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Author: Edo van Belkom
Publisher: Stark Publishing
ISBN: 1989351999
Category : Fiction
Languages : en
Pages : 307
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Book Description
Keep one eye on the road ahead and another on the rearview mirror. Because, like the legendary phantom semi of this book's titular story, these stories will creep up on you and overtake you without warning. Edo van Belkom twists his unique perspective and droll, black sense of humor into twisted observations of the sad, violent, and ironic sides of life in this special 25th anniversary release of a compilation of his most beloved horror stories. With a voice and range that has drawn comparisons of Robert Bloch, Richard Matheson and Stephen King, van Belkom takes the reader down a most unique highway that breaths new life into classic horror tropes, all the while maintaining the essence of the best of a combination of "The Twilight Zone" and the old E.C. horror comics of the 1950s. -- "Death Drives a Semi comes at you with a sparkle in its bloodshot eye, a happy twist on its pale lips, and a switch-blade tucked into a back pocket of its faded jeans. These stories move with the brutal, crazed efficiency of a starved rat who has just spotted a half-eaten cheeseburger on the other side of the alley. Throughout, Edo van Belko's left-landed, almost surreal sense of humor aerates and elevates the proceedings by providing a constant ironic commentary, like a soundtrack composed by Frank Zappa and Spike Jones." - Peter Straub, author of The Hellfire Club "These stories are full of fire and dark smoke, fueled by wit and ingenuity." - Joe R. Lansdale, author of Savage Season "Edo van Belkom is a true original . . . His stories are sly, wry, sad, and violent. He has a voice all his own, and songs well worth the singing." - Ed Gorman, author of Cage of Night
Author: Edo van Belkom
Publisher: Stark Publishing
ISBN: 1989351999
Category : Fiction
Languages : en
Pages : 307
Get Book Here
Book Description
Keep one eye on the road ahead and another on the rearview mirror. Because, like the legendary phantom semi of this book's titular story, these stories will creep up on you and overtake you without warning. Edo van Belkom twists his unique perspective and droll, black sense of humor into twisted observations of the sad, violent, and ironic sides of life in this special 25th anniversary release of a compilation of his most beloved horror stories. With a voice and range that has drawn comparisons of Robert Bloch, Richard Matheson and Stephen King, van Belkom takes the reader down a most unique highway that breaths new life into classic horror tropes, all the while maintaining the essence of the best of a combination of "The Twilight Zone" and the old E.C. horror comics of the 1950s. -- "Death Drives a Semi comes at you with a sparkle in its bloodshot eye, a happy twist on its pale lips, and a switch-blade tucked into a back pocket of its faded jeans. These stories move with the brutal, crazed efficiency of a starved rat who has just spotted a half-eaten cheeseburger on the other side of the alley. Throughout, Edo van Belko's left-landed, almost surreal sense of humor aerates and elevates the proceedings by providing a constant ironic commentary, like a soundtrack composed by Frank Zappa and Spike Jones." - Peter Straub, author of The Hellfire Club "These stories are full of fire and dark smoke, fueled by wit and ingenuity." - Joe R. Lansdale, author of Savage Season "Edo van Belkom is a true original . . . His stories are sly, wry, sad, and violent. He has a voice all his own, and songs well worth the singing." - Ed Gorman, author of Cage of Night
Author: Mark Leslie
Publisher: EDGE Science Fiction and Fantasy Publishing
ISBN: 1770531203
Category : Fiction
Languages : en
Pages : 266
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Book Description
It’s not “boy meets girl, boy loses girl,” but rather “Boy meets girl, boy loses girl, boy’s friends begin dropping like flies.” - Peter O’Mallick isn’t just having a bad day; he’s having a bad life.It’s bad enough when your girlfriend suddenly casts you a cold shoulder, your grades are slipping and those around you no longer understand what it’s like to walk in your shoes; but walking around with the innate power to end lives—something Peter begins to realize he has had since birth—takes the angst to a whole new level.And Hamlet thought he had it bad.Encouraged by his guidance counsellor, the suicidal seventeen year old begins to blog about his experiences in order to try to understand this power and himself. The self-directed therapy helps, and strangers who follow his online story virtually befriend him, as it appears that his curse is mostly limited to those he is in close contact with.However, there is one stranger secretly following his story who isn’t there to understand, help or cheer him on; just as Peter begins to understand that being born as a harbinger for death might actually be a blessing rather than a curse, this stranger is intent on finding a way to use Peter’s power for nefarious purposes.
