Cut, the Unseen Cinema PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Cut, the Unseen Cinema PDF full book. Access full book title Cut, the Unseen Cinema by Baxter Phillips. Download full books in PDF and EPUB format.
Author: Baxter Phillips
Publisher:
ISBN:
Category : Cinema
Languages : en
Pages : 111
Get Book Here
Book Description
Author: Baxter Phillips
Publisher:
ISBN:
Category : Cinema
Languages : en
Pages : 111
Get Book Here
Book Description
Author: Baxter Phillips
Publisher: Crown Pub
ISBN: 9780517524176
Category : Censorship
Languages : en
Pages : 111
Get Book Here
Book Description
Author: Baxter Phillips
Publisher:
ISBN: 9780517524169
Category : Motion pictures
Languages : en
Pages : 120
Get Book Here
Book Description
Author: Outlet
Publisher:
ISBN: 9780517524169
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Bruce Charles Posner
Publisher: Filmmakers Showcase
ISBN: 9780962818172
Category : Dance in motion pictures, television, etc
Languages : en
Pages : 164
Get Book Here
Book Description
El proyecto de recuperación de películas históricas Unseen Cinema explora en detalle los logros, desconocidos hasta la fecha, de los cineastas pioneros que desarrollaron su labor dentro y fuera de las fronteras de Estados Unidos durante el periodo formativo del cine americano. Con la colaboración de innumerables instituciones, desde los archivos de la Academia de Cine de Hollywood, el Museo de Arte Moderno de Nueva York (MOMA), el British Film Institute, el Deustchen Film museum hasta el Gosfilmofond de Russia, la recuperación de estas películas y su posterior organización en 7 discos postula una visión innovadora del cine experimental. Un buen número de estas películas no había estado disponible desde su creación hace más de un siglo, algunas nunca se habían proyectado en público, y en casi todos los casos, hasta ahora, no se disponía de una copia prístina de proyección. En palabras de su compilador se trata de rectificar una pequeña parte de la negligencia con la que se ha tratado a los primeros cineastas y películas de vanguardia. Pese a la exhaustiva labor de busca y rastreo por parte de Posner y otros historiadores del cine para desenterrar las copias de los filmes incluidos en la colección, a día de hoy muchas no han sido recuperadas.
Author: Victor Vitanza
Publisher: punctum books
ISBN: 0692541551
Category : Performing Arts
Languages : en
Pages : 281
Get Book Here
Book Description
Victor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in "chaste" ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is "base materialism" (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a "product" of rape and torture? He works with Jean-Paul Sartre and Page duBois's suggestion that the "product" is a new "species." Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of "Extras" (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza's first "Extra" studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander's documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser's video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noé's Irréversible. In the Easter Eggs, he considers Dominique Laporte's "the Irreparable," as the object of loss and Giorgio Agamben's "the Irreparable," as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics. Victor J. Vitanza is Professor of English and Rhetorics and is the founding Director of the Ph.D. program in Rhetorics, Communication, and Information Design in the College of Architecture, Art, and Humanities, at Clemson University. He is also Professor of Rhetoric and Philosophy, as well as the holder of the Jean-François Lyotard Chair in the Media and Communication Division at the European Graduate School in Switzerland. He is the Editor of PRE/TEXT: A Journal of Rhetorical Theory. His books include Sexual Violence in Western Thought and Writing: Chaste Rape (Palgrave, 2011), Negation, Subjectivity, and The History of Rhetoric (SUNY, 1997), Writing Histories of Rhetoric (Southern Illinois, 1993); and PRE/TEXT: A Retrospective (Pittsburgh, 1993).
Author: Aubrey Malone
Publisher: McFarland
ISBN: 0786489391
Category : Performing Arts
Languages : en
Pages : 226
Get Book Here
Book Description
Censorship has been an ongoing issue from the early days of filmmaking. One hundred years of film censorship, encompassing the entire 20th century, are chronicled in this work. The freewheeling nature of films in the early decades was profoundly affected by Prohibition, the Depression and the formation of the Legion of Decency--culminating in a new age of restrictiveness in the movies. Such powerful arbiters of public taste as Will H. Hays of the Motion Picture Producers and Distributors of America and Joseph Breen of the Production Code Association fomented an era whereby films with contentious material were severely censored or even condemned. This held sway until rebellious filmmakers like Otto Preminger challenged the system in the 1950s, eventually resulting in the abandonment of the old regime in favor of the contemporary "G" through "NC-17" ratings system.
Author: Holly Lynn Baumgartner
Publisher: Rodopi
ISBN: 9042024860
Category : Literary Criticism
Languages : en
Pages : 258
Get Book Here
Book Description
Hosting the Monster responds to the call of the monstrous with, not rejection, but invitation. Positing the monster as that which defies classification, the essays in this collection are an ongoing engagement with that which lies outside of established boundaries. With chapters ranging from the monstrous mother or the deformed child to subjectivity in transition, this volume is not only of interest to film and gender scholars and literary and cultural theorists but also students of popular culture or horror. Its wide appeal stems from its invitation both to entertain the monster and to widen the call to and the listening for the monsters that have not yet, and perhaps must not yet, come calling back. This sense of hospitality and non-hostility is one guiding principle of this collection, suggesting that the ability to survey and research the otherwise may reveal more about the subjectivity of the self through the wisdom of the other, however monstrous the manifestation.
Author: Raiford Guins
Publisher: U of Minnesota Press
ISBN: 081664814X
Category : Social Science
Languages : en
Pages : 271
Get Book Here
Book Description
"According to Guins, these new "control technologies" are designed to embody an ethos of neoliberal governance - through the very media that have been previously presumed to warrant management, legislation, and policing. Repositioned within a discourse of empowerment, security, and choice, the action of regulation, he reveals, has been relocated into the hands of users."--BOOK JACKET.
Author: Rose London
Publisher:
ISBN: 9780517525722
Category : Horror films
Languages : en
Pages : 122
Get Book Here
Book Description
