Author: Adriana Teodorescu
Publisher: Cambridge Scholars Publishing
ISBN: 1443872989
Category : Social Science
Languages : en
Pages : 448
Book Description
If the academic field of death studies is a prosperous one, there still seems to be a level of mistrust concerning the capacity of literature to provide socially relevant information about death and to help improve the anthropological understanding of how culture is shaped by the human condition of mortality. Furthermore, the relationship between literature and death tends to be trivialized, in the sense that death representations are interpreted in an over-aestheticized manner. As such, this approach has a propensity to consider death in literature to be significant only for literary studies, and gives rise to certain persistent clichés, such as the power of literature to annihilate death. This volume overcomes such stereotypes, and reveals the great potential of literary studies to provide fresh and accurate ways of interrogating death as a steady and unavoidable human reality and as an ever-continuing socio-cultural construction. The volume brings together researchers from various countries – the USA, the UK, France, Poland, New Zealand, Canada, India, Germany, Greece, and Romania – with different academic backgrounds in fields as diverse as literature, art history, social studies, criminology, musicology, and cultural studies, and provides answers to questions such as: What are the features of death representations in certain literary genres? Is it possible to speak of an homogeneous vision of death in the case of some literary movements? How do writers perceive, imagine, and describe their death through their personal diaries, or how do they metabolize the death of the “significant others” through their writings? To what extent does the literary representation of death refer to the extra-fictional, socio-historically constructed “Death”? Is it moral to represent death in children’s literature? What are the differences and similarities between representing death in literature and death representations in other connected fields? Are metaphors and literary representations of death forms of death denial, or, on the contrary, a more insightful way of capturing the meaning of death?
Death Representations in Literature
Author: Adriana Teodorescu
Publisher: Cambridge Scholars Publishing
ISBN: 1443872989
Category : Social Science
Languages : en
Pages : 448
Book Description
If the academic field of death studies is a prosperous one, there still seems to be a level of mistrust concerning the capacity of literature to provide socially relevant information about death and to help improve the anthropological understanding of how culture is shaped by the human condition of mortality. Furthermore, the relationship between literature and death tends to be trivialized, in the sense that death representations are interpreted in an over-aestheticized manner. As such, this approach has a propensity to consider death in literature to be significant only for literary studies, and gives rise to certain persistent clichés, such as the power of literature to annihilate death. This volume overcomes such stereotypes, and reveals the great potential of literary studies to provide fresh and accurate ways of interrogating death as a steady and unavoidable human reality and as an ever-continuing socio-cultural construction. The volume brings together researchers from various countries – the USA, the UK, France, Poland, New Zealand, Canada, India, Germany, Greece, and Romania – with different academic backgrounds in fields as diverse as literature, art history, social studies, criminology, musicology, and cultural studies, and provides answers to questions such as: What are the features of death representations in certain literary genres? Is it possible to speak of an homogeneous vision of death in the case of some literary movements? How do writers perceive, imagine, and describe their death through their personal diaries, or how do they metabolize the death of the “significant others” through their writings? To what extent does the literary representation of death refer to the extra-fictional, socio-historically constructed “Death”? Is it moral to represent death in children’s literature? What are the differences and similarities between representing death in literature and death representations in other connected fields? Are metaphors and literary representations of death forms of death denial, or, on the contrary, a more insightful way of capturing the meaning of death?
