Author: Rupert Christiansen
Publisher: Farrar, Straus and Giroux
ISBN: 0374719640
Category : Performing Arts
Languages : en
Pages : 289
Book Description
A Best Book of the Year at The New Yorker and The Telegraph “Amusing and assertive . . . [Christiansen’s] delight is infectious.” —Alexandra Jacobs, The New York Times Book Review Rupert Christiansen, a renowned dance critic and arts correspondent, presents a sweeping history of the Ballets Russes and of Serge Diaghilev’s dream of bringing Russian art and culture to the West. Serge Diaghilev, the Russian impresario and founder of the Ballets Russes, is often said to have invented modern ballet. An art critic and connoisseur, Diaghilev had no training in dance or choreography, but he had a dream of bringing Russian art, music, design, and expression to the West and a mission to drive a cultural and artistic revolution. Bringing together such legendary talents as Vaslav Nijinsky, Anna Pavlova, Igor Stravinsky, Pablo Picasso, and Henri Matisse, this complex and visionary genius created a new form of ballet defined by artistic integrity, creative freedom, and an all-encompassing experience of art, movement, and music. The explosive color combinations, sensual and androgynous choreography, and experimental sounds of the Ballets Russes were called “barbaric” by the Parisian press, but its radical style usurped the entrenched mores of traditional ballet and transformed the European cultural sphere at large. Diaghilev’s Empire, the publication of which marks the one hundred fiftieth anniversary of Diaghilev’s birth, is a daring, impeccably researched reassessment of the phenomenon of the Ballets Russes and the Russian Revolution in twentieth-century art and culture. Rupert Christiansen, a leading dance critic, explores the fiery conflicts, outsize personalities, and extraordinary artistic innovations that make up this enduring story of triumph and disaster.
Diaghilev's Empire
Author: Rupert Christiansen
Publisher: Farrar, Straus and Giroux
ISBN: 0374719640
Category : Performing Arts
Languages : en
Pages : 289
Book Description
A Best Book of the Year at The New Yorker and The Telegraph “Amusing and assertive . . . [Christiansen’s] delight is infectious.” —Alexandra Jacobs, The New York Times Book Review Rupert Christiansen, a renowned dance critic and arts correspondent, presents a sweeping history of the Ballets Russes and of Serge Diaghilev’s dream of bringing Russian art and culture to the West. Serge Diaghilev, the Russian impresario and founder of the Ballets Russes, is often said to have invented modern ballet. An art critic and connoisseur, Diaghilev had no training in dance or choreography, but he had a dream of bringing Russian art, music, design, and expression to the West and a mission to drive a cultural and artistic revolution. Bringing together such legendary talents as Vaslav Nijinsky, Anna Pavlova, Igor Stravinsky, Pablo Picasso, and Henri Matisse, this complex and visionary genius created a new form of ballet defined by artistic integrity, creative freedom, and an all-encompassing experience of art, movement, and music. The explosive color combinations, sensual and androgynous choreography, and experimental sounds of the Ballets Russes were called “barbaric” by the Parisian press, but its radical style usurped the entrenched mores of traditional ballet and transformed the European cultural sphere at large. Diaghilev’s Empire, the publication of which marks the one hundred fiftieth anniversary of Diaghilev’s birth, is a daring, impeccably researched reassessment of the phenomenon of the Ballets Russes and the Russian Revolution in twentieth-century art and culture. Rupert Christiansen, a leading dance critic, explores the fiery conflicts, outsize personalities, and extraordinary artistic innovations that make up this enduring story of triumph and disaster.
