Author: Robert B. Musburger, PhD
Publisher: Taylor & Francis
ISBN: 1136053131
Category : Performing Arts
Languages : en
Pages : 344
Book Description
Introduction to Media Production, Third Edition, provides students with a practical framework for all aspects of media production by addressing the technological and aesthetic changes that have shaped the industry. Offering both hands-on instruction and theoretical information, it provides a sound basis for the techniques, operations, and philosophies of media production in the new digital environment. The new edition has been updated throughout with detailed information on how digital processes have changed everything from shooting to editing to finishing. It includes content on the Internet, writing for the Internet, Graphics and Animation.
Introduction to Media Production
Author: Robert B. Musburger, PhD
Publisher: Taylor & Francis
ISBN: 1136053131
Category : Performing Arts
Languages : en
Pages : 344
Book Description
Introduction to Media Production, Third Edition, provides students with a practical framework for all aspects of media production by addressing the technological and aesthetic changes that have shaped the industry. Offering both hands-on instruction and theoretical information, it provides a sound basis for the techniques, operations, and philosophies of media production in the new digital environment. The new edition has been updated throughout with detailed information on how digital processes have changed everything from shooting to editing to finishing. It includes content on the Internet, writing for the Internet, Graphics and Animation.
Publisher: Taylor & Francis
ISBN: 1136053131
Category : Performing Arts
Languages : en
Pages : 344
Book Description
Introduction to Media Production, Third Edition, provides students with a practical framework for all aspects of media production by addressing the technological and aesthetic changes that have shaped the industry. Offering both hands-on instruction and theoretical information, it provides a sound basis for the techniques, operations, and philosophies of media production in the new digital environment. The new edition has been updated throughout with detailed information on how digital processes have changed everything from shooting to editing to finishing. It includes content on the Internet, writing for the Internet, Graphics and Animation.
Digital Video and HD
Author: Charles Poynton
Publisher: Morgan Kaufmann
ISBN: 1558607927
Category : Computers
Languages : en
Pages : 738
Book Description
& Quot;Digital Video and HDTV Algorithms and Interfaces covers the theory and engineering of digital video systems in a manner that is equally accessible to video engineers and computer graphics practitioners. It provides succinct and accurate treatment of standard-definition television (SDTV), high-definition television (HDTV), and compression systems. & quot;--BOOK JACKET.
Publisher: Morgan Kaufmann
ISBN: 1558607927
Category : Computers
Languages : en
Pages : 738
Book Description
& Quot;Digital Video and HDTV Algorithms and Interfaces covers the theory and engineering of digital video systems in a manner that is equally accessible to video engineers and computer graphics practitioners. It provides succinct and accurate treatment of standard-definition television (SDTV), high-definition television (HDTV), and compression systems. & quot;--BOOK JACKET.
Video Recording Technology
Author: Aaron Foisi Nmungwun
Publisher: Routledge
ISBN: 1136466045
Category : Language Arts & Disciplines
Languages : en
Pages : 304
Book Description
Video recording has recently become an important phenomenon. Although the majority of American homes have at least one video recording set, not much is known about video recording's past and about its continual effect on affiliated industries. This text documents the history of magnetic recording, stressing its importance in consumer as well as commercial applications from the advent of magnetism through the invention of such new technologies as Digital Audio Tape (DAT), High Definition Television (HDTV), and a multitude of sophisicated Digital Video Cassette Recorders.
Publisher: Routledge
ISBN: 1136466045
Category : Language Arts & Disciplines
Languages : en
Pages : 304
Book Description
Video recording has recently become an important phenomenon. Although the majority of American homes have at least one video recording set, not much is known about video recording's past and about its continual effect on affiliated industries. This text documents the history of magnetic recording, stressing its importance in consumer as well as commercial applications from the advent of magnetism through the invention of such new technologies as Digital Audio Tape (DAT), High Definition Television (HDTV), and a multitude of sophisicated Digital Video Cassette Recorders.