Publisher: Cambridge Scholars Publishing
ISBN: 1443872989
Category : Social Science
Languages : en
Pages : 448
Book Description
If the academic field of death studies is a prosperous one, there still seems to be a level of mistrust concerning the capacity of literature to provide socially relevant information about death and to help improve the anthropological understanding of how culture is shaped by the human condition of mortality. Furthermore, the relationship between literature and death tends to be trivialized, in the sense that death representations are interpreted in an over-aestheticized manner. As such, this approach has a propensity to consider death in literature to be significant only for literary studies, and gives rise to certain persistent clichés, such as the power of literature to annihilate death. This volume overcomes such stereotypes, and reveals the great potential of literary studies to provide fresh and accurate ways of interrogating death as a steady and unavoidable human reality and as an ever-continuing socio-cultural construction. The volume brings together researchers from various countries – the USA, the UK, France, Poland, New Zealand, Canada, India, Germany, Greece, and Romania – with different academic backgrounds in fields as diverse as literature, art history, social studies, criminology, musicology, and cultural studies, and provides answers to questions such as: What are the features of death representations in certain literary genres? Is it possible to speak of an homogeneous vision of death in the case of some literary movements? How do writers perceive, imagine, and describe their death through their personal diaries, or how do they metabolize the death of the “significant others” through their writings? To what extent does the literary representation of death refer to the extra-fictional, socio-historically constructed “Death”? Is it moral to represent death in children’s literature? What are the differences and similarities between representing death in literature and death representations in other connected fields? Are metaphors and literary representations of death forms of death denial, or, on the contrary, a more insightful way of capturing the meaning of death?
Death in Literature
Author: Outi Hakola
Publisher: Cambridge Scholars Publishing
ISBN: 144385994X
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Death is an inevitable, yet mysterious event. Fiction is one way to imagine and gain knowledge of death. Death is very useful to literature, as it creates plot twists, suspense, mysteries, and emotional effects in narrations. But more importantly, stories about death seem to have an existential importance to our lives. Stories provide fictional encounters with death and give meaning for both death and life. Thus, death is more than a physical or psychological experience in literature; it also highlights existential questions concerning humanity and storytelling. This volume, entitled Death in Literature, approaches death by examining the narratives and spectacles of death, dying and mortality in different literary genres. The articles consider literary representations of death from ancient Rome to the Netherlands today, and explore ways of dealing with death and dying. The discussions also transcend the boundaries of literature by studying literary representations of such socially relevant and death-related issues as euthanasia and suicide. The articles offer a broad perspective on death’s role in literature as well as literature’s role in the social and cultural debates about death.
Publisher: Cambridge Scholars Publishing
ISBN: 144385994X
Category : Literary Criticism
Languages : en
Pages : 315
Book Description
Death is an inevitable, yet mysterious event. Fiction is one way to imagine and gain knowledge of death. Death is very useful to literature, as it creates plot twists, suspense, mysteries, and emotional effects in narrations. But more importantly, stories about death seem to have an existential importance to our lives. Stories provide fictional encounters with death and give meaning for both death and life. Thus, death is more than a physical or psychological experience in literature; it also highlights existential questions concerning humanity and storytelling. This volume, entitled Death in Literature, approaches death by examining the narratives and spectacles of death, dying and mortality in different literary genres. The articles consider literary representations of death from ancient Rome to the Netherlands today, and explore ways of dealing with death and dying. The discussions also transcend the boundaries of literature by studying literary representations of such socially relevant and death-related issues as euthanasia and suicide. The articles offer a broad perspective on death’s role in literature as well as literature’s role in the social and cultural debates about death.
Global Perspectives on Death in Children's Literature
Author: Lesley Clement
Publisher: Routledge
ISBN: 1317599489
Category : Literary Criticism
Languages : en
Pages : 474
Book Description
This volume visits death in children’s literature from around the world, making a substantial contribution to the dialogue between the expanding fields of Childhood Studies, Children’s Literature, and Death Studies. Considering both textual and pictorial representations of death, contributors focus on the topic of death in children’s literature as a physical reality, a philosophical concept, a psychologically challenging adjustment, and/or a social construct. Essays covering literature from the US, Mexico, El Salvador, Guatemala, Canada, the UK, Sweden, Germany, Poland, Bulgaria, Brazil, Czechoslovakia, the Soviet Union, India, and Iran display a diverse range of theoretical and cultural perspectives. Carefully organized sections interrogate how classic texts have been adapted for the twenty-first century, how death has been politicized, ritualized, or metaphorized, and visual strategies for representing death, and how death has been represented within the context of play. Asking how different cultures present the concept of death to children, this volume is the first to bring together a global range of perspective on death in children’s literature and will be a valuable contribution to an array of disciplines.
