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Author: Alina Clej
Publisher: Stanford University Press
ISBN: 0804780765
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
As this book's title suggests, its main argument is that Thomas De Quincey's literary output, which is both a symptom and an effect of his addictions to opium and writing, plays an important and mostly unacknowledged role in the development of modern and modernist forms of subjectivity. At the same time, the book shows that intoxication, whether in the strict medical sense or in its less technical meaning ("strong excitement," "trance," "ecstasy"), is central to the ways in which modernity, and literary modernity in particular, functions and defines itself. In both its theoretical and practical implications, intoxication symbolizes and often comes to constitute the condition of the alienated artist in the age of the market. The book also offers new readings of the Confessions and some of De Quincey's posthumous writings, as well as an extended analysis of his relatively neglected diary. The discussion of De Quincey's work also elicits new insights into his relationship with William and Dorothy Wordsworth, as well as his imaginary investment in Coleridge.
Author: Alina Clej
Publisher: Stanford University Press
ISBN: 0804780765
Category : Literary Criticism
Languages : en
Pages : 460
Get Book Here
Book Description
As this book's title suggests, its main argument is that Thomas De Quincey's literary output, which is both a symptom and an effect of his addictions to opium and writing, plays an important and mostly unacknowledged role in the development of modern and modernist forms of subjectivity. At the same time, the book shows that intoxication, whether in the strict medical sense or in its less technical meaning ("strong excitement," "trance," "ecstasy"), is central to the ways in which modernity, and literary modernity in particular, functions and defines itself. In both its theoretical and practical implications, intoxication symbolizes and often comes to constitute the condition of the alienated artist in the age of the market. The book also offers new readings of the Confessions and some of De Quincey's posthumous writings, as well as an extended analysis of his relatively neglected diary. The discussion of De Quincey's work also elicits new insights into his relationship with William and Dorothy Wordsworth, as well as his imaginary investment in Coleridge.
Author: Thomas de Quincey
Publisher: Gottfried & Fritz
ISBN:
Category : Literary Collections
Languages : en
Pages : 110
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Book Description
A book about opium usage and the effects of addiction on the authors life.
Author: Thomas De Quincey
Publisher: BoD - Books on Demand
ISBN:
Category : Fiction
Languages : en
Pages : 222
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Book Description
The Suspiria is a collection of prose poems, or what De Quincey called “impassioned prose,” erratically written and published starting in 1854. Each Suspiria is a short essay written in reflection of the opium dreams De Quincey would experience over the course of his lifetime addiction, and they are considered by some critics to be some of the finest examples of prose poetry in all of English literature. De Quincey originally planned them as a sequel of sorts to his Confessions of an English Opium-Eater, but the first set was published separately in Blackwood’s Magazine in the spring and summer of that 1854. De Quincey then published a revised version of those first Suspiria, along with several new ones, in his collected works. During his life he kept a master list of titles of the Suspiria he planned on writing, and completed several more before his death; those that survived time and fire were published posthumously in 1891.
Author: Thomas De Quincey
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 362
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Book Description
Author: Thomas De Quincey
Publisher:
ISBN:
Category :
Languages : en
Pages : 352
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Book Description
Author: Thomas De Quincey
Publisher: Penguin UK
ISBN: 0141397896
Category : Literary Collections
Languages : en
Pages : 49
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Book Description
'People begin to see that something more goes to the composition of a fine murder than two blockheads to kill and be killed - a knife - a purse - and a dark lane...' In this provocative and blackly funny essay, Thomas de Quincey considers murder in a purely aesthetic light and explains how practically every philosopher over the past two hundred years has been murdered - 'insomuch, that if a man calls himself a philosopher, and never had his life attempted, rest assured there is nothing in him'. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Thomas de Quincey (1785-1859). Thomas de Quincey's Confessions and an English Opium-Eater and Other Writings is available in Penguin Classics.