Publisher: Farrar, Straus and Giroux
ISBN: 0374719640
Category : Performing Arts
Languages : en
Pages : 289
Book Description
A Best Book of the Year at The New Yorker and The Telegraph “Amusing and assertive . . . [Christiansen’s] delight is infectious.” —Alexandra Jacobs, The New York Times Book Review Rupert Christiansen, a renowned dance critic and arts correspondent, presents a sweeping history of the Ballets Russes and of Serge Diaghilev’s dream of bringing Russian art and culture to the West. Serge Diaghilev, the Russian impresario and founder of the Ballets Russes, is often said to have invented modern ballet. An art critic and connoisseur, Diaghilev had no training in dance or choreography, but he had a dream of bringing Russian art, music, design, and expression to the West and a mission to drive a cultural and artistic revolution. Bringing together such legendary talents as Vaslav Nijinsky, Anna Pavlova, Igor Stravinsky, Pablo Picasso, and Henri Matisse, this complex and visionary genius created a new form of ballet defined by artistic integrity, creative freedom, and an all-encompassing experience of art, movement, and music. The explosive color combinations, sensual and androgynous choreography, and experimental sounds of the Ballets Russes were called “barbaric” by the Parisian press, but its radical style usurped the entrenched mores of traditional ballet and transformed the European cultural sphere at large. Diaghilev’s Empire, the publication of which marks the one hundred fiftieth anniversary of Diaghilev’s birth, is a daring, impeccably researched reassessment of the phenomenon of the Ballets Russes and the Russian Revolution in twentieth-century art and culture. Rupert Christiansen, a leading dance critic, explores the fiery conflicts, outsize personalities, and extraordinary artistic innovations that make up this enduring story of triumph and disaster.
Diaghilev's Ballets Russes
Author: Lynn Garafola
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 584
Book Description
The era of the Ballets Russes is probably the most chronicled in dance history, yet this book is the first to explain the company as a totality--its art, enterprise, and tudience. Taking a fresh look at familiar sources and incorporating fascinating archival material previously unexamined by Diaghilev scholars, Lynn Garafola paints an extraordinary portrait of the Ballets Russes, one that is bound to upset received opinion about the wellsprings and impact of early modernism.
Publisher: Oxford University Press, USA
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 584
Book Description
The era of the Ballets Russes is probably the most chronicled in dance history, yet this book is the first to explain the company as a totality--its art, enterprise, and tudience. Taking a fresh look at familiar sources and incorporating fascinating archival material previously unexamined by Diaghilev scholars, Lynn Garafola paints an extraordinary portrait of the Ballets Russes, one that is bound to upset received opinion about the wellsprings and impact of early modernism.
Diaghilev and the Golden Age of the Ballets Russes 1909-1929
Author: Jane Pritchard
Publisher: Victoria & Albert Museum
ISBN: 9781851778355
Category : Art
Languages : en
Pages : 0
Book Description
"This book was published to coincide with the exhibition Diaghilev and the Golden Age of the Ballet Russes 1909-1929 at the Victoria and Albert Museum, London, 25 September 2010-9 January 2011"--Title page verso.
Publisher: Victoria & Albert Museum
ISBN: 9781851778355
Category : Art
Languages : en
Pages : 0
Book Description
"This book was published to coincide with the exhibition Diaghilev and the Golden Age of the Ballet Russes 1909-1929 at the Victoria and Albert Museum, London, 25 September 2010-9 January 2011"--Title page verso.
The Business of Ballet
Author: Ira Nadel
Publisher: Lexington Books
ISBN: 1666945811
Category : Performing Arts
Languages : en
Pages : 223
Book Description
The Business of Ballet: Diaghilev’s Ballets Russes between Profit and the Avant-garde explores how a remarkable, internationally recognized ballet company, the Ballets Russes, was able to survive for twenty years without stable funding. Focusing on Ballets Russes’s founder, Serge Diaghilev, and his talent for discovering monies through an uncanny ability to secure funds from aristocrats, industrialists, artists, and swindlers, Ira Nadel offers new insight into the financial life of modern ballet. Throughout [his] analysis, Nadel reveals that Diaghilev was able to attract not only financial support but also the most innovative artistic and musical talents and choreographers of the period, who collectively changed the nature of ballet from the conventional to the contemporary. Through it all, Diaghilev never sacrificed the essential Russianness of his enterprise, transforming Russian traditions by incorporating new and original musical and choreographic stagings. In doing so, Nadel argues, Diaghilev’s Ballet Russes revised the idea of ballet as an art form, causing audiences throughout Europe and North America to riot and artists to create revolutionary compositions in art and music.
Publisher: Lexington Books
ISBN: 1666945811
Category : Performing Arts
Languages : en
Pages : 223
Book Description
The Business of Ballet: Diaghilev’s Ballets Russes between Profit and the Avant-garde explores how a remarkable, internationally recognized ballet company, the Ballets Russes, was able to survive for twenty years without stable funding. Focusing on Ballets Russes’s founder, Serge Diaghilev, and his talent for discovering monies through an uncanny ability to secure funds from aristocrats, industrialists, artists, and swindlers, Ira Nadel offers new insight into the financial life of modern ballet. Throughout [his] analysis, Nadel reveals that Diaghilev was able to attract not only financial support but also the most innovative artistic and musical talents and choreographers of the period, who collectively changed the nature of ballet from the conventional to the contemporary. Through it all, Diaghilev never sacrificed the essential Russianness of his enterprise, transforming Russian traditions by incorporating new and original musical and choreographic stagings. In doing so, Nadel argues, Diaghilev’s Ballet Russes revised the idea of ballet as an art form, causing audiences throughout Europe and North America to riot and artists to create revolutionary compositions in art and music.
