Author: Norma E. Cantú
Publisher: University of Illinois Press
ISBN: 0252076095
Category : Dance
Languages : en
Pages : 474
Book Description
One of the first anthologies to focus on Mexican dance practices on both sides of the border
Dancing Across Borders
Author: Norma E. Cantú
Publisher: University of Illinois Press
ISBN: 0252076095
Category : Dance
Languages : en
Pages : 474
Book Description
One of the first anthologies to focus on Mexican dance practices on both sides of the border
Publisher: University of Illinois Press
ISBN: 0252076095
Category : Dance
Languages : en
Pages : 474
Book Description
One of the first anthologies to focus on Mexican dance practices on both sides of the border
García Lorca at the Edge of Surrealism
Author: David F. Richter
Publisher: Bucknell University Press
ISBN: 1611485762
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
García Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca (1898–1936). In contrast to the idealist and subconscious tenets espoused by surrealist leader André Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca’s surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (1897–1962), who was expelled from Breton’s authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (1929–1930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies. The present study demonstrates that Bataille’s theoretical and poetic expositions, including those dealing with l’informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as “surrealist.” Drawing extensively on the theoretical, cultural, and poetic texts of the period, García Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille’s thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca’s “surrealist” texts (including Poetaen Nueva York,Viaje a la luna, and El público) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.
Publisher: Bucknell University Press
ISBN: 1611485762
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
García Lorca at the Edge of Surrealism: The Aesthetics of Anguish examines the variations of surrealism and surrealist theories in the Spanish context, studied through the poetry, drama, and drawings of Federico García Lorca (1898–1936). In contrast to the idealist and subconscious tenets espoused by surrealist leader André Breton, which focus on the marvelous, automatic creative processes, and sublimated depictions of reality, Lorca’s surrealist impulse follows a trajectory more in line with the theories of French intellectuals such as Georges Bataille (1897–1962), who was expelled from Breton’s authoritative group. Bataille critiques the lofty goals and ideals of Bretonian surrealism in the pages of the cultural and anthropological review Documents (1929–1930) in terms of a dissident surrealist ethno-poetics. This brand of the surreal underscores the prevalence of the bleak or darker aspects of reality: crisis, primitive sacrifice, the death drive, and the violent representation of existence portrayed through formless base matter such as blood, excrement, and fragmented bodies. The present study demonstrates that Bataille’s theoretical and poetic expositions, including those dealing with l’informe (the formless) and the somber emptiness of the void, engage the trauma and anxiety of surrealist expression in Spain, particularly with reference to the anguish, desire, and death that figure so prominently in Spanish texts of the 1920s and 1930s often qualified as “surrealist.” Drawing extensively on the theoretical, cultural, and poetic texts of the period, García Lorca at the Edge of Surrealism offers the first book-length consideration of Bataille’s thinking within the Spanish context, examined through the work of Lorca, a singular proponent of what is here referred to as a dissident Spanish surrealism. By reading Lorca’s “surrealist” texts (including Poetaen Nueva York,Viaje a la luna, and El público) through the Bataillean lens, this volume both amplifies our understanding of the poetry and drama of one of the most important Spanish writers of the twentieth century and expands our perspective of what surrealism in Spain means.
La Buia Danza Di Scorpione
Author: Alfredo De Palchi
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 152
Book Description
Contemporary Dance in Cuba
Author: Suki John
Publisher: McFarland
ISBN: 0786493259
Category : Performing Arts
Languages : en
Pages : 233
Book Description
The lens of dance can provide a multifaceted view of the present-day Cuban experience. Cuban contemporary dance, or tecnica cubana as it is known throughout Latin America, is a highly evolved hybrid of ballet, North American modern dance, Afro-Cuban tradition, flamenco and Cuban nightclub cabaret. Unlike most dance forms, tecnica was created intentionally with government backing. For Cuba, a dancing country, it was natural--and highly effective--for the Revolutionary regime to link national image with the visceral power of dance. Written by a dancer who traveled and worked in Cuba from the 1970s to the present, this book provides an inside look at daily life in Cuba. From watching the great Alicia Alonso, to describing the economic trials of the 1990s "Special Period," the author uses history, humor, personal experience, rich description and extensive interviews to reveal contemporary life and dance in Cuba.