Author: Fleur Jaeggy
Publisher: New Directions Publishing
ISBN: 0811226883
Category : Biography & Autobiography
Languages : en
Pages : 39
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Book Description
Brief in the way a razor’s slice is brief, remarkable essays by a peerless stylist New Directions is proud to present Fleur Jaeggy’s strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature and boxers”; and “Wordsworth used a buttery knife to cut the pages of a first-edition Burke.” In a book of “blue devils” and night visions, the Keats essay opens: “In 1803, the guillotine was a common child’s toy.” And poor Schwob’s end comes as he feels “like a ‘dog cut open alive’”: “His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief.” Fleur Jaeggy’s essays—or are they prose poems?—smoke of necessity: the pages are on fire.
Author: John Barrell
Publisher: Yale University Press
ISBN: 9780300049329
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Thomas De Quincey, best known for his book Confessions of an English Opium Eater, was a journalist and propagandist of Empire, of oriental aggression, and of racial paranoia. The greater part of the fourteen volumes of his collected writings concerns the history, the colonial development, and increasingly the threat presented by the Orient in all its manifestations--human, animal, and microbiological. This remarkable book, which is an account of De Quincey's fears of all things oriental, is also an extraordinary analysis of the psychopathology of mid-Victorian imperialist culture. John Barrell paints a picture of De Quincey as a happy family man, apparently at ease with himself and with the rest of the world, but in fact harboring and expressing the most ferocious and brutal denunciation of Orientals of all kinds and dreaming of exacting from them a terrible retribution. Barrell shows that throughout De Quincey's writings there is a repeated story of the murder or violation of a female victim--either within or outside De Quincey's family--by an oriental criminal This story finds its way into almost everything he wrote: the various versions of his autobiography, his novels and short stories, his biographical and critical writings, his essays on politics, history, and science. Barrell attempts to understand this European terror of the East by an approach that is both historical and psychoanalytic. In particular, he explores the relation between childhood anxiety and imperial guilt in a body of writing in which the fear of violence within the family is imaged as a fear of the oriental, and the private and the public, the sexual and the imperial, the feminine and the exotic are endlessly intertwined. This book will be fascinating reading for those interested in Victorian literature, in psychoanalysis and its relation to literature, in the history of imperialism, and in debates about the characteristics and effects of colonial discourse.
Author: William Wordsworth
Publisher: Read Books Ltd
ISBN: 1528789334
Category : Poetry
Languages : en
Pages : 19
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Book Description
Written between the years 1798 and 1801, The Lucy Poems is a charming, pocket-sized collection of William Wordsworth’s Lucy poems, first published in one of his best-known works, Lyrical Ballads. The lyrical poetry in this volume explores nature motifs alongside melancholic themes of grief and unrequited love, surrounding a young English girl’s death. Lucy’s identity continues to be unknown and she is commonly thought to be figurative, a literary device for Wordsworth to reflect his own feelings of longing and loss on to. This collection includes all five of Wordsworth’s Lucy poems: - ‘Stange fits of passion I have known’ - ‘She dwelt among the untrodden ways’ - ‘I travelled among unknown men’ - ‘Three years she grew in sun and shower’ - ‘A slumber did my spirit seal’ Wordsworth was traveling Germany with his sister, Dorothy, at the time of writing this series. His growing irritation at his traveling companion and his desire to be reunited with his close friend, Samuel Taylor Coleridge, is evident in the works. Four of the five poems were first published in the collection Lyrical Ballads, composed by Wordsworth and Coleridge, that went on to form part of the early Romantic movement in England. This small edition of Wordsworth’s Lucy poems has been republished by Read & Co. Books Ragged Hand, complete with introductory excerpts from Thomas De Quincey and Thomas Carlyle. The Lucy Poems is an ideal collection for lovers of Romantic era poetry and Wordsworth’s beautiful nature imagery - the perfect companion for those who love reading poetry on the go.
Author: Robert Morrison
Publisher: Routledge
ISBN: 1134148445
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.