Reading Dance
Author: Robert Gottlieb
Publisher: Pantheon
ISBN: 037542122X
Category : Performing Arts
Languages : en
Pages : 1362
Book Description
Robert Gottlieb’s immense sampling of the dance literature–by far the largest such project ever attempted–is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading. It limits itself of material within the experience of today’s general readers, avoiding, for instance, academic historical writing and treatises on technique, its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa. And, as Gottlieb writes in his introduction, “The twentieth century focuses to a large extent on the achievements and personalities that dominated it–from Pavlova and Nijinsky and Diaghilev to Isadora Duncan and Martha Graham, from Ashton and Balanchine and Robbins to Merce Cunningham and Paul Taylor and Twyla Tharp, from Fonteyn and Farrell and Gelsey Kirkland (“the Judy Garland of Ballet”) to Nureyev and Baryshnikov and Astaire–as well as the critical and reportorial voices, past and present, that carry the most conviction.” In structuring his anthology, Gottlieb explains, he has “tried to help the reader along by arranging its two hundred-plus entries into a coherent groups.” Apart from the sections on major personalities and important critics, there are sections devoted to interviews (Tamara Toumanova, Antoinette Sibley, Mark Morris); profiles (Lincoln Kirstein, Bob Fosse, Olga Spessivtseva); teachers; accounts of the birth of important works from Petrouchka to Apollo to Push Comes to Shove; and the movies (from Arlene Croce and Alastair Macauley on Fred Astaire to director Michael Powell on the making of The Red Shoes). Here are the voices of Cecil Beaton and Irene Castle, Ninette de Valois and Bronislava Nijinska, Maya Plisetskaya and Allegra Kent, Serge Lifar and José Limón, Alicia Markova and Natalia Makarova, Ruth St. Denis and Michel Fokine, Susan Sontag and Jean Renoir. Plus a group of obscure, even eccentric extras, including an account of Pavlova going shopping in London and recipes from Tanaquil LeClerq’s cookbook.” With its huge range of content accompanied by the anthologist’s incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance.
Publisher: Pantheon
ISBN: 037542122X
Category : Performing Arts
Languages : en
Pages : 1362
Book Description
Robert Gottlieb’s immense sampling of the dance literature–by far the largest such project ever attempted–is both inclusive, to the extent that inclusivity is possible when dealing with so vast a field, and personal: the result of decades of reading. It limits itself of material within the experience of today’s general readers, avoiding, for instance, academic historical writing and treatises on technique, its earliest subjects are those nineteenth-century works and choreographers that still resonate with dance lovers today: Giselle, The Sleeping Beauty, Swan Lake; Bournonville and Petipa. And, as Gottlieb writes in his introduction, “The twentieth century focuses to a large extent on the achievements and personalities that dominated it–from Pavlova and Nijinsky and Diaghilev to Isadora Duncan and Martha Graham, from Ashton and Balanchine and Robbins to Merce Cunningham and Paul Taylor and Twyla Tharp, from Fonteyn and Farrell and Gelsey Kirkland (“the Judy Garland of Ballet”) to Nureyev and Baryshnikov and Astaire–as well as the critical and reportorial voices, past and present, that carry the most conviction.” In structuring his anthology, Gottlieb explains, he has “tried to help the reader along by arranging its two hundred-plus entries into a coherent groups.” Apart from the sections on major personalities and important critics, there are sections devoted to interviews (Tamara Toumanova, Antoinette Sibley, Mark Morris); profiles (Lincoln Kirstein, Bob Fosse, Olga Spessivtseva); teachers; accounts of the birth of important works from Petrouchka to Apollo to Push Comes to Shove; and the movies (from Arlene Croce and Alastair Macauley on Fred Astaire to director Michael Powell on the making of The Red Shoes). Here are the voices of Cecil Beaton and Irene Castle, Ninette de Valois and Bronislava Nijinska, Maya Plisetskaya and Allegra Kent, Serge Lifar and José Limón, Alicia Markova and Natalia Makarova, Ruth St. Denis and Michel Fokine, Susan Sontag and Jean Renoir. Plus a group of obscure, even eccentric extras, including an account of Pavlova going shopping in London and recipes from Tanaquil LeClerq’s cookbook.” With its huge range of content accompanied by the anthologist’s incisive running commentary, Reading Dance will be a source of pleasure and instruction for anyone who loves dance.