Publisher: McFarland
ISBN: 0786493259
Category : Performing Arts
Languages : en
Pages : 233
Book Description
The lens of dance can provide a multifaceted view of the present-day Cuban experience. Cuban contemporary dance, or tecnica cubana as it is known throughout Latin America, is a highly evolved hybrid of ballet, North American modern dance, Afro-Cuban tradition, flamenco and Cuban nightclub cabaret. Unlike most dance forms, tecnica was created intentionally with government backing. For Cuba, a dancing country, it was natural--and highly effective--for the Revolutionary regime to link national image with the visceral power of dance. Written by a dancer who traveled and worked in Cuba from the 1970s to the present, this book provides an inside look at daily life in Cuba. From watching the great Alicia Alonso, to describing the economic trials of the 1990s "Special Period," the author uses history, humor, personal experience, rich description and extensive interviews to reveal contemporary life and dance in Cuba.
Bibliographic Guide to Dance
Author: New York Public Library. Dance Collection
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 642
Book Description
Dante's Performance
Author: Francesco Ciabattoni
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111406490
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Through an historical and philological lens, this book explores passages from Dante's Commedia which reveal elements inspired byprocessions, pageants, liturgical drama, psalm singing, or dance performance. The sacred poem finds influence in medieval theories of the performing arts as well as actual performances which Dante would have seen in churches or town squares. Dante's Performance opens a new perspective from which to consider the Commedia: Dante expected his contemporary readers to recognize references to and echoes of psalms, sacred plays, and performative practices. Twenty-first-century readers are tasked with reconstructing a cultural framework which allows us to grasp those same textual references. From the dramatization of the harrowing of hell in Inferno IX, to Beatrice's celebratory return on top of Mount Purgatory, to the songs of the blessed, this study connects Dante's language to coeval theoretical and practical texts about performance. If hell is "the Middle Age's theatrum diaboli," purgatory stages a performed purification through songs and acting, while paradise offers the spectacle of blessed spirits within the heavenly spheres as an aid to human understanding (Par. IV 28-39).
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111406490
Category : Literary Criticism
Languages : en
Pages : 284
Book Description
Through an historical and philological lens, this book explores passages from Dante's Commedia which reveal elements inspired byprocessions, pageants, liturgical drama, psalm singing, or dance performance. The sacred poem finds influence in medieval theories of the performing arts as well as actual performances which Dante would have seen in churches or town squares. Dante's Performance opens a new perspective from which to consider the Commedia: Dante expected his contemporary readers to recognize references to and echoes of psalms, sacred plays, and performative practices. Twenty-first-century readers are tasked with reconstructing a cultural framework which allows us to grasp those same textual references. From the dramatization of the harrowing of hell in Inferno IX, to Beatrice's celebratory return on top of Mount Purgatory, to the songs of the blessed, this study connects Dante's language to coeval theoretical and practical texts about performance. If hell is "the Middle Age's theatrum diaboli," purgatory stages a performed purification through songs and acting, while paradise offers the spectacle of blessed spirits within the heavenly spheres as an aid to human understanding (Par. IV 28-39).
Bibliography of New Religious Movements in Primal Societies: Latin America
Author: Harold W. Turner
Publisher: Hall Reference Books
ISBN:
Category : Reference
Languages : en
Pages : 264
Book Description
Publisher: Hall Reference Books
ISBN:
Category : Reference
Languages : en
Pages : 264
Book Description
Grazia Deledda's Dance of Modernity
Author: Margherita Heyer-Caput
Publisher: University of Toronto Press
ISBN: 1442692839
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Grazia Deledda (1871-1936) was the author of many influential novels and remains one of the most significant Italian women writers of her time. However, critics tend to pigeonhole her works into convenient literary categories and to ignore the uniqueness of her style and voice. Grazia Deledda's Dance of Modernity offers a timely and thought-provoking interpretation of this Nobel laureate, examining her work in the context of European philosophical and literary modernity. Margherita Heyer-Caput takes a philosophical and philological approach in order to provide a reassessment of Deledda's position in the literary canon. At the same time, she raises the larger issue of the status of allegedly 'regional' or 'minor' literatures within the context of Italian modernity. Dealing with four novels representative of Deledda's vast corpus, Heyer-Caput addresses and dismantles elements of regionalismo, verismo, and decadentismo, labels with which Deledda's works are regularly associated. This is the first volume to introduce some of Deledda's overlooked texts to an Anglophone audience. It invites readers to overturn established critical categories and to question margin-centre hierarchies both in the broad context of literary modernity and the narrower frame of Deledda's writing. Grazia Deledda's Dance of Modernity is a highly original and innovative interpretation of Deledda's narrative in philosophical perspective, which also includes the study of textual variations and considers cultural history in Italy during the early twentieth century. It is a much-needed examination of an important writer and how she managed to construct her own literary and gender identity in the context of modernity.
