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Author: William Shakespeare
Publisher: NYU Press
ISBN: 1776145399
Category : Drama
Languages : en
Pages : 107
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Book Description
Dintšhontšho tsa bo-Juliuse Kesara is a translation into Setswana of Shakespeare’s Julius Caesar, by the renowned South African thinker, writer and linguist Sol T. Plaatje, who was also a gifted stage actor. Plaatje first encountered the works of Shakespeare when he saw a performance of Hamlet as a young man; it ignited a great love in him for the works of the Elizabethan dramatist. Many years later he translated several of Shakespeare’s plays into Setswana in a series called Mabolelo a ga Tsikinya-Chaka / The Sayings of Shakespeare.' Dintšhontšho tsa bo-Juliuse Kesara went to print five years after Plaatje’s death, in 1937, published in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press. His translations of Shakespeare’s plays into Setswana helped to pioneer and popularize a genre, the drama script, that was previously not well known in Southern Africa. It also showcased the rich range of Setswana vocabulary and served Plaatje’s aim of developing the language.
Author: William Shakespeare
Publisher: NYU Press
ISBN: 1776145399
Category : Drama
Languages : en
Pages : 107
Get Book Here
Book Description
Dintšhontšho tsa bo-Juliuse Kesara is a translation into Setswana of Shakespeare’s Julius Caesar, by the renowned South African thinker, writer and linguist Sol T. Plaatje, who was also a gifted stage actor. Plaatje first encountered the works of Shakespeare when he saw a performance of Hamlet as a young man; it ignited a great love in him for the works of the Elizabethan dramatist. Many years later he translated several of Shakespeare’s plays into Setswana in a series called Mabolelo a ga Tsikinya-Chaka / The Sayings of Shakespeare.' Dintšhontšho tsa bo-Juliuse Kesara went to print five years after Plaatje’s death, in 1937, published in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press. His translations of Shakespeare’s plays into Setswana helped to pioneer and popularize a genre, the drama script, that was previously not well known in Southern Africa. It also showcased the rich range of Setswana vocabulary and served Plaatje’s aim of developing the language.
Author: William Shakespeare
Publisher: NYU Press
ISBN: 1776140613
Category : Drama
Languages : en
Pages : 148
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Book Description
Dintshontsho tsa bo-Juliuse Kesara is a translation into Setswana of Shakespeare's Julius Caesar, by the renowned South African thinker, writer and linguist Sol T. Plaatje, who was also a gifted stage actor. Plaatje first encountered the works of Shakespeare when he saw a performance of Hamlet as a young man; it ignited a great love in him for the works of the Elizabethan dramatist. Many years later he translated several of Shakespeare's plays into Setswana in a series called Mabolelo a ga Tsikinya-Chaka / The Sayings of Shakespeare.' Dintshontsho tsa bo-Juliuse Kesara went to print five years after Plaatje's death, in 1937, published in the Bantu (later, African) Treasury Series by the University of the Witwatersrand Press. His translations of Shakespeare's plays into Setswana helped to pioneer and popularize a genre, the drama script, that was previously not well known in Southern Africa. It also showcased the rich range of Setswana vocabulary and served Plaatje's aim of developing the language.
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : nso
Pages : 114
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Book Description
Author: William Shakespeare
Publisher:
ISBN:
Category : Rome
Languages : tn
Pages : 92
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Book Description
Author: Jill L Levenson
Publisher: Routledge
ISBN: 1317696182
Category : Literary Criticism
Languages : en
Pages : 779
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Book Description
The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.
Author: Barry Morton
Publisher: Rowman & Littlefield
ISBN: 1538111330
Category : History
Languages : en
Pages : 507
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Book Description
The death of Botswana’s last founding father, Sir Ketumile Quett Masire, in June 2017, marked the end of an era. Since the release of the Fourth Edition of Historical Dictionary of Botswana in 2008, Botswana has gone through its most turbulent and divided decade to date. Throughout September 2016, when Botswana celebrated its 50th anniversary of independence, all the successes of the Seretse and Masire era were sources of massive national pride. Botswana had expanded provisions of electricity, water, education, and health services to almost all of its people and become a model nation that owned its natural resources and plowed the profits back into the nation’s development. Despite these successes, Botswana has a high unemployment rate (about 20 percent) and a much larger cohort of the underemployed. This fifth edition of Historical Dictionary of Botswana contains a chronology, an introduction, appendixes, an extensive bibliography, and more than 700 cross-referenced entries on important personalities and aspects of the country’s politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Botswana.