High Density Magnetic Recording for Home VTR
Author: K. A. Ozawa
Publisher: CRC Press
ISBN: 9782881248870
Category : Science
Languages : en
Pages : 160
Book Description
Publisher: CRC Press
ISBN: 9782881248870
Category : Science
Languages : en
Pages : 160
Book Description
Basic TV Technology
Author: Robert L Hartwig
Publisher: Taylor & Francis
ISBN: 1136068139
Category : Performing Arts
Languages : en
Pages : 207
Book Description
Basic TV Technology is the essential basic guide to the fundamentals underlying all television and video systems, written for students and nontechnical professionals. You don't need to have a math or science background in order to understand this explanation of how the principal pieces of equipment work, what their functions are, and how they are integrated to form a complex video system. An understanding of this material will be necessary for you to succeed in the real world, where one person often has to perform many different roles and functions within a production. Armed with some basic technical background information, you'll be more effective at figuring out new applications and at problem-solving. The fourth edition of Basic TV Technology has been updated to reflect the industry shift to digital video and includes new information on compression, television standards, LCD displays, HD, and equipment. This book features the accessible Media Manual format, in which every topic is covered in two pages: one of explanatory text and one of figures. For more information on TV technologies, go to: http://www.insightmedia.info/news/
Publisher: Taylor & Francis
ISBN: 1136068139
Category : Performing Arts
Languages : en
Pages : 207
Book Description
Basic TV Technology is the essential basic guide to the fundamentals underlying all television and video systems, written for students and nontechnical professionals. You don't need to have a math or science background in order to understand this explanation of how the principal pieces of equipment work, what their functions are, and how they are integrated to form a complex video system. An understanding of this material will be necessary for you to succeed in the real world, where one person often has to perform many different roles and functions within a production. Armed with some basic technical background information, you'll be more effective at figuring out new applications and at problem-solving. The fourth edition of Basic TV Technology has been updated to reflect the industry shift to digital video and includes new information on compression, television standards, LCD displays, HD, and equipment. This book features the accessible Media Manual format, in which every topic is covered in two pages: one of explanatory text and one of figures. For more information on TV technologies, go to: http://www.insightmedia.info/news/
Video Recording Technology
Author: Aaron Foisi Nmungwun
Publisher: Routledge
ISBN: 1136465979
Category : Language Arts & Disciplines
Languages : en
Pages : 303
Book Description
Video recording has recently become an important phenomenon. Although the majority of American homes have at least one video recording set, not much is known about video recording's past and about its continual effect on affiliated industries. This text documents the history of magnetic recording, stressing its importance in consumer as well as commercial applications from the advent of magnetism through the invention of such new technologies as Digital Audio Tape (DAT), High Definition Television (HDTV), and a multitude of sophisicated Digital Video Cassette Recorders.
Publisher: Routledge
ISBN: 1136465979
Category : Language Arts & Disciplines
Languages : en
Pages : 303
Book Description
Video recording has recently become an important phenomenon. Although the majority of American homes have at least one video recording set, not much is known about video recording's past and about its continual effect on affiliated industries. This text documents the history of magnetic recording, stressing its importance in consumer as well as commercial applications from the advent of magnetism through the invention of such new technologies as Digital Audio Tape (DAT), High Definition Television (HDTV), and a multitude of sophisicated Digital Video Cassette Recorders.
Introduction to Media Production
Author: Gorham Kindem
Publisher: Taylor & Francis
ISBN: 1136053212
Category : Performing Arts
Languages : en
Pages : 536
Book Description
Introduction to Media Production began years ago as an alternative text that would cover ALL aspects of media production, not just film or just tv or just radio. Kindem and Musburger needed a book that would show students how every form of media intersects with one another, and about how one needs to know the background history of how film affects video, and how video affects working in a studio, and ultimately, how one needs to know how to put it all together. Introduction to Media Production is the book that shows this intersection among the many forms of media, and how students can use this intersection to begin to develop their own high quality work. Introduction to Media Production is a primary source for students of media. Its readers learn about various forms of media, how to make the best use of them, why one would choose one form of media over another, and finally, about all of the techniques used to create a media project. The digital revolution has exploded all the former techniques used in digital media production, and this book covers the now restructured and formalized digital workflows that make all production processes by necessity, digital. This text will concentrate on offering students and newcomers to the field the means to become aware of the critical importance of understanding the end destination of their production as a part of pre-production, not the last portion of post production. Covering film, tv, video, audio, and graphics, the fourth edition of Introduction to Digital Media promises to be yet another comprehensive guide for both students of media and newcomers to the media industry.
Publisher: Taylor & Francis
ISBN: 1136053212
Category : Performing Arts
Languages : en
Pages : 536
Book Description
Introduction to Media Production began years ago as an alternative text that would cover ALL aspects of media production, not just film or just tv or just radio. Kindem and Musburger needed a book that would show students how every form of media intersects with one another, and about how one needs to know the background history of how film affects video, and how video affects working in a studio, and ultimately, how one needs to know how to put it all together. Introduction to Media Production is the book that shows this intersection among the many forms of media, and how students can use this intersection to begin to develop their own high quality work. Introduction to Media Production is a primary source for students of media. Its readers learn about various forms of media, how to make the best use of them, why one would choose one form of media over another, and finally, about all of the techniques used to create a media project. The digital revolution has exploded all the former techniques used in digital media production, and this book covers the now restructured and formalized digital workflows that make all production processes by necessity, digital. This text will concentrate on offering students and newcomers to the field the means to become aware of the critical importance of understanding the end destination of their production as a part of pre-production, not the last portion of post production. Covering film, tv, video, audio, and graphics, the fourth edition of Introduction to Digital Media promises to be yet another comprehensive guide for both students of media and newcomers to the media industry.
Compression in Video and Audio
Author: John Watkinson
Publisher: Butterworth-Heinemann
ISBN: 9780240513942
Category : Technology & Engineering
Languages : en
Pages : 176
Book Description
Compression technology has been employed for a long time, but until recently the technology was too complex for everyday applications. However, compression has now reached the stage where it can economically be applied to video and audio systems on a wide scale. This book recognises the wide applications of compression by treating the subject from first principles without assuming any particular background for the reader. An introductory chapter is included which suggests some applications of compression and how it works in a simplified form. In addition a fundamentals chapter contains all of the background necessary to follow the rest of the book. Theory is balanced with a wide range of practical applications in transmission and recording and throughout the book the reader will find notes of caution and outlines of various pitfalls for the unwary. Various descriptions are also included of the kinds of impairments which can result from the misuse of compression. John Watkinson is an independent consultant in digital video, audio and data technology. he is a fellow of the AES and presents lectures, conference papers and training courses worldwide. he is the author of numerous other Focal press books, including the Art of Digital Audio, the Art of Digital Video (both now in their second edition) and The Art of Data Recording, An Introduction to Digital Audio, An Introduction to Digital Video, The Digital Videotape recorder and RDAT. he is also co-author, with Francis Rumsey of The Digital Interface Handbook. covers basic principles no unnecessary mathematics includes a wide range of practical applications
Publisher: Butterworth-Heinemann
ISBN: 9780240513942
Category : Technology & Engineering
Languages : en
Pages : 176
Book Description
Compression technology has been employed for a long time, but until recently the technology was too complex for everyday applications. However, compression has now reached the stage where it can economically be applied to video and audio systems on a wide scale. This book recognises the wide applications of compression by treating the subject from first principles without assuming any particular background for the reader. An introductory chapter is included which suggests some applications of compression and how it works in a simplified form. In addition a fundamentals chapter contains all of the background necessary to follow the rest of the book. Theory is balanced with a wide range of practical applications in transmission and recording and throughout the book the reader will find notes of caution and outlines of various pitfalls for the unwary. Various descriptions are also included of the kinds of impairments which can result from the misuse of compression. John Watkinson is an independent consultant in digital video, audio and data technology. he is a fellow of the AES and presents lectures, conference papers and training courses worldwide. he is the author of numerous other Focal press books, including the Art of Digital Audio, the Art of Digital Video (both now in their second edition) and The Art of Data Recording, An Introduction to Digital Audio, An Introduction to Digital Video, The Digital Videotape recorder and RDAT. he is also co-author, with Francis Rumsey of The Digital Interface Handbook. covers basic principles no unnecessary mathematics includes a wide range of practical applications
