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![Der Tod Jesu. Oratorium ... Von Ramler und Graun. [Text by Ramler.]. PDF](https://books.google.com/books/content/images/frontcover/RJcdMwEACAAJ?fife=w150-h200)
Author: Carl Wilhelm RAMLER
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
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![Der Tod Jesu. Oratorium ... Von Ramler und Graun. [Text by Ramler.]. PDF](https://books.google.com/books/content/images/frontcover/RJcdMwEACAAJ?fife=w80-h100)
Author: Carl Wilhelm RAMLER
Publisher:
ISBN:
Category :
Languages : en
Pages : 14
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Book Description
Author: Thomas Henry Krause
Publisher:
ISBN:
Category :
Languages : en
Pages : 206
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Karl Heinrich Graun
Publisher: A-R Editions, Inc.
ISBN: 0895790645
Category : Cantatas, Sacred
Languages : de
Pages : 220
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Author: Scot McKnight
Publisher: Baylor University Press
ISBN: 1932792295
Category : Religion
Languages : en
Pages : 462
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Book Description
Recent scholarship on the historical Jesus has rightly focused upon how Jesus understood his own mission. But no scholarly effort to understand the mission of Jesus can rest content without exploring the historical possibility that Jesus envisioned his own death. In this careful and far-reaching study, Scot McKnight contends that Jesus did in fact anticipate his own death, that Jesus understood his death as an atoning sacrifice, and that his death as an atoning sacrifice stood at the heart of Jesus' own mission to protect his own followers from the judgment of God.
Author: Bertil H. Van Boer
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
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Author: Christopher A. Bartlette
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 140
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Author: Antonio Rosetti
Publisher: A-R Editions, Inc.
ISBN: 1987203356
Category : Music
Languages : en
Pages : 253
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Book Description
During the second half of the eighteenth century a new type of Passion oratorio with roots in the Empfindsamerkeit literary movement gained popularity in Germany. In this style, dramatic narrative was replaced with a lyric and contemplative text. Rather than unfolding the events of the biblical drama, the librettist assumed the listeners familiarity with the story and concentrated instead on the expression of emotions evoked by the narrative. Details of this style are described in an essay published in Johann Georg Sulzers Allgemeine Theorie der schönen Künste (Leipzig, 177174). As a model, Sulzer cites Karl Wilhelm Ramlers libretto for Der Tod Jesu (1754), a text that is perhaps best known today through Carl Heinrich Grauns 1755 setting. In the decades that followed, several Passion oratorios appeared in Germany that were influenced to some degree by Der Tod Jesu. Within this group, Rosettis Der sterbende Jesus, completed in March 1785 and performed on Good Friday of that year, won special approval among the audiences of southern Germany. The numerous printed and manuscript copies preserved today in archives and collections throughout Europe attest to its enormous contemporary appeal. In addition to the complete work, individual movements were performed outside the context of the oratorio, keyboard arrangements were made, and portions of the work were freely adapted into parodies. Even Mozart, a musician of especially discriminating taste, included a copy of Rosettis oratorio in his personal library. This edition, based on the manuscript parts used in the works first performance, presents Der sterbende Jesus for the first time in a modern edition.
Author: James D. G. Dunn
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802844231
Category : Religion
Languages : en
Pages : 854
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Book Description
Using Paul's letter to the Romans as the foundation for his monumental study of Paul's theology, James D. G. Dunn describes Paul's teaching on God, sin, humankind, Christology, salvation, the church, and the nature of the Christian life.
Author: Alexander J. M. Wedderburn
Publisher: Mohr Siebeck
ISBN: 9783161521140
Category : Bible
Languages : en
Pages : 260
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Book Description
The death of Jesus and its interpretation present both exegetes and theologians with a puzzle. For Jesus himself seems to have left his followers few clues, and the story of his passion is ambivalent, embracing both his reluctant self-surrender in Gethsemane and his reproachful cry on Golgatha. Some of the various motifs and images used by his followers to explain this event were taken over by Paul despite the opposition he saw between the message of the cross and any human wisdom. Yet what meaning do two of the central themes of his soteriology, the corporate, representative role of Christ and the language of "righteousness" and "justification" hold for us today? Or does Paul offer just as little help here as Jesus himself did?