Publisher: University of Toronto Press
ISBN: 1442692839
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Grazia Deledda (1871-1936) was the author of many influential novels and remains one of the most significant Italian women writers of her time. However, critics tend to pigeonhole her works into convenient literary categories and to ignore the uniqueness of her style and voice. Grazia Deledda's Dance of Modernity offers a timely and thought-provoking interpretation of this Nobel laureate, examining her work in the context of European philosophical and literary modernity. Margherita Heyer-Caput takes a philosophical and philological approach in order to provide a reassessment of Deledda's position in the literary canon. At the same time, she raises the larger issue of the status of allegedly 'regional' or 'minor' literatures within the context of Italian modernity. Dealing with four novels representative of Deledda's vast corpus, Heyer-Caput addresses and dismantles elements of regionalismo, verismo, and decadentismo, labels with which Deledda's works are regularly associated. This is the first volume to introduce some of Deledda's overlooked texts to an Anglophone audience. It invites readers to overturn established critical categories and to question margin-centre hierarchies both in the broad context of literary modernity and the narrower frame of Deledda's writing. Grazia Deledda's Dance of Modernity is a highly original and innovative interpretation of Deledda's narrative in philosophical perspective, which also includes the study of textual variations and considers cultural history in Italy during the early twentieth century. It is a much-needed examination of an important writer and how she managed to construct her own literary and gender identity in the context of modernity.
Bibliography of New Religious Movements in Primal Societies: North America
Author: Harold W. Turner
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 306
Book Description
The Master’s Key
Author: J. J. Middagh
Publisher: WestBow Press
ISBN: 1973648008
Category : Religion
Languages : en
Pages : 129
Book Description
JOY, PRIDE, TRIUMPH, AND TRAGEDY. All through life we experience a multitude of events that change us and alter the course of our story. Sometimes those events are planned; other times they happen to us with little if any explanation at all. How does God use our experiences to reveal the purpose he has for our lives? In The Master’s Key, you will be challenged to reflect on the pain and joy of your life and consider how God has used those very experiences to reveal his purpose and plan—both for you and for his people. From Moses to Paul, and from David to Jesus, the biblical accounts of these people demonstrate to us how God uses our experiences to forge each of us into becoming the key to unlocking God’s purpose for our lives. As individuals, we are capable of amazing things—and as such, through our trials and our experience, we become keys to open more opportunities. Explore triumphs and tragedies of God’s people and how their journeys can mirror our own, as we get closer to becoming keys for God’s purpose—or in this case, the Master’s Key.
Publisher: WestBow Press
ISBN: 1973648008
Category : Religion
Languages : en
Pages : 129
Book Description
JOY, PRIDE, TRIUMPH, AND TRAGEDY. All through life we experience a multitude of events that change us and alter the course of our story. Sometimes those events are planned; other times they happen to us with little if any explanation at all. How does God use our experiences to reveal the purpose he has for our lives? In The Master’s Key, you will be challenged to reflect on the pain and joy of your life and consider how God has used those very experiences to reveal his purpose and plan—both for you and for his people. From Moses to Paul, and from David to Jesus, the biblical accounts of these people demonstrate to us how God uses our experiences to forge each of us into becoming the key to unlocking God’s purpose for our lives. As individuals, we are capable of amazing things—and as such, through our trials and our experience, we become keys to open more opportunities. Explore triumphs and tragedies of God’s people and how their journeys can mirror our own, as we get closer to becoming keys for God’s purpose—or in this case, the Master’s Key.