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![Dessins anciens et du XIXe siècle, estampes anciennes, collection d'un amateur 30 ans de passion [Fournier, 2011]. PDF](https://books.google.com/books/content/images/frontcover/irTnjgEACAAJ?fife=w80-h100)
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Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
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Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author: Nicolás Bas Martín
Publisher: BRILL
ISBN: 9004359524
Category : Language Arts & Disciplines
Languages : en
Pages : 375
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In Spanish Books in the Europe of the Enlightenment (Paris and London) Nicolás Bas examines the image of Spain in eighteenth-century Europe, and in Paris and London in particular. His material has been scoured from an exhaustive interrogation of the records of the book trade. He refers to booksellers’ catalogues, private collections, auctions, and other sources of information in order to reconstruct the country’s cultural image. Rarely have these sources been searched for Spanish books, and never have they been as exhaustively exploited as they are in Bas’ book. Both England and France were conversant with some very negative ideas about Spain. The Black Legend, dating back to the sixteenth century, condemned Spain as repressive and priest-ridden. Bas shows however, that an alternative, more sympathetic, vision ran parallel with these negative views. His bibliographical approach brings to light the Spanish books that were bought, sold and ultimately read. The impression thus obtained is likely to help us understand not only Spain’s past, but also something of its present.
Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
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Author: Klara Steinweg
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
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Author: Miklós Boskovits
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
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Author: Gen Doy
Publisher: Bloomsbury Publishing
ISBN: 0755605950
Category : Art
Languages : en
Pages : 398
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Gen Doy investigates the hitherto neglected meanings of drapery and the draped body in visual culture. The baroque and the classical are her subjects, as are Freud's "Gravida", Clerambault's writings and photographs of draped figures, the fetishistic play between veiling and revealing and the meanings of drapery in recent art, from Christo's wrapped Reichstag to the impact of the modern women's movement on fine art practice. Yet she also finds and focuses on the draped body now in places like Algeria and Kosovo where drapery's connotations are no longer those of purity and civilized elegance but of barbarism, poverty, and savage death.
Author: Claire Farago
Publisher: BRILL
ISBN: 900435378X
Category : Art
Languages : en
Pages : 1371
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Book Description
This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.
Author: Orhan Pamuk
Publisher: ABRAMS
ISBN: 1613123892
Category : Art
Languages : en
Pages : 278
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Book Description
The Nobel Prize winner’s catalog of his Istanbul museum is like “wandering past the illuminated windows of an arcade. . . . This book spills over with pleasure”(The New York Times). The culmination of decades of omnivorous collecting, Orhan Pamuk’s Museum of Innocence in Istanbul uses his novel of lost love, The Museum of Innocence, as a departure point to explore the city of his youth. In The Innocence of Objects, Pamuk’s catalog of this remarkable museum, he writes about things that matter deeply to him: the psychology of the collector, the proper role of the museum, the photography of old Istanbul (illustrated with Pamuk’s superb collection of haunting photographs and movie stills), and of course the customs and traditions of his beloved city. The book’s imagery is equally evocative, ranging from the ephemera of everyday life to the superb photographs of Turkish photographer Ara Güler. Combining compelling visual images and writing, The Innocence of Objects is an original work of art and literature.