Publisher: Routledge
ISBN: 1317599489
Category : Literary Criticism
Languages : en
Pages : 474
Book Description
This volume visits death in children’s literature from around the world, making a substantial contribution to the dialogue between the expanding fields of Childhood Studies, Children’s Literature, and Death Studies. Considering both textual and pictorial representations of death, contributors focus on the topic of death in children’s literature as a physical reality, a philosophical concept, a psychologically challenging adjustment, and/or a social construct. Essays covering literature from the US, Mexico, El Salvador, Guatemala, Canada, the UK, Sweden, Germany, Poland, Bulgaria, Brazil, Czechoslovakia, the Soviet Union, India, and Iran display a diverse range of theoretical and cultural perspectives. Carefully organized sections interrogate how classic texts have been adapted for the twenty-first century, how death has been politicized, ritualized, or metaphorized, and visual strategies for representing death, and how death has been represented within the context of play. Asking how different cultures present the concept of death to children, this volume is the first to bring together a global range of perspective on death in children’s literature and will be a valuable contribution to an array of disciplines.
Death, Gender and Sexuality in Contemporary Adolescent Literature
Author: Kathryn James
Publisher: Routledge
ISBN: 1135891192
Category : Literary Collections
Languages : en
Pages : 221
Book Description
Considering the trope of woman/death, the eroticizing of death, and the ways in which the gendered subject is represented in dialogue with the processes of death, dying, and grief, James shows how representations of death in young adult literature are invariably associated with issues of sexuality, gender, and power.
Publisher: Routledge
ISBN: 1135891192
Category : Literary Collections
Languages : en
Pages : 221
Book Description
Considering the trope of woman/death, the eroticizing of death, and the ways in which the gendered subject is represented in dialogue with the processes of death, dying, and grief, James shows how representations of death in young adult literature are invariably associated with issues of sexuality, gender, and power.
Relics of Death in Victorian Literature and Culture
Author: Deborah Lutz
Publisher: Cambridge University Press
ISBN: 1107077443
Category : History
Languages : en
Pages : 263
Book Description
This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead.
Publisher: Cambridge University Press
ISBN: 1107077443
Category : History
Languages : en
Pages : 263
Book Description
This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead.
The Gender of Death
Author: Karl Siegfried Guthke
Publisher: Cambridge University Press
ISBN: 9780521644600
Category : Art
Languages : en
Pages : 316
Book Description
An illustrated historical study of gendered personifications of death in Western art, literature, and culture.
Publisher: Cambridge University Press
ISBN: 9780521644600
Category : Art
Languages : en
Pages : 316
Book Description
An illustrated historical study of gendered personifications of death in Western art, literature, and culture.
Life, Death and Representation
Author: Jaś Elsner
Publisher: Walter de Gruyter
ISBN: 3110202131
Category : Art
Languages : en
Pages : 455
Book Description
The volume presents essays on different aspects of Roman sarcophagi. These varied approaches produce freshinsights into a subject which has received increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis.
Publisher: Walter de Gruyter
ISBN: 3110202131
Category : Art
Languages : en
Pages : 455
Book Description
The volume presents essays on different aspects of Roman sarcophagi. These varied approaches produce freshinsights into a subject which has received increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis.
