Author: British Library
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 490
Book Description
The British Library General Catalogue of Printed Books to 1975
Author: British Library
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 490
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 490
Book Description
General Catalogue of Printed Books
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 460
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 460
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 888
Book Description
General Catalogue of Printed Books to 1955
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1290
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1290
Book Description
Wonderful Things
Author: Jason Thompson
Publisher: Oxford University Press
ISBN: 9774165993
Category : Egypt
Languages : en
Pages : 377
Book Description
The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later.
Publisher: Oxford University Press
ISBN: 9774165993
Category : Egypt
Languages : en
Pages : 377
Book Description
The discovery of ancient Egypt and the development of Egyptology are momentous events in intellectual and cultural history. The history of Egyptology is the story of the people, famous and obscure, who constructed the picture of ancient Egypt that we have today, recovered the Egyptian past while inventing it anew, and made a lost civilization comprehensible to generations of enchanted readers and viewers thousands of years later.
Cracking the Egyptian Code
Author: Andrew Robinson
Publisher: Oxford University Press
ISBN: 0199942900
Category : History
Languages : en
Pages : 393
Book Description
In 1799 Napoleon's army uncovered an ancient stele in the Nile delta. Its inscription, recorded in three distinct scripts--ancient Greek, Coptic, and hieroglyphic--would provide scholars with the first clues to unlocking the secrets of Egyptian hieroglyphs, a language lost for nearly two millennia. More than twenty years later a remarkably gifted Frenchman named Jean-Francois Champollion successfully deciphered the hieroglyphs on the stele, now commonly known as the Rosetta Stone, sparking a revolution in our knowledge of ancient Egypt. Cracking the Egyptian Code is the first biography in English of Champollion, widely regarded as the founder of Egyptology. Andrew Robinson meticulously reconstructs how Champollion cracked the code of the hieroglyphic script, describing how Champollion started with Egyptian obelisks in Rome and papyri in European collections, sailed the Nile for a year, studied the tombs in the Valley of the Kings (a name he first coined), and carefully compared the three scripts on the Rosetta Stone to penetrate the mystery of the hieroglyphic text. Robinson also brings to life the rivalry between Champollion and the English scientist Thomas Young, who claimed credit for launching the decipherment, which Champollion hotly denied. There is much more to Champollion's life than the Rosetta Stone and Robinson gives equal weight to the many roles he played in his tragically brief life, from a teenage professor in Revolutionary France to a supporter of Napoleon (whom he met), an exile, and a curator at the Louvre. Extensively illustrated in color and black-and-white pictures, Cracking the Egyptian Code will appeal to a wide readership interested in Egypt, decipherment and code-breaking, and Napoleon and the French Revolution.
Publisher: Oxford University Press
ISBN: 0199942900
Category : History
Languages : en
Pages : 393
Book Description
In 1799 Napoleon's army uncovered an ancient stele in the Nile delta. Its inscription, recorded in three distinct scripts--ancient Greek, Coptic, and hieroglyphic--would provide scholars with the first clues to unlocking the secrets of Egyptian hieroglyphs, a language lost for nearly two millennia. More than twenty years later a remarkably gifted Frenchman named Jean-Francois Champollion successfully deciphered the hieroglyphs on the stele, now commonly known as the Rosetta Stone, sparking a revolution in our knowledge of ancient Egypt. Cracking the Egyptian Code is the first biography in English of Champollion, widely regarded as the founder of Egyptology. Andrew Robinson meticulously reconstructs how Champollion cracked the code of the hieroglyphic script, describing how Champollion started with Egyptian obelisks in Rome and papyri in European collections, sailed the Nile for a year, studied the tombs in the Valley of the Kings (a name he first coined), and carefully compared the three scripts on the Rosetta Stone to penetrate the mystery of the hieroglyphic text. Robinson also brings to life the rivalry between Champollion and the English scientist Thomas Young, who claimed credit for launching the decipherment, which Champollion hotly denied. There is much more to Champollion's life than the Rosetta Stone and Robinson gives equal weight to the many roles he played in his tragically brief life, from a teenage professor in Revolutionary France to a supporter of Napoleon (whom he met), an exile, and a curator at the Louvre. Extensively illustrated in color and black-and-white pictures, Cracking the Egyptian Code will appeal to a wide readership interested in Egypt, decipherment and code-breaking, and Napoleon and the French Revolution.