Author: Christian Schulz
Publisher: GRIN Verlag
ISBN: 3346215229
Category : Literary Criticism
Languages : en
Pages : 19
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Book Description
Essay from the year 2018 in the subject English Language and Literature Studies - Literature, grade: 2.0, University of Zurich (English Department), course: M. A. Methods and Theory: Reading Critical Theories, language: English, abstract: The essay analyses the interplay of death drive and heterotopian garden space in H. G. Wells' "The Country of the Blind". In the essay, the author shows how the juxtaposition of Edenic/non-Edenic and utopian/non-utopian emplacements in the heterotopical garden space of the blind creates an ambiguity in which the protagonist Nunez finds himself unable both to mirror this ambiguity in himself and to live out his death drive fantasies on others. H. G. Wells' short story "The Country of the Blind" acts as a prime example onto which to transfer the ambivalent understanding of heterotopian studies. In this story from 1904, the reader is presented an interplay between the protagonist Nunez clinging to his death drive fantasies and the semi-mythical place of the country of the blind.
Author: Cengiz Erdem
Publisher: Lulu.com
ISBN: 1409298868
Category : Education
Languages : en
Pages : 294
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Book Description
This book proposes that the life drive and the death drive are rooted in transcendence, whereas immanent critique requires conscious desiring to produce new modes of being and thinking as yet not conceivable from within the dominant model of projection-introjection mechanism based on identification. Cengiz Erdem argues that the life drive and the death drive, each divided within itself, constitute the two sides of a single projection-introjection mechanism. Erdem attempts at an affirmative recreation of the concepts of life drive and death drive in the way of turning these concepts from forms of knowledge to modes of being and thinking. As modes of being and thinking life/death drives emerge as the two components of a dynamic and mobile critical apparatus born of and giving birth to a fragile contact between immanence and transcendence, as well as between affirmation and negation.
Author: Robert Rowland Smith
Publisher: Edinburgh University Press
ISBN: 0748641718
Category : Art
Languages : en
Pages : 256
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Book Description
Robert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death - Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death. In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud.Key Features* Includes a general introduction to the death-drive* Presents an original theory of aesthetics* Analyses both theoretical and clinical psychoanalysis* Offers in-depth treatment of Freud* Provides an overview of philosophies of death
Author: Rossella Valdrè
Publisher: Routledge
ISBN: 0429756259
Category : Psychology
Languages : en
Pages : 207
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Book Description
Psychoanalytic Reflections on The Freudian Death Drive is a highly accessible book that investigates the relevance, complexity and originality of a hugely controversial Freudian concept which, the author argues, continues to exert enormous influence on modernity and plays an often-imperceptible role in the violence and so-called "sad passions" of contemporary society. With examples from cinema, literature and the consulting room, the book’s four chapters – theory, the clinic, art and contemporaneity – investigate every angle, usually little explored, of the death drive: its "positive" functions, such as its contribution to subjectification; its ambiguous relationship with sublimation; the clues it provides about transgenerational matters; and its effects on the feminine. This is not a book about aggression, a type of extroflection of the death drive made visible, studied and striking; rather, it is about the derivatives of the pulsion that changes in the clinic, in life, in society, in artistic forms. With bold and innovative concepts and by making connections to film and books, Rossella Valdrè unequivocally argues that the contemporary clinic is a clinic of the death drive. Psychoanalytic Reflections on The Freudian Death Drive seeks to relaunch the debate on a controversial and neglected concept and will appeal to psychoanalysts and psychoanalytic psychotherapists. Today’s renewed interest in the Freudian death drive attests to its extraordinary ability to explain both "new" pathologies and socio-economic phenomena.