Inscribing Death
Author: Jessey J. C. Choo
Publisher: University of Hawaii Press
ISBN: 9780824893231
Category : Religion
Languages : en
Pages : 0
Book Description
This nuanced study traces how Chinese came to view death as an opportunity to fashion and convey social identities and memories during the medieval period (200–1000) and the Tang dynasty (618–907), specifically. As Chinese society became increasingly multicultural and multireligious, to achieve these aims people selectively adopted, portrayed, and interpreted various acts of remembrance. Included in these were new and evolving burial, mourning, and commemorative practices: joint-burials of spouses, extended family members, and coreligionists; relocation and reburial of bodies; posthumous marriage and divorce; interment of a summoned soul in the absence of a body; and many changes to the classical mourning and commemorative rites that became the norm during the period. Individuals independently constructed the socio-religious meanings of a particular death and the handling of corpses by engaging in and reviewing acts of remembrance. Drawing on a variety of sources, including hundreds of newly excavated entombed epitaph inscriptions, Inscribing Death illuminates the process through which the living—and the dead—negotiated this multiplicity of meanings and how they shaped their memories and identities both as individuals and as part of collectives. In particular, it details the growing emphasis on remembrance as an expression of filial piety and the grave as a focal point of ancestral sacrifice. The work also identifies different modes of construction and representation of the self in life and death, deepening our understanding of ancestral worship and its changing modus operandi and continuous shaping influence on the most intimate human relationships—thus challenging the current monolithic representation of ancestral worship as an extension of families rather than individuals in medieval China.
Publisher: University of Hawaii Press
ISBN: 9780824893231
Category : Religion
Languages : en
Pages : 0
Book Description
This nuanced study traces how Chinese came to view death as an opportunity to fashion and convey social identities and memories during the medieval period (200–1000) and the Tang dynasty (618–907), specifically. As Chinese society became increasingly multicultural and multireligious, to achieve these aims people selectively adopted, portrayed, and interpreted various acts of remembrance. Included in these were new and evolving burial, mourning, and commemorative practices: joint-burials of spouses, extended family members, and coreligionists; relocation and reburial of bodies; posthumous marriage and divorce; interment of a summoned soul in the absence of a body; and many changes to the classical mourning and commemorative rites that became the norm during the period. Individuals independently constructed the socio-religious meanings of a particular death and the handling of corpses by engaging in and reviewing acts of remembrance. Drawing on a variety of sources, including hundreds of newly excavated entombed epitaph inscriptions, Inscribing Death illuminates the process through which the living—and the dead—negotiated this multiplicity of meanings and how they shaped their memories and identities both as individuals and as part of collectives. In particular, it details the growing emphasis on remembrance as an expression of filial piety and the grave as a focal point of ancestral sacrifice. The work also identifies different modes of construction and representation of the self in life and death, deepening our understanding of ancestral worship and its changing modus operandi and continuous shaping influence on the most intimate human relationships—thus challenging the current monolithic representation of ancestral worship as an extension of families rather than individuals in medieval China.
Arts of Dying
Author: D. Vance Smith
Publisher: University of Chicago Press
ISBN: 022664104X
Category : History
Languages : en
Pages : 310
Book Description
People in the Middle Ages had chantry chapels, mortuary rolls, the daily observance of the Office of the Dead, and even purgatory—but they were still unable to talk about death. Their inability wasn’t due to religion, but philosophy: saying someone is dead is nonsense, as the person no longer is. The one thing that can talk about something that is not, as D. Vance Smith shows in this innovative, provocative book, is literature. Covering the emergence of English literature from the Old English to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.
Publisher: University of Chicago Press
ISBN: 022664104X
Category : History
Languages : en
Pages : 310
Book Description
People in the Middle Ages had chantry chapels, mortuary rolls, the daily observance of the Office of the Dead, and even purgatory—but they were still unable to talk about death. Their inability wasn’t due to religion, but philosophy: saying someone is dead is nonsense, as the person no longer is. The one thing that can talk about something that is not, as D. Vance Smith shows in this innovative, provocative book, is literature. Covering the emergence of English literature from the Old English to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.
The Power of Death
Author: Maria-José Blanco
Publisher: Berghahn Books
ISBN: 1782384340
Category : Social Science
Languages : en
Pages : 272
Book Description
The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.
Publisher: Berghahn Books
ISBN: 1782384340
Category : Social Science
Languages : en
Pages : 272
Book Description
The social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives.