Author: Marjorie Shelley
Publisher: Metropolitan Museum of Art
ISBN: 1588397122
Category : Art
Languages : en
Pages : 223
Book Description
The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who oversee and have direct contact with the collection on a daily basis. The Care and Handing of Art Objects—first published in the 1940s and continually updated—offers a guide to the best practices in handling and preserving works of art while on display, in storage and in transit. It explains many of the fundamental principles of conservation that underlie these methods. One of its goals is to make the complexities of caring for a collection readily accessible. The first part offers basic guidelines for the preservation of the diverse types of materials and art objects found in the Met. Each chapter addresses the physical characteristics specific to the particular category, and the environmental, handling and housing factors to which one should be alert to prevent damage and ensure their preservation. Written by experts in the respective specialty, it addresses the Museum’s vast holdings summarizing the most critical preservation issues, many of which are amplified by photographs. As the table of contents makes evident these range from paintings on canvas and works on paper and photographs to furniture and objects made of stone, wood and metals to arms and armor, upholstery, ethnographic materials and many others. Part II succinctly describes factors that affect the collection as a whole: among them, current environmental standards for temperature, relative humidity, light exposure, storage and art in transit. Based on Museum protocols it addresses emergency preparedness and response, and integrated pest management. For easy reference, it includes charts on storage and display conditions, on factors contributing to deterioration, and a glossary of conservation terms, principles, and housing materials referenced in the individual chapters. Drawing upon the knowledge of conservators, scientists, and curators from many different departments, as well as technicians and engineers whose expertise crosses boundaries of culture, chronology, medium and condition, The Care and Handing of Art Objects is primarily directed to staff at the Met. It is, no less, an invaluable resource for students, collectors, small museums, museum study programs, art dealers, and members of the public who want to enhance their understanding of how works of art are safeguarded and the role environment, handling and materials play in making this possible.
The Care and Handling of Art Objects
Author: Marjorie Shelley
Publisher: Metropolitan Museum of Art
ISBN: 1588397122
Category : Art
Languages : en
Pages : 223
Book Description
The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who oversee and have direct contact with the collection on a daily basis. The Care and Handing of Art Objects—first published in the 1940s and continually updated—offers a guide to the best practices in handling and preserving works of art while on display, in storage and in transit. It explains many of the fundamental principles of conservation that underlie these methods. One of its goals is to make the complexities of caring for a collection readily accessible. The first part offers basic guidelines for the preservation of the diverse types of materials and art objects found in the Met. Each chapter addresses the physical characteristics specific to the particular category, and the environmental, handling and housing factors to which one should be alert to prevent damage and ensure their preservation. Written by experts in the respective specialty, it addresses the Museum’s vast holdings summarizing the most critical preservation issues, many of which are amplified by photographs. As the table of contents makes evident these range from paintings on canvas and works on paper and photographs to furniture and objects made of stone, wood and metals to arms and armor, upholstery, ethnographic materials and many others. Part II succinctly describes factors that affect the collection as a whole: among them, current environmental standards for temperature, relative humidity, light exposure, storage and art in transit. Based on Museum protocols it addresses emergency preparedness and response, and integrated pest management. For easy reference, it includes charts on storage and display conditions, on factors contributing to deterioration, and a glossary of conservation terms, principles, and housing materials referenced in the individual chapters. Drawing upon the knowledge of conservators, scientists, and curators from many different departments, as well as technicians and engineers whose expertise crosses boundaries of culture, chronology, medium and condition, The Care and Handing of Art Objects is primarily directed to staff at the Met. It is, no less, an invaluable resource for students, collectors, small museums, museum study programs, art dealers, and members of the public who want to enhance their understanding of how works of art are safeguarded and the role environment, handling and materials play in making this possible.
