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Author: Iris Julia Bührle
Publisher: Taylor & Francis
ISBN: 1040146422
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
Dancing Shakespeare is the first history of ballets based on William Shakespeare’s works from the birth of the dramatic story ballet in the eighteenth century to the present. It focuses on two main questions: "How can Shakespeare be danced?" and "How can dance shed new light on Shakespeare?" The book explores how librettists and choreographers have transposed Shakespeare’s complex storylines, multifaceted protagonists, rhetoric and humour into non-verbal means of expression, often going beyond the texts in order to comment on them or use them as raw material for their own creative purposes. One aim of the monograph is to demonstrate that the study of wordless performances allows us to gain a deeper understanding of Shakespeare’s texts. It argues that ballets based on Shakespeare’s works direct the audience’s attention to the "bare bones" of the plays: their situations, their characters, and the evolution of both. Moreover, they reveal and develop the "choreographies" that are written into the texts and highlight the importance of movements and gestures as signifiers in Shakespeare’s plays. This book will be of interest to students and scholars of literature, dance, and music, as well as to an international readership of lovers of Shakespeare, ballet, and the arts.
Author: Iris Julia Bührle
Publisher: Taylor & Francis
ISBN: 1040146422
Category : Performing Arts
Languages : en
Pages : 372
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Book Description
Dancing Shakespeare is the first history of ballets based on William Shakespeare’s works from the birth of the dramatic story ballet in the eighteenth century to the present. It focuses on two main questions: "How can Shakespeare be danced?" and "How can dance shed new light on Shakespeare?" The book explores how librettists and choreographers have transposed Shakespeare’s complex storylines, multifaceted protagonists, rhetoric and humour into non-verbal means of expression, often going beyond the texts in order to comment on them or use them as raw material for their own creative purposes. One aim of the monograph is to demonstrate that the study of wordless performances allows us to gain a deeper understanding of Shakespeare’s texts. It argues that ballets based on Shakespeare’s works direct the audience’s attention to the "bare bones" of the plays: their situations, their characters, and the evolution of both. Moreover, they reveal and develop the "choreographies" that are written into the texts and highlight the importance of movements and gestures as signifiers in Shakespeare’s plays. This book will be of interest to students and scholars of literature, dance, and music, as well as to an international readership of lovers of Shakespeare, ballet, and the arts.
Author: Mary Pipher, PhD
Publisher: Penguin
ISBN: 110107776X
Category : Psychology
Languages : en
Pages : 347
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Book Description
#1 New York Times Bestseller The groundbreaking work that poses one of the most provocative questions of a generation: what is happening to the selves of adolescent girls? As a therapist, Mary Pipher was becoming frustrated with the growing problems among adolescent girls. Why were so many of them turning to therapy in the first place? Why had these lovely and promising human beings fallen prey to depression, eating disorders, suicide attempts, and crushingly low self-esteem? The answer hit a nerve with Pipher, with parents, and with the girls themselves. Crashing and burning in a “developmental Bermuda Triangle,” they were coming of age in a media-saturated culture preoccupied with unrealistic ideals of beauty and images of dehumanized sex, a culture rife with addictions and sexually transmitted diseases. They were losing their resiliency and optimism in a “girl-poisoning” culture that propagated values at odds with those necessary to survive. Told in the brave, fearless, and honest voices of the girls themselves who are emerging from the chaos of adolescence, Reviving Ophelia is a call to arms, offering important tactics, empathy, and strength, and urging a change where young hearts can flourish again, and rediscover and reengage their sense of self.
Author: Megan Atwood
Publisher: Darby Creek ™
ISBN: 1467733229
Category : Young Adult Fiction
Languages : en
Pages : 67
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Book Description
Every time the Dario Quincy Academy has performed Giselle, the ballet's lead dancer has died. That's what the rumors say, anyway. But Ophelia doesn't believe in all that. She's determined to win the lead and beat the so-called curse. As Ophelia begins sneaking out at night to practice Giselle's moves, she meets a mysterious boy hiding in the shadows. He's got great moves, and his looks aren't bad either. After a series of secret meetings, Ophelia starts to feel drained of her strength. She even blacks out during dance class. Is she just pushing herself too hard? Or are the boy and the curse connected?
Author: Karen Hamilton
Publisher: Christian Faith Publishing, Inc.
