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Author: Tony Pinkney
Publisher: University of Iowa Press
ISBN: 9780877452959
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Author: Tony Pinkney
Publisher: University of Iowa Press
ISBN: 9780877452959
Category : Literary Criticism
Languages : en
Pages : 196
Get Book Here
Book Description
Author: Anne Fernihough
Publisher: Cambridge University Press
ISBN: 9780521626170
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
The Cambridge Companion to D. H. Lawrence offers a series of new perspectives on one of the most important and controversial writers of the twentieth century. These specially commissioned essays offer diverse and stimulating readings of Lawrence's major novels, short stories, poetry and plays, and place Lawrence's writing in a variety of literary, cultural, and political contexts, such as modernism, sexual and ethnic identity, and psychoanalysis. The volume, which will be of interest to scholars and students alike, features a detailed chronology and a comprehensive guide to further reading.
Author: Susan Reid
Publisher: Springer
ISBN: 303004999X
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
This first book-length study of D. H. Lawrence’s lifelong engagement with music surveys his extensive musical interests and how these permeate his writing, while also situating Lawrence within a growing body of work on music and modernism. A twin focus considers the music that shaped Lawrence’s novels and poetry, as well as contemporary developments in music that parallel his quest for new forms of expression. Comparisons are made with the music of Debussy, Schoenberg, Stravinsky, Wagner, and British composers, including Bax, Holst and Vaughan Williams, and with the musical writings of Forster, Hardy, Hueffer (Ford), Nietzsche and Pound. Above all, by exploring Lawrence and music in historical context, this study aims to open up new areas for study and a place for Lawrence within the field of music and modernism.
Author: Kirsty Martin
Publisher: Oxford University Press, USA
ISBN: 0199674086
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
This volume looks at ideas of sympathy in the early 20th-century novel. It offers a new reading of literary modernism challenging notions of modernism as hostile to emotion and empathy. It also offers a new intervention into the growing field of literature and emotion studies.
Author: C. Krockel
Publisher: Springer
ISBN: 0230307752
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
This is the first book to consistently read English Modernist literature as testimony to trauma of the First and Second World Wars. Focusing upon T.S. Eliot and D.H. Lawrence, it examines the impact of war upon their lives and their strategies to resist it through literary innovation.
Author: Morag Shiach
Publisher: Cambridge University Press
ISBN: 052185444X
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The novel is modernism's most vital and experimental genre. With a chronology and guide to further reading, this 2007 Companion is an accessible and informative overview of the genre.
Author: Bill Goldstein
Publisher: Macmillan + ORM
ISBN: 1627795294
Category : Literary Criticism
Languages : en
Pages : 426
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Book Description
A Lambda Literary Awards Finalist Named one of the best books of 2017 by NPR's Book Concierge A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust’s In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—“The Waste Land." As Willa Cather put it, “The world broke in two in 1922 or thereabouts,” and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.
Author: Elizabeth M. Sheehan
Publisher: Cornell University Press
ISBN: 1501728164
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
Modernism à la Mode argues that fashion describes why and how literary modernism matters in its own historical moment and ours. Bringing together texts, textiles, and theories of dress, Elizabeth Sheehan shows that writers, including Virginia Woolf, D.H. Lawrence, W.E.B. Du Bois, Nella Larsen, and F. Scott Fitzgerald, turned to fashion to understand what their own stylized works could do in the context of global capital, systemic violence, and social transformation. Modernists engage with fashion as a mood, a set of material objects, and a target of critique, and, in doing so, anticipate and address contemporary debates centered on the uses of literature and literary criticism amidst the supposed crisis in the humanities. A modernist affect with a purpose, no less. By engaging modernism à la mode—that is, contingently, contextually, and in light of contemporary concerns—this book offers an alternative to the often-untenable distinctions between strong or weak, suspicious or reparative, and politically activist or quietist approaches to literature, which frame current debates about literary methodology. As fashion helps us to describe what modernist texts do, it enables us to do more with modernism as a form of inquiry, perception, and critique. Fashion and modernism are interwoven forms of inquiry, perception, and critique, writes Sheehan. It is fashion that puts the work of early twentieth-century writers in conversation with twenty-first century theories of emotion, materiality, animality, beauty, and history.
Author: David Seelow
Publisher: Palgrave Macmillan
ISBN: 9781403966292
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
In this bold, sweeping reassessment of Modernism, Seelow challenges standard versions of postmodernism and proposes a notion of radical modernism. He presents a provocative thesis through stimulating reconsiderations of three related but different radical moderns: Sigmund Freud, Wilhelm Reich, and D.H. Lawrence. Defining sexuality as Modernism's core feature, Seelow situates Freud, Reich, and Lawrence as frontier thinkers. Starting with a history of sexuality as both phenomenon and field of study Seelow then discloses Freud's theory of sexuality's masochistic underpinnings. Reich's materialist thought, which radicalizes Freud's libido theory while fashioning an emancipatory sense of self, is also offered. Radical theories also illuminate Lady Chatterley's Lover, and many of Lawrence's great short works. Finally, Seelow, following Kristeva's recent work, stresses the value of revolt in preserving the life of the mind in a morally devalued world.
Author: Jeffrey Mathes McCarthy
Publisher: Springer
ISBN: 1137526041
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
One of the first studies to explore the relationship between environmental criticism and British modernism, Green Modernism explores the cultural function of nature in the modernist novel between 1900 and 1930. This theoretically engaged, historically informed book brings new materialist insights to novels by Conrad, Ford, Lawrence, and Butts.