Publisher: Metropolitan Museum of Art
ISBN: 1588397122
Category : Art
Languages : en
Pages : 223
Book Description
The Metropolitan Museum of Art houses one of the world’s largest and most comprehensive collections of works of art from antiquities to modern and contemporary material. Their preservation is a responsibility shared by the many individuals employed at the Museum who oversee and have direct contact with the collection on a daily basis. The Care and Handing of Art Objects—first published in the 1940s and continually updated—offers a guide to the best practices in handling and preserving works of art while on display, in storage and in transit. It explains many of the fundamental principles of conservation that underlie these methods. One of its goals is to make the complexities of caring for a collection readily accessible. The first part offers basic guidelines for the preservation of the diverse types of materials and art objects found in the Met. Each chapter addresses the physical characteristics specific to the particular category, and the environmental, handling and housing factors to which one should be alert to prevent damage and ensure their preservation. Written by experts in the respective specialty, it addresses the Museum’s vast holdings summarizing the most critical preservation issues, many of which are amplified by photographs. As the table of contents makes evident these range from paintings on canvas and works on paper and photographs to furniture and objects made of stone, wood and metals to arms and armor, upholstery, ethnographic materials and many others. Part II succinctly describes factors that affect the collection as a whole: among them, current environmental standards for temperature, relative humidity, light exposure, storage and art in transit. Based on Museum protocols it addresses emergency preparedness and response, and integrated pest management. For easy reference, it includes charts on storage and display conditions, on factors contributing to deterioration, and a glossary of conservation terms, principles, and housing materials referenced in the individual chapters. Drawing upon the knowledge of conservators, scientists, and curators from many different departments, as well as technicians and engineers whose expertise crosses boundaries of culture, chronology, medium and condition, The Care and Handing of Art Objects is primarily directed to staff at the Met. It is, no less, an invaluable resource for students, collectors, small museums, museum study programs, art dealers, and members of the public who want to enhance their understanding of how works of art are safeguarded and the role environment, handling and materials play in making this possible.
Curatorial Care of Works of Art on Paper
Author: Anne F. Clapp
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
"The intention of this report is to be helpful to the museum curator in his task of caring for works of art on paper. The topics discussed, therefore, concern curatorial problems and procedures. Techniques of restoration are not considered because it is most advisable to submit all major treatment ot a qualified restorer working in a well-equipped laboratory. By major treatment is meant any procedure, more than minor in character, which involves the direct manipulation of a paper support or its design for the purposes of restoration. The report is divided into three sections. In the first, there is an attempt to consolidate published information about factors that can be injurious to paper and about suggested safeguards. ... Section II outlines procedures for treatment: initial care, matting, framing, storage, etc. ... All parts of Section III--formulas, materials and equipment together with their sources..." --page 1.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 138
Book Description
"The intention of this report is to be helpful to the museum curator in his task of caring for works of art on paper. The topics discussed, therefore, concern curatorial problems and procedures. Techniques of restoration are not considered because it is most advisable to submit all major treatment ot a qualified restorer working in a well-equipped laboratory. By major treatment is meant any procedure, more than minor in character, which involves the direct manipulation of a paper support or its design for the purposes of restoration. The report is divided into three sections. In the first, there is an attempt to consolidate published information about factors that can be injurious to paper and about suggested safeguards. ... Section II outlines procedures for treatment: initial care, matting, framing, storage, etc. ... All parts of Section III--formulas, materials and equipment together with their sources..." --page 1.
The Restoration of Engravings, Drawings, Books, and Other Works on Paper
Author: Max Schweidler
Publisher: Getty Publications
ISBN: 9780892368358
Category : Antiques & Collectibles
Languages : en
Pages : 320
Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Publisher: Getty Publications
ISBN: 9780892368358
Category : Antiques & Collectibles
Languages : en
Pages : 320
Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
The Care of Prints and Drawings
Author: Margaret Holben Ellis
Publisher: Rowman Altamira
ISBN: 9780761991366
Category : Antiques & Collectibles
Languages : en
Pages : 270
Book Description
Step-by-step instructions and enlightening photos and diagrams thoroughly educate you on parchment and paper care; mattings, hinging and framing; storage; basic conservation procedures; and other relevant topics.
Publisher: Rowman Altamira
ISBN: 9780761991366
Category : Antiques & Collectibles
Languages : en
Pages : 270
Book Description
Step-by-step instructions and enlightening photos and diagrams thoroughly educate you on parchment and paper care; mattings, hinging and framing; storage; basic conservation procedures; and other relevant topics.
The Care of Prints and Drawings
Author: Margaret Holben Ellis
Publisher: Rowman & Littlefield
ISBN: 1442239727
Category : Language Arts & Disciplines
Languages : en
Pages : 315
Book Description
The 2nd edition of The Care of Prints and Drawings provides practical, straightforward advice to those responsible for the preservation of works on paper, ranging from curators, facility managers, conservators, registrars, collection care specialists, private collectors, artists, or students of museum studies, visual arts, art history, or conservation. A greater emphasis is placed on preventive conservation, a trend among collecting institutions, which reflects the growing recognition that scarce resources are best expended on preventing deterioration, rather than on less effective measures of reversing it. Expanded and richly illustrated chapters include: Supports for Prints and Drawings discusses the properties of parchment and paper and introduces the general preservation needs and conservation problems of all works on paper, regardless of their media. Conservation Problems Related to the Paper Support of Prints and Drawings presents a guide to recognizing the symptoms and diagnosing the causes of damage specific to paper. Conservation Problems Related to the Materials and Techniques of Prints describes the conservation problems that affect certain printmaking materials and arise from specific processes. Conservation Problems Related to the Materials and Techniques of Drawings focuses on the various materials used to create marks on paper. Item-Level Collection Protection: Envelopes, Sleeves, Folders, Enclosures, Mats, Boxes, Frames, and Furniture, discusses measures taken for prints and drawings so that they can better withstand the rigors of handling, examination, exhibition, travel, and adverse environmental conditions. Preventive Conservation for Prints and Drawings describes how the integration of a comprehensive Collections Care Program into a Collections Management Policy can reduce the need for item-level conservation treatments. Basic Paper Conservation Procedures provides instructions on how to stabilize damaged works. How to Make Starch Paste and Methyl Cellulose Adhesive and Suppliers of Paper Conservation Materials and Equipment are appended as well as a Glossary.
Publisher: Rowman & Littlefield
ISBN: 1442239727
Category : Language Arts & Disciplines
Languages : en
Pages : 315
Book Description
The 2nd edition of The Care of Prints and Drawings provides practical, straightforward advice to those responsible for the preservation of works on paper, ranging from curators, facility managers, conservators, registrars, collection care specialists, private collectors, artists, or students of museum studies, visual arts, art history, or conservation. A greater emphasis is placed on preventive conservation, a trend among collecting institutions, which reflects the growing recognition that scarce resources are best expended on preventing deterioration, rather than on less effective measures of reversing it. Expanded and richly illustrated chapters include: Supports for Prints and Drawings discusses the properties of parchment and paper and introduces the general preservation needs and conservation problems of all works on paper, regardless of their media. Conservation Problems Related to the Paper Support of Prints and Drawings presents a guide to recognizing the symptoms and diagnosing the causes of damage specific to paper. Conservation Problems Related to the Materials and Techniques of Prints describes the conservation problems that affect certain printmaking materials and arise from specific processes. Conservation Problems Related to the Materials and Techniques of Drawings focuses on the various materials used to create marks on paper. Item-Level Collection Protection: Envelopes, Sleeves, Folders, Enclosures, Mats, Boxes, Frames, and Furniture, discusses measures taken for prints and drawings so that they can better withstand the rigors of handling, examination, exhibition, travel, and adverse environmental conditions. Preventive Conservation for Prints and Drawings describes how the integration of a comprehensive Collections Care Program into a Collections Management Policy can reduce the need for item-level conservation treatments. Basic Paper Conservation Procedures provides instructions on how to stabilize damaged works. How to Make Starch Paste and Methyl Cellulose Adhesive and Suppliers of Paper Conservation Materials and Equipment are appended as well as a Glossary.
How to Care for Works of Art on Paper
Author: Francis W. Dolloff
Publisher: HP Trade
ISBN:
Category : Art
Languages : en
Pages : 52
Book Description
An indispensable guide to solving the many problems of framing, exhibiting, and storing works of art on paper. There are easy-to-follow instructions on tools and materials for matting pictures and suggestions for choosing the proper colors and proportions. The concluding section gives an interesting glimpse of a restorer at work as he restores a valuable 15th-century woodcut.
Publisher: HP Trade
ISBN:
Category : Art
Languages : en
Pages : 52
Book Description
An indispensable guide to solving the many problems of framing, exhibiting, and storing works of art on paper. There are easy-to-follow instructions on tools and materials for matting pictures and suggestions for choosing the proper colors and proportions. The concluding section gives an interesting glimpse of a restorer at work as he restores a valuable 15th-century woodcut.