The Faber Pocket Guide to Ballet
Author: Luke Jennings
Publisher: Faber & Faber
ISBN: 0571321607
Category : Performing Arts
Languages : en
Pages : 340
Book Description
The essential, easy-to-use classical ballet guide - spanning nearly two centuries of classical dance - with entries for more than eighty works from ballet companies around the world, from Giselle and Swan Lake to Cinderella and Steptext. This new edition has been revised to include new ballets by Wayne McGregor, Alexei Ratmansky and Christopher Wheeldon alongside classics by Tchaikovsky, Diaghilev and Balanchine. Features include: - plot summaries - an analysis of each ballet's principal themes - useful background and historical information - a unique, behind-the-scenes, performer's-eye view Dip in at random or trace the development of dance from cover to cover. Written by former Royal Ballet principal Deborah Bull and leading dance critic Luke Jennings, this ever popular Faber Pocket guide is a must for all ballet-goers - regulars and first-timers alike.
Publisher: Faber & Faber
ISBN: 0571321607
Category : Performing Arts
Languages : en
Pages : 340
Book Description
The essential, easy-to-use classical ballet guide - spanning nearly two centuries of classical dance - with entries for more than eighty works from ballet companies around the world, from Giselle and Swan Lake to Cinderella and Steptext. This new edition has been revised to include new ballets by Wayne McGregor, Alexei Ratmansky and Christopher Wheeldon alongside classics by Tchaikovsky, Diaghilev and Balanchine. Features include: - plot summaries - an analysis of each ballet's principal themes - useful background and historical information - a unique, behind-the-scenes, performer's-eye view Dip in at random or trace the development of dance from cover to cover. Written by former Royal Ballet principal Deborah Bull and leading dance critic Luke Jennings, this ever popular Faber Pocket guide is a must for all ballet-goers - regulars and first-timers alike.
Sergei Prokofiev
Author: Christina Guillaumier
Publisher: Reaktion Books
ISBN: 1789149894
Category : Biography & Autobiography
Languages : en
Pages : 220
Book Description
A critical biography of the twentieth-century Russian composer and pianist. This wide-ranging and incisive biography unfolds the life and work of the much-loved twentieth-century composer Sergei Prokofiev. In it, Christina Guillaumier reveals Prokofiev’s surprisingly optimistic spirit amidst a tumultuous backdrop of geopolitical chaos and ever-shifting musical landscapes. Guillaumier breathes life into the people and worlds that shaped Prokofiev’s complicated life, capturing the unwavering passion of a musical genius whose love for his craft transcended all barriers. This new critical account is a vivid portrait of the artist’s indomitable drive.
Publisher: Reaktion Books
ISBN: 1789149894
Category : Biography & Autobiography
Languages : en
Pages : 220
Book Description
A critical biography of the twentieth-century Russian composer and pianist. This wide-ranging and incisive biography unfolds the life and work of the much-loved twentieth-century composer Sergei Prokofiev. In it, Christina Guillaumier reveals Prokofiev’s surprisingly optimistic spirit amidst a tumultuous backdrop of geopolitical chaos and ever-shifting musical landscapes. Guillaumier breathes life into the people and worlds that shaped Prokofiev’s complicated life, capturing the unwavering passion of a musical genius whose love for his craft transcended all barriers. This new critical account is a vivid portrait of the artist’s indomitable drive.
