ‘fact’, of art and science. There appears to be a fundamental tension between literary-artistic and scientific projects. Whereas the artist seeks to recreate human experience, thereby evoking basic ethical issues, the scientist apparently seeks ethically-neutral, evidence-based facts as the constituents of our knowledge of reality. Chapters in this volume, however, will reconsider how artists, philosophers and film-makers have addressed and attempted to reconcile the artist’s language of normativity and the scientist’s language of facticity.
Author: Maggy Anthony
Publisher: Routledge
ISBN: 0429879695
Category : Psychology
Languages : en
Pages : 128
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Book Description
Women and Dionysus links repression of the Dionysian spirit in Western culture with the rise of the patriarchy over the course of two millennia. It effectively draws aconnection between Dionysus and women throughout history, with examples from cultures both past and present, and the author’s own experiences. Maggy Anthony explores Dionysus’ role as god of the vine, creativity and passion, and his impact on art and literature. The book examines the Dionysian influence on creative older women, including Georgia O’Keeffe, Martha Graham and Marguerite Duras; examines Dionysus in mythology, history and religion; and considers connections to mysticism and the Renaissance. Anthony goes on to explore how women’s expressions of creativity through healing, wine-drinking and dancing were condemned in history, and how modern African and Latin American rites contrast with Western traditions. Finally, the book looks at ‘outbreaks’ of modern Dionysian spirit - from Haight-Ashbury to the Burning Man festival - and speculates on its future. This unique study will be essential reading for academics and scholars of Jungian and post-Jungian studies, and for analytical and depth psychologists, particularly those with an interest in female individuation, creativity, and spirituality.