Author: Niklas Hageback
Publisher: Gaudium
ISBN: 1592110711
Category : Psychology
Languages : en
Pages : 225
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Book Description
Sigmund Freud’s death drive remains among the most controversial concepts in psychoanalysis, something which post-Freudians never could reach consensus on. Over time, it fell into oblivion. Recent developments, however, have actualized the interest in the death drive as political upheavals and turmoil lead to societal breakdowns that, according to reigning academic theory, should not exist. It has become a burning and contentious topic. Existing conflict theories generally unmask structural factors considered as explanatory root causes, whether social, economic, or political in nature, but, typically, these factors may have been in place for decades. These models consistently fail to identify the triggers that ignite abrupt change and what heralds it. Anecdotally, a certain self-destructive sentiment seems to suddenly hold sway, where the established order, the status quo, simply must be destroyed, and the psychological urges to do so are too great to resist. But why would individuals or collectives elect a self-destructive path, which on a superficial level seems to conflict with the survival instinct and the assumption of perpetual human progress? Thus, the question must be posed: are these manifestations of the death drive? The Death Drive: Why Societies Self-Destruct offers an explanatory framework and methodology to predict periods of destruction that often have grim effects on societies, taking as its starting point the controversial death drive concept. The book provides a model to understand and forecast the seemingly irrational destructive human forces that hold such great and sinister influence on world affairs.
Author: Sean Sheehan
Publisher: Bloomsbury Publishing
ISBN: 1441172475
Category : Philosophy
Languages : en
Pages : 185
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Book Description
One of the most widely-read thinkers writing today, Slavoj Žižek's work can be both thrilling and perplexing in equal measure. Žižek: A Guide for the Perplexed is the most up-to-date guide available for readers struggling to master the ideas of this hugely influential thinker. Unpacking the philosophical references that fill Žižek's writings, the book explores his influences, including Lacan, Kant, Hegel and Marx. From there, a chapter on 'Reading Žižek' guides the reader through the ways that he applies these core theoretical concepts in key texts like Tarrying With the Negative, The Ticklish Subject and The Parrallax View and in his books about popular culture like Looking Awry and Enjoy Your Symptom! Major secondary writings and films featuring Žižek are also covered.
Author: Edo van Belkom
Publisher: Jabberwocky Literary Agency, Inc.
ISBN: 1625670575
Category : Fiction
Languages : en
Pages : 250
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Book Description
“I expect it to knock people’s socks off, the way Stephen King’s Carrie did . . . Teeth will haunt you for the rest of your life” (Robert J. Sawyer, Nebula Award-winning author of Calculating God). They think they’re getting lucky. They’re dead wrong. Det. Joe Williams has seen all kinds of murder scenes. Some brutal, some gory, all disturbing and horrific in their way. Nothing could have prepared him for what’s waiting in Apartment 413. A man—what’s left of him—lying in a pool of his own blood, his face frozen in a silent scream. That’s just the first. Soon there are more victims, all male, all mutilated, seeming to have little in common except an agonizing death by castration. All of them went looking for pleasure. Instead they found a killer wreaking vengeance in the most bloodthirsty way. And the only clue Williams has found is a tiny, gleaming metal tooth . . . Edo van Belkom—winner of the Bram Stoker and Aurora Awards—delves into the heart of man’s most primal fear in a shocking, suspenseful, terrifying novel that bites down hard . . . and won’t let go. “One of 2001’s best horror novels.” —Science Fiction Chronicle “Teeth works on several levels: as an over-the-edge contemporary horror novel, as a police procedural, and as a thriller. Edo van Belkom’s mastery of the art of storytelling is brought to bear on this unforgettable novel.” —Robert J. Sawyer, Hugo and Nebula Award–winning author of Calculating God “Edo van Belkom drags us screaming into the maw of horror.” —Richard Laymon, international bestselling author of The Traveling Vampire Show
Author: Martin Mühlheim
Publisher: Narr Francke Attempto Verlag
ISBN: 3772000398
Category : Literary Criticism
Languages : en
Pages : 1222
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Book Description
This study aims to counter right-wing discourses of belonging. It discusses key theoretical concepts for the study of home, focusing in particular on Marxist, feminist, postcolonial, and psychoanalytic contributions. The book also maintains that postmodern celebrations of nomadism and exile tend to be incapable of providing an alternative to conservative, xenophobic appropriations of home. In detailed readings of one film and six novels, a view is developed according to which home, as a spatio-temporal imaginary, is rooted in our species being, and as such constitutes the inevitable starting point for any progressive politics.
