Cobbett's Cyclopedic Survey of Chamber Music PDF Download
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Author: Walter Willson Cobbett
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 612
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Book Description
Author: Walter Willson Cobbett
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 612
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Book Description
Author: Walter Willson Cobbett
Publisher: Travis & Emery Music Bookshop
ISBN: 9781906857844
Category : Music
Languages : en
Pages : 660
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Book Description
Walter Willson Cobbett (1847-1937), Businessman, Violinist and Author. This is volume two of a two-volume encyclopaedia of chamber music which was first published in 1929/1930 and is a comprehensive work on the subject.
Author: Walter Willson Cobbett
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Walter Willson Cobbett
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages : 641
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Book Description
Author: Walter Willson Cobbett
Publisher:
ISBN:
Category :
Languages : en
Pages : 1441
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Book Description
Author: Walter Wilson Cobbett
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Walter Willson Cobbett
Publisher:
ISBN:
Category : Chamber music
Languages : en
Pages :
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Book Description
Author: Colin Mason
Publisher:
ISBN:
Category :
Languages : en
Pages : 585
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Book Description
Author: Walter Willson Cobbett
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ryan McClelland
Publisher: Routledge
ISBN: 1317172841
Category : Music
Languages : en
Pages : 337
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Book Description
Despite the incredible diversity in Brahms's scherzo-type movements, there has been no comprehensive consideration of this aspect of his oeuvre. Professor Ryan McClelland provides an in-depth study of these movements that also contributes significantly to an understanding of Brahms's compositional language and his creative dialogue with musical traditions. McClelland especially highlights the role of rhythmic-metric design in Brahms's music and its relationship to expressive meaning. In Brahms's scherzo-type movements, McClelland traces transformations of primary thematic material, demonstrating how the relationship of the initial music to its subsequent versions creates a musical narrative that provides structural coherence and generates expressive meaning. McClelland's interpretations of the expressive implications of Brahms's fascinatingly intricate musical structures frequently engage issues directly relevant to performance. This illuminating book will appeal to music theorists, musicologists working on nineteenth-century instrumental music and performers.