Death and Salvation in Ancient Egypt
Author: Jan Assmann
Publisher: Cornell University Press
ISBN: 0801464862
Category : History
Languages : en
Pages : 505
Book Description
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole. Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.
Publisher: Cornell University Press
ISBN: 0801464862
Category : History
Languages : en
Pages : 505
Book Description
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole. Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as the body being torn apart, as social isolation, the notion of the court of the dead, the dead body, the mummy, the soul and ancestral spirit of the dead, death as separation and transition, as homecoming, and as secret. Death and Salvation in Ancient Egypt also includes a fascinating discussion of rites that reflect beliefs about death through language and ritual.
Catalogue des pierres gravées égyptiennes, persanes, parthes, étrusques, grecques, romaines et modernes, formant la collection de feu m. Pierre-Nicolas baron van Hoorn van Vlooswyck, membre de l'académie royale des antiquités de Cassel, de celle de cortone, etc.; rédigé par Léon-Jean-Joseph Dubois, dessinateur, elève de m. David
Author: Leon-Jean-Joseph Dubois
Publisher:
ISBN:
Category :
Languages : fr
Pages : 42
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 42
Book Description
Revolutionary Paris and the Market for Netherlandish Art
Author: Darius A. Spieth
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Publisher: BRILL
ISBN: 9004276750
Category : Art
Languages : en
Pages : 535
Book Description
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Whose Pharaohs?
Author: Donald Malcolm Reid
Publisher: Univ of California Press
ISBN: 0520930797
Category : Social Science
Languages : en
Pages : 429
Book Description
Egypt's rich and celebrated ancient past has served many causes throughout history--in both Egypt and the West. Concentrating on the era from Napoleon's conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity. Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular "Egyptomania" displayed in world's fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry. This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypt's Greco-Roman, Coptic, and Islamic eras. Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage--how it is perceived, constructed, claimed, and contested.
Publisher: Univ of California Press
ISBN: 0520930797
Category : Social Science
Languages : en
Pages : 429
Book Description
Egypt's rich and celebrated ancient past has served many causes throughout history--in both Egypt and the West. Concentrating on the era from Napoleon's conquest and the discovery of the Rosetta Stone to the outbreak of World War I, this book examines the evolution of Egyptian archaeology in the context of Western imperialism and nascent Egyptian nationalism. Traditionally, histories of Egyptian archaeology have celebrated Western discoverers such as Champollion, Mariette, Maspero, and Petrie, while slighting Rifaa al-Tahtawi, Ahmad Kamal, and other Egyptians. This exceptionally well-illustrated and well-researched book writes Egyptians into the history of archaeology and museums in their own country and shows how changing perceptions of the past helped shape ideas of modern national identity. Drawing from rich archival sources in Egypt, the United Kingdom, and France, and from little-known Arabic publications, Reid discusses previously neglected topics in both scholarly Egyptology and the popular "Egyptomania" displayed in world's fairs and Orientalist painting and photography. He also examines the link between archaeology and the rise of the modern tourist industry. This richly detailed narrative discusses not only Western and Egyptian perceptions of pharaonic history and archaeology but also perceptions of Egypt's Greco-Roman, Coptic, and Islamic eras. Throughout this book, Reid demonstrates how the emergence of archaeology affected the interests and self-perceptions of modern Egyptians. In addition to uncovering a wealth of significant new material on the history of archaeology and museums in Egypt, Reid provides a fascinating window on questions of cultural heritage--how it is perceived, constructed, claimed, and contested.