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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 2422
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 2422
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Author: Eduardo Quezada
Publisher: Trafford Publishing
ISBN: 1412037158
Category : Fiction
Languages : en
Pages : 74
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Book Description
Stories in both English and Spanish. Atlantis: the lost continent is actually us in the future. As we progress in the sciences and technologies we are building Atlantis and somewhere in the future, Atlantis was destroyed as time meets itself with the past and consequently we are finding Atlantis as an ancient civilization of the past, in the present which is actually the future of us as we are the last city in the future, just as the world came to an end. The other short stories will also stimulate the mind and hopefully it is their final version and they're put to rest, and the chicken will thank you, so will the rooster.
Author:
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Category : Children's literature
Languages : en
Pages : 144
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Author:
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ISBN:
Category : Art, Colombian
Languages : en
Pages : 822
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Author: Julio Cañero
Publisher: Cambridge Scholars Publishing
ISBN: 1443881996
Category : Art
Languages : en
Pages : 330
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Book Description
To create a comic is not to illustrate words, but to create narrative diagrams and transform strokes into imaging words. The infinite array of possibilities that the merging of text and pictures provides is a garden of forking paths that critics have just started to explore. This is an art that operates as the crossroads of various disciplines, but whose specifications require a thorough understanding of its unique mechanisms. The explosion of experimental works and the incorporation of previously marginal (or nonexistent) genres and themes in comics have enriched an already fruitful art in ways that continue to surprise both readers and critics. This collection of essays offers a space of reflection on the cultural, social, historical, and ideological dimensions of comics. With this in the background, the book focuses on three main areas: the origins and definitions of comics; the formal tools of the medium; and authors and their works. The historical and formal approach to comics, as shown here, is still essential and the debate about the origins and definition is still present, but two thirds of this collection formulate other treatments that scholars had not started to tackle until recently. Does this mean that the study of comics has finally reached the necessary confidence to abandon the artistic legitimization of the medium? Or are they just new self defense mechanisms through alliances with other fields of academic interest? This book will add to the debate on comics, as did the international conference that led to it. It provides a channel of communication with an art, a two-headed medium that, like the god Janus, operates as a hinge, as a meeting point, as a bridge between pictorial and literary expression.
Author: Harold E. Hinds
Publisher: Greenwood
ISBN:
Category : Performing Arts
Languages : en
Pages : 288
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The editors have put together a solid overview of ten areas of popular culture in Latin America. The contributors have skillfully overcome a variety of research obstacles as well as the imposing problem of dealing with many countries. Each contributor has expertly assembled scientific research, intelligent observations, and well-thought-out conclusions to offer a reliable, sophisticated study of his particular area. Popular music, sports, television, popular religion, comics, photonovels, film, newspapers, cartoons, and festivals and carnivals are covered in this much-needed volume.
Author:
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Category : Union catalogs
Languages : en
Pages : 1032
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Includes entries for maps and atlases.
Author: James Scorer
Publisher: University of Texas Press
ISBN: 1477329056
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
How twenty-first-century Latin American comics transgress social, political, and cultural frontiers. Given comics’ ability to cross borders, Latin American creators have used the form to transgress the political, social, spatial, and cultural borders that shape the region. A groundbreaking and comprehensive study of twenty-first-century Latin American comics, Latin American Comics in the Twenty-First Century documents how these works move beyond national boundaries and explores new aspects of the form, its subjects, and its creators. Latin American comics production is arguably more interconnected and more networked across national borders than ever before. Analyzing works from Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, James Scorer organizes his study around forms of “transgression,” such as transnationalism, border crossings, transfeminisms, punk bodies, and encounters in the neoliberal city. Scorer examines the feminist comics collective Chicks on Comics; the DIY comics zine world; nonfiction and journalistic comics; contagion and zombie narratives; and more. Drawing from archives across the United States, Europe, and Latin America, Latin American Comics in the Twenty-First Century posits that these comics produce micronarratives of everyday life that speak to sites of social struggle shared across nation states.
Author:
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ISBN:
Category : Authorship
Languages : en
Pages : 412
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Includes reviews of works written in languages of lesser currency, news from PEN Centres, original works, and papers delivered at International PEN congresses.
Author: Harvard University. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 984
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