ISBN: 1639616438
Category : Juvenile Fiction
Languages : en
Pages : 61
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Book Description
Coyote Tales is about a coyote and his coat. Coyote looks like any other coyote at first sight. His coat is fur on the outside, but it turns into a different coat when need be. This coat has many pockets with all the answers to any questions you might have, and that is where the adventure begins. In Coyote Tales, Coyote meets Little Warrior, not yet six winters old, who couldn't find his parents. Then he meets Ophelia, an octopus that has found herself out of the ocean and in a place she has never been. She has many experiences. And lastly, Coyote meets his old friend Raccoon who also lives in the woods. They take a trip to town and get into all kinds of trouble. Fortunately, Coyote has his other coat, and they all find answers there. Coyote is a jokester, and he brings about balance of wisdom and folly. Writing Coyote Tales was one of the best experiences of my life. I thank God for them as I know he had a very big hand in the writing of them. I hope they bring laughter and joy to all who read them.
Author: Sondra Horton Fraleigh
Publisher: University of Pittsburgh Pre
ISBN: 0822990628
Category : Performing Arts
Languages : en
Pages : 291
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Book Description
Butoh, also known as "dance of darkness," is a postmodern dance form that began in Japan as an effort to recover the primal body or "the body that has not been robbed," as butoh founder Tatsumi Hijikata put it. Butoh has become increasingly popular in the United States and throughout the world, diversifying its aesthetic while at the same time asserting the power of its spiritual foundations. Dancing into Darkness is Sondra Horton Fraleigh's chronological diary of her deepening understanding of and appreciation for this art form as she moves from a position of aesthetic response as an audience member to that of assimilation as a student of Zen and butoh. Fraleigh witnesses her own artistic and personal transformation through essays, poems, interviews, and reflections spanning twelve years of study, much of it in Japan. Numerous performance photographs and original calligraphy by Fraleigh's Zen teacher, Shodo Akane, illuminate her words.
Author: Gregg Redner
Publisher: Intellect Books
ISBN: 1841504378
Category : Art
Languages : en
Pages : 204
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Book Description
The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film Music also offers a solution—a methodological bridge—that will take film music analysis to a new level.
Author: Kendra Preston Leonard
Publisher: Scarecrow Press
ISBN: 0810869586
Category : Performing Arts
Languages : en
Pages : 165
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Book Description
Shakespeare's three political tragedies_Hamlet, Macbeth, and King Lear_have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control. In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of 'madness' have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters. Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.
Author: Teri Wilson
Publisher: Harlequin
ISBN: 1488013985
Category : Fiction
Languages : en
Pages : 132
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Book Description
A jewelry empire CEO falls for a simple salesgirl who was once in the spotlight in this sparkling romance from the USA Today–bestselling author. Debonair Artem Drake has had tongues wagging all over New York since he became surprise CEO of Drake Diamonds. This playboy hopes to bring new life to the storied old business before those rumored bad investments sink the family ship. He’s even plucked an ambitious salesgirl out of the shadows to become the store’s new star designer. But Ophelia Rose isn’t the ingenue she seems. The swanlike beauty’s hiding a past that glimmers as bright as a Drake diamond—she once graced the stage as a professional ballerina . . . until she was forced to take her final curtsy and hide from the limelight. Now can Artem bring her back to center stage? Or will their glittering future together wither under the secrets of the past?
Author: Lynsey McCulloch
Publisher: Oxford University Press
ISBN: 019049879X
Category : Music
Languages : en
Pages : 633
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Book Description
Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
Author: Claire Trella Hill
Publisher: Book Hoard Press
ISBN:
Category : Young Adult Fiction
Languages : en
Pages : 349
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Book Description
Is the vampire in Ophelia’s cellar a man she can save, or a monster out for blood? From an early age, Ophelia learned to keep her pets away from her unfeeling scientist father or they would disappear into his laboratory, never to be seen again. When her father unexpectedly returns to their isolated Yorkshire estate with a mysterious box, Ophelia’s suspicions are aroused…but nothing prepares her for the bloody business she finds. Caged in silver and hungry, Salem is out for blood. Someone has betrayed knowledge of vampire existence to humans—but before Salem can discover who, he must escape diabolical experiments seeking the source of immortality. He cannot afford to trust the frustratingly intriguing girl who says she wants to help and smells of orange blossoms. He especially cannot wonder how she would taste. Even though the darkly mysterious Salem insists he has no soul, that he’s dangerous, Ophelia can’t leave him to be tortured. But to help him escape, she must risk her family’s wrath—which may be a bigger threat than the monster in the cell. The supernatural bleeds into Victorian England in this captivating YA gothic paranormal romance novel, perfect for fans of Down Comes the Night, Lakesedge, Erin A. Craig, and anyone who longs to run across a dark windswept moor in a nightgown.
