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Author: Branimir M. Rieger
Publisher: University of Wisconsin Pres
ISBN: 0299278735
Category : Social Science
Languages : en
Pages : 244
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Book Description
In this anthology, outstanding authorities present their assessments of literary madness in a variety of topics and approaches. The entire collection of essays presents intriguing aspects of the Dionysian element in literature.
Author: Branimir M. Rieger
Publisher: University of Wisconsin Pres
ISBN: 0299278735
Category : Social Science
Languages : en
Pages : 244
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Book Description
In this anthology, outstanding authorities present their assessments of literary madness in a variety of topics and approaches. The entire collection of essays presents intriguing aspects of the Dionysian element in literature.
Author: Branimir M. Rieger
Publisher: Popular Press
ISBN: 9780879726508
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
An outstanding collection of essays that presents assessments of literary madness in a variety of topics and approaches. Editor Rieger's (English, Lander U., Greenwood, S.C.) introductory chapter gives a cultural and linguistic history of literary madness, while his concluding chapter describes a course on "Madness in Literature." Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR
Author: Branimir M. Rieger
Publisher: Popular Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Author: Fiachra Mac Góráin
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110672235
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
While most work on Dionysus is based on Greek sources, this collection of essays examines the god’s Roman and Italian manifestations. Nine contributions address Bacchus’ appearance at the crossroads of Greek and Roman cultures, tracing continuities and differences between literary and archaeological sources for the god. The essays offer coverage of Dionysus in Roman art, Italian epigraphy; Latin poetry including epic, drama and elegy; and prose, including historiography, rhetorical and Christian discourse. The introduction offers an overview of the presence of Dionysus in Italy from the archaic to the imperial periods, identifying the main scholarly trends, with treatment of key Dionysian episodes in Roman history and literature. Individual chapters address the reception of Euripides’ Bacchae across Greek and Roman literature from Athens to Byzantium; Dionysus in Roman art of the archaic and Augustan periods; the god’s relationship with Fufluns and Liber in the 4th and 3rd centuries BCE; Dionysian associations; Bacchus in Cicero; Ovid’s Tristia 5.3; Bacchus in the writings of Christian Latin writers. The collection sheds light on a relatively understudied aspect of Dionysus, and will stimulate further research in this area.
Author: Susan Rowland
Publisher: Routledge
ISBN: 1317209621
Category : Literary Criticism
Languages : en
Pages : 202
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Book Description
Dionysus, god of dismemberment and sponsor of the lost or abandoned feminine, originates both Jungian psychology and literature in Remembering Dionysus. Characterized by spontaneity, fluid boundaries, sexuality, embodiment, wild nature, ecstasy and chaos, Dionysus is invoked in the writing of C. G. Jung and James Hillman as the dual necessity to adopt and dismiss literature for their archetypal vision of the psyche or soul. Susan Rowland describes an emerging paradigm for the twenty-first century enacting the myth of a god torn apart to be re-membered, and remembered as reborn in a great renewal of life. Rowland demonstrates how persons, forms of knowing and even eras that dismiss Dionysus are torn apart, and explores how Jung was Dionysian in providing his most dismembered text, The Red Book. Remembering Dionysus pursues the rough god into the Sublime in the destruction of meaning in Jung and Jacques Lacan, to a re-membering of sublime feminine creativity that offers zoe, or rebirth participating in an archetype of instinctual life. This god demands to be honoured inside our knowing and being, just as he (re)joins us to wild nature. This revealing book will be invigorating reading for Jungian analysts, psychotherapists, arts therapists and counsellors, as well as academics and students of analytical psychology, depth psychology, Jungian and post-Jungian studies, literary studies and ecological humanities.
Author: Rafael López-Pedraza
Publisher:
ISBN:
Category : Body, Mind & Spirit
Languages : en
Pages : 120
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Book Description
The internationally renowned Jungian analyst Lopez-Pedraza diagnoses the psychological illness at the core of modern society--the loss of embodied soulfulness in people's lives. In this study of the Greek god Dionysus, he offers insight for a cure. This book may be worth several years in psychotherapy, if one takes its message to heart. Dismemberment and cannibalism, Prometheus and Titanic nature, mystical experience, the communal aspect of Dionysiac worship, jazz, flamenco, and bullfighting are among the many twists and turns taken in this essay that wends its way through issues of the body and emotion to open hidden doors for psychotherapy and to cast new light on post-modern humanity.