The Chosen Maiden
Author: Eva Stachniak
Publisher: Doubleday Canada
ISBN: 0385678568
Category : Fiction
Languages : en
Pages : 434
Book Description
The lush, sweeping story of a remarkable dancer who charts her own course through the tumultuous years of early twentieth-century Europe. Beautifully blending fiction with fact, The Chosen Maiden plunges readers into an artistic world upended by modernity, immersing them in the experiences of the era's giants, from Anna Pavlova and Serge Diaghilev to Coco Chanel and Pablo Picasso. From their earliest days, the Nijinsky siblings appear destined for the stage. Bronia is a gifted young ballerina, but she is quickly eclipsed by her brother Vaslav. Deemed a prodigy, Vaslav Nijinsky will grow into the greatest, and most provocative, dancer of his time. To prove herself her brother's equal in the rigid world of ballet, Bronia will need to be more than extraordinary, defying society's expectations of what a female dancer can and should be. The real-life muse behind one of the most spectacular roles in dance, The Rite of Spring's Chosen Maiden, Bronia rises to the heights of modern ballet through grit, resilience and fervor. But when the First World War erupts and rebellion sparks in Russia, Bronia—caught between old and new, traditional and ground-breaking, safe and passionate—must begin her own search for what it means to be modern.
Publisher: Doubleday Canada
ISBN: 0385678568
Category : Fiction
Languages : en
Pages : 434
Book Description
The lush, sweeping story of a remarkable dancer who charts her own course through the tumultuous years of early twentieth-century Europe. Beautifully blending fiction with fact, The Chosen Maiden plunges readers into an artistic world upended by modernity, immersing them in the experiences of the era's giants, from Anna Pavlova and Serge Diaghilev to Coco Chanel and Pablo Picasso. From their earliest days, the Nijinsky siblings appear destined for the stage. Bronia is a gifted young ballerina, but she is quickly eclipsed by her brother Vaslav. Deemed a prodigy, Vaslav Nijinsky will grow into the greatest, and most provocative, dancer of his time. To prove herself her brother's equal in the rigid world of ballet, Bronia will need to be more than extraordinary, defying society's expectations of what a female dancer can and should be. The real-life muse behind one of the most spectacular roles in dance, The Rite of Spring's Chosen Maiden, Bronia rises to the heights of modern ballet through grit, resilience and fervor. But when the First World War erupts and rebellion sparks in Russia, Bronia—caught between old and new, traditional and ground-breaking, safe and passionate—must begin her own search for what it means to be modern.
Love and Russian Literature
Author: Ira B. Nadel
Publisher: Bloomsbury Publishing
ISBN: 1350115029
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Russia haunted the British cultural imagination throughout the 20th century whether as a romantic source of literary and political inspiration or as a warning of creeping totalitarianism. In this new book, Ira Nadel, charts the story of that influence through the work of some of the key figures in British literature across the century, including Joseph Conrad, Somerset Maugham, Jane Harrison, Virginia Woolf, and H.G. Wells. Framed by the story of two romantic encounters, between Walter Benjamin and the actress Asja Lacis in Moscow in 1926 and between Isaiah Berlin and Anna Akhmatova in 1945, Love and Russian Literature casts a vivid new light on the ways in which responses to Russia shaped the history of British modernism.
Publisher: Bloomsbury Publishing
ISBN: 1350115029
Category : Literary Criticism
Languages : en
Pages : 265
Book Description
Russia haunted the British cultural imagination throughout the 20th century whether as a romantic source of literary and political inspiration or as a warning of creeping totalitarianism. In this new book, Ira Nadel, charts the story of that influence through the work of some of the key figures in British literature across the century, including Joseph Conrad, Somerset Maugham, Jane Harrison, Virginia Woolf, and H.G. Wells. Framed by the story of two romantic encounters, between Walter Benjamin and the actress Asja Lacis in Moscow in 1926 and between Isaiah Berlin and Anna Akhmatova in 1945, Love and Russian Literature casts a vivid new light on the ways in which responses to Russia shaped the history of British modernism.
Diaghilev's Empire
Author: Rupert Christiansen
Publisher: Faber & Faber
ISBN: 9780571348022
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Bursting with extraordinary characters and anecdotes.' Sunday Telegraph'An extraordinary tale, enthrallingly told.' GramophoneSuch was the credo of the ruthlessly manipulative and resourceful Serge Diaghilev - the Russian impresario who created the modern art form of ballet.[Bokinfo].
Publisher: Faber & Faber
ISBN: 9780571348022
Category : Performing Arts
Languages : en
Pages : 0
Book Description
Bursting with extraordinary characters and anecdotes.' Sunday Telegraph'An extraordinary tale, enthrallingly told.' GramophoneSuch was the credo of the ruthlessly manipulative and resourceful Serge Diaghilev - the Russian impresario who created the modern art form of ballet.[Bokinfo].