Digital Video and HD
Author: Charles Poynton
Publisher: Elsevier
ISBN: 0080504302
Category : Computers
Languages : en
Pages : 737
Book Description
Rapidly evolving computer and communications technologies have achieved data transmission rates and data storage capacities high enough for digital video. But video involves much more than just pushing bits! Achieving the best possible image quality, accurate color, and smooth motion requires understanding many aspects of image acquisition, coding, processing, and display that are outside the usual realm of computer graphics. At the same time, video system designers are facing new demands to interface with film and computer system that require techniques outside conventional video engineering. Charles Poynton's 1996 book A Technical Introduction to Digital Video became an industry favorite for its succinct, accurate, and accessible treatment of standard definition television (SDTV). In Digital Video and HDTV, Poynton augments that book with coverage of high definition television (HDTV) and compression systems. For more information on HDTV Retail markets, go to: http://www.insightmedia.info/newsletters.php#hdtvWith the help of hundreds of high quality technical illustrations, this book presents the following topics:* Basic concepts of digitization, sampling, quantization, gamma, and filtering* Principles of color science as applied to image capture and display* Scanning and coding of SDTV and HDTV* Video color coding: luma, chroma (4:2:2 component video, 4fSC composite video)* Analog NTSC and PAL* Studio systems and interfaces* Compression technology, including M-JPEG and MPEG-2* Broadcast standards and consumer video equipment
Publisher: Elsevier
ISBN: 0080504302
Category : Computers
Languages : en
Pages : 737
Book Description
Rapidly evolving computer and communications technologies have achieved data transmission rates and data storage capacities high enough for digital video. But video involves much more than just pushing bits! Achieving the best possible image quality, accurate color, and smooth motion requires understanding many aspects of image acquisition, coding, processing, and display that are outside the usual realm of computer graphics. At the same time, video system designers are facing new demands to interface with film and computer system that require techniques outside conventional video engineering. Charles Poynton's 1996 book A Technical Introduction to Digital Video became an industry favorite for its succinct, accurate, and accessible treatment of standard definition television (SDTV). In Digital Video and HDTV, Poynton augments that book with coverage of high definition television (HDTV) and compression systems. For more information on HDTV Retail markets, go to: http://www.insightmedia.info/newsletters.php#hdtvWith the help of hundreds of high quality technical illustrations, this book presents the following topics:* Basic concepts of digitization, sampling, quantization, gamma, and filtering* Principles of color science as applied to image capture and display* Scanning and coding of SDTV and HDTV* Video color coding: luma, chroma (4:2:2 component video, 4fSC composite video)* Analog NTSC and PAL* Studio systems and interfaces* Compression technology, including M-JPEG and MPEG-2* Broadcast standards and consumer video equipment
Inherent Vice
Author: Lucas Hilderbrand
Publisher: Duke University Press
ISBN: 0822392194
Category : Performing Arts
Languages : en
Pages : 348
Book Description
In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy. Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an “aesthetics of access” most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video’s visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.
Publisher: Duke University Press
ISBN: 0822392194
Category : Performing Arts
Languages : en
Pages : 348
Book Description
In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy. Videotape not only radically changed how audiences accessed the content they wanted and loved but also altered how they watched it. Hilderbrand develops an aesthetic theory of analog video, an “aesthetics of access” most boldly embodied by bootleg videos. He contends that the medium specificity of videotape becomes most apparent through repeated duplication, wear, and technical failure; video’s visible and audible degeneration signals its uses for legal transgressions and illicit pleasures. Bringing formal and cultural analysis into dialogue with industrial history and case law, Hilderbrand examines four decades of often overlooked histories of video recording, including the first network news archive, the underground circulation of Superstar: The Karen Carpenter Story, a feminist tape-sharing network, and the phenomenally popular website YouTube. This book reveals the creative uses of videotape that have made essential content more accessible and expanded our understanding of copyright law. It is a politically provocative, unabashedly nostalgic ode to analog.