Author: James I. Porter
Publisher: Stanford University Press
ISBN: 9780804737005
Category : Philosophy
Languages : en
Pages : 244
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Book Description
This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.
Author: Maggy Anthony
Publisher: Routledge
ISBN: 0429879695
Category : Psychology
Languages : en
Pages : 132
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Book Description
Women and Dionysus links repression of the Dionysian spirit in Western culture with the rise of the patriarchy over the course of two millennia. It effectively draws aconnection between Dionysus and women throughout history, with examples from cultures both past and present, and the author’s own experiences. Maggy Anthony explores Dionysus’ role as god of the vine, creativity and passion, and his impact on art and literature. The book examines the Dionysian influence on creative older women, including Georgia O’Keeffe, Martha Graham and Marguerite Duras; examines Dionysus in mythology, history and religion; and considers connections to mysticism and the Renaissance. Anthony goes on to explore how women’s expressions of creativity through healing, wine-drinking and dancing were condemned in history, and how modern African and Latin American rites contrast with Western traditions. Finally, the book looks at ‘outbreaks’ of modern Dionysian spirit - from Haight-Ashbury to the Burning Man festival - and speculates on its future. This unique study will be essential reading for academics and scholars of Jungian and post-Jungian studies, and for analytical and depth psychologists, particularly those with an interest in female individuation, creativity, and spirituality.
Author: Morgan Meis
Publisher: Slant Books
ISBN: 1639820566
Category : Art
Languages : en
Pages : 119
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Book Description
The Drunken Silenus is a book that is as hard to categorize as it is to put down--an enlightening and mesmerizing blend of philosophy, history, and art criticism. Morgan Meis begins simply enough, with a painting by the Baroque master Peter Paul Rubens of the figure from Greek mythology who is mentor to Dionysus, god of wine and excess of every kind. We learn who this obscure, minor god is--why he must attend on the god who dies and must be re-born and educated all over again--and why Rubens depicted him not as a character out of a farce, but as one whose plight evokes pity and compassion. The narrative spirals out from there, taking in the history of Antwerp, bloody seventeenth-century religious wars, tales of Rubens's father's near-execution for sleeping with William of Orange's wife, Nietzsche's Birth of Tragedy and the impossibility of there being any meaning to human life, and the destruction of all civilization by nefarious forces within ourselves. All of this is conveyed in language that crackles with intelligence, wit, and dark humor--a voice that at times sounds a bit tipsy and garrulous, but which ultimately asks us to confront the deepest questions of meaning, purpose, and hope in the face of death and tragedy.
Author: Jennifer Wise
Publisher: Cornell University Press
ISBN: 1501744941
Category : History
Languages : en
Pages : 281
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Book Description
What is the nature of theatre's uneasy alliance with literature? Should theatre be viewed as a preliterate, ritualistic phenomenon that can only be compromised by writing? Or should theatre be grouped with other literary arts as essentially'textual,'with even physical performance subsumed under the aegis of textuality? Jennifer Wise, a theatre historian and drama theorist who is also an actor, director, and designer, responds with a challenging and convincing reconstruction of the historical context from which Western theatre first emerged. Wise believes that a comparison of the performance style of oral epic with that of drama as it emerged in sixth-century Greece shows the extent to which theatre was influenced by literate activities relatively new to the ancient world. These activities, foreign to Homer yet familiar to Aeschylus and his contemporaries, included the use of the alphabet, the teaching of texts in schools, the public inscription of laws, the sending and receiving of letters, the exchange of city coinage, and the making of lists. Having changed the way cultural material was processed and transmitted, the technology of writing also led to innovations in the way stories were told, and Wise contends that theatre was the result. However, the art of drama appeared in ancient Greece not only as a beneficiary of literacy but also in defiance of any tendency to see textuality as an end in itself.