Author: Kristin M.S. Bezio
Publisher: Edward Elgar Publishing
ISBN: 1839106425
Category : Business & Economics
Languages : en
Pages : 288
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Book Description
William Shakespeare and 21st-Century Culture, Politics, and Leadership examines problems, challenges, and crises in our contemporary world through the lens of William Shakespeare’s plays, one of the best-known, most admired, and often controversial authors of the last half-millennium.
Author: Shirley Chew
Publisher: Liverpool University Press
ISBN: 1781387869
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
This volume brings together eighteen substantial essays by distinguished scholars, critics and translators, and two interviews with eminent figures of British theatre, to explore the idea and practice of translation. The individual, but conceptually related, contributions examine topics from the Renaissance to the present in the context of apt exploration of the translation process, invoking both restricted and extended senses of translation. The endeavour is to study in detail the theory, workings and implications of what might be called the art of creative transposition, effective at the level of interlingual transcoding, dynamic rewriting, theatrical and cinematic adaptation, intersemiotic or intermedial translation, and cultural exchange. Many of the essays focus on aspects of intertextuality, the dialogue with text, past and present, as they bear on the issue of translation, attending to the historical, political or cultural dimensions of the practice, whether it illuminates a gendered reading of a text or a staging of cultural difference. The historic and generic range of the discussions is wide, encompassing the Elizabethan epyllion, Sensibility fiction, Victorian poetry and prose, modern and postmodern novels, but the book is dominated by dramatic or performance-related applications, with major representation of fresh investigations into Shakespeare (from A Midsummer Night’s Dream to The Tempest) and foregrounding of acts of self-translation on stage, in the dramatic monologue and in fiction. Contributions from theatre practitioners such as Sir Peter Hall, John Barton and Peter Lichtenfels underscore the immense practical importance of the translator on the stage and the business of both acting and directing as a species of translation.
Author: Sandra Young
Publisher: Bloomsbury Publishing
ISBN: 1350035769
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Contemporary adaptations of Shakespeare's plays have brought into sharp focus the legacies of slavery, racism and colonial dispossession that still haunt the global South. Looking sideways across the Atlantic and Indian Oceans to nontraditional centres of Shakespeare practice, Shakespeare in the Global South explores the solidarities generated by contemporary adaptations and their stories of displacement and survival. The book takes its lead from innovative theatre practice in Mauritius, North India, Brazil, post-apartheid South Africa and the diasporic urban spaces of the global North, to assess the lessons for cultural theory emerging from the new works. Using the 'global South' as a critical frame, Sandra Young reflects on the vocabulary scholars have found productive in grappling with the impact of the new iterations of Shakespeare's work, through terms such as 'creolization', 'indigenization', 'localization', 'Africanization' and 'diaspora'. Shakespeare's presence in the global South invites us to go beyond familiar orthodoxies and to recognize the surprising affinities felt across oceans of difference in time and space that allow Shakespeare's inventiveness to be a part of the enchanting subversions at play in contemporary theatre's global currents.
Author: Andrew Dickson
Publisher: Henry Holt and Company
ISBN: 080509735X
Category : Literary Criticism
Languages : en
Pages : 514
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Book Description
A book about how Shakespeare became fascinated with the world, and how the world became fascinated with Shakespeare Ranging ambitiously across four continents and four hundred years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global. Seizing inspiration from the playwright’s own fascination with travel, foreignness, and distant worlds—worlds Shakespeare never himself explored—Andrew Dickson takes us on an extraordinary journey: from Hamlet performed by English actors tramping through the Baltic states in the early sixteen hundreds to the skyscrapers of twenty-first-century Beijing and Shanghai, where “Shashibiya” survived Mao’s Cultural Revolution to become a revered Chinese author. En route, Dickson traces Nazi Germany’s strange love affair with, and attempted nationalization of, the Bard, and delves deep into the history of Bollywood, where Shakespearean stories helped give birth to Indian cinema. In Johannesburg, we discover how Shakespeare was enlisted in the fight to end apartheid. In nineteenth-century California, we encounter shoestring performances of Richard III and Othello in the dusty mining camps and saloon bars of the Gold Rush. No other writer’s work has been performed, translated, adapted, and altered in such a remarkable variety of cultures and languages. Both a cultural history and a literary travelogue, Worlds Elsewhere is an attempt to understand how Shakespeare has become the international phenomenon he is—and why.