Whistler to Cassatt
Author: Timothy J. Standring
Publisher: Yale University Press
ISBN: 0300254458
Category : Art
Languages : en
Pages : 130
Book Description
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.
Publisher: Yale University Press
ISBN: 0300254458
Category : Art
Languages : en
Pages : 130
Book Description
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth Jane Gardner focused on genre and history subjects. This richly illustrated volume offers a sophisticated examination of cultural and aesthetic exchange as it highlights many figures, including artists of color and women, who were left out of previous histories. Celebrated scholars from both American and French institutions detail the complex history and diverse styles of these expatriate artists--styles ranging from conservative academic modes to Tonalism--and provide original perspectives on this fertile period of creativity, expanding our understanding of what constitutes American art.
Collection Maintenance and Improvement
Author: Association of Research Libraries
Publisher: Association of Research Libr
ISBN:
Category : Education
Languages : en
Pages : 216
Book Description
This resource guide provides information about the range of activities that can be implemented to maintain and improve the condition of research collections to ensure that they remain usable as long as possible. After an introduction that describes the major activities and a review of an investigation process that gives an overview of good practice, the following articles are presented: (1) "Handling Books in General Collections" (Library of Congress); (2) "Care and Handling of Library Materials" (John DePew); (3) "Preservation Guidelines for Processing Staff" (University of Texas at Austin); (4) "Preservation Guidelines for Circulation and Stack Maintenance Personnel" (University of Texas at Austin); (5) "General Preservation: What an Institution Can Do To Survey Its Own Preservation Needs" (Karen Motylewski); (6) "Storage and Handling: Choosing Archival-Quality Enclosures for Books and Paper" (Karen Motylewski); (7) "Storage and Handling: Cleaning Books and Shelves" (Northeast Document Conservation Center); (8) "Preservation" (Ann Swartzell); (9) "Guidelines for Using Vacuum Cleaners" (National Archives and Records Administration); (10) "Collection Management" (American Library Association); (11) "Reformatting: Microfilm and Microfiche" (Northeast Document Conservation Center); (12) "Archives and Manuscripts: Conservation" (Mary L. Rizenthaler); (13) "Basic Conservation of Archival Materials: A Guide" (Canadian Council of Archives); (14) "Care, Handling, and Storage of Photographs" (International Federation of Library Associations and Institutions); (15)"Storage and Handling: Storage Enclosures for Photographic Materials" (Northeast Document Conservation Center); and (16) "The Care and Handling of Recorded Sound Materials" (Giles St-Laurent). A bibliography lists 19 selected readings for further study. (SLD)
Publisher: Association of Research Libr
ISBN:
Category : Education
Languages : en
Pages : 216
Book Description
This resource guide provides information about the range of activities that can be implemented to maintain and improve the condition of research collections to ensure that they remain usable as long as possible. After an introduction that describes the major activities and a review of an investigation process that gives an overview of good practice, the following articles are presented: (1) "Handling Books in General Collections" (Library of Congress); (2) "Care and Handling of Library Materials" (John DePew); (3) "Preservation Guidelines for Processing Staff" (University of Texas at Austin); (4) "Preservation Guidelines for Circulation and Stack Maintenance Personnel" (University of Texas at Austin); (5) "General Preservation: What an Institution Can Do To Survey Its Own Preservation Needs" (Karen Motylewski); (6) "Storage and Handling: Choosing Archival-Quality Enclosures for Books and Paper" (Karen Motylewski); (7) "Storage and Handling: Cleaning Books and Shelves" (Northeast Document Conservation Center); (8) "Preservation" (Ann Swartzell); (9) "Guidelines for Using Vacuum Cleaners" (National Archives and Records Administration); (10) "Collection Management" (American Library Association); (11) "Reformatting: Microfilm and Microfiche" (Northeast Document Conservation Center); (12) "Archives and Manuscripts: Conservation" (Mary L. Rizenthaler); (13) "Basic Conservation of Archival Materials: A Guide" (Canadian Council of Archives); (14) "Care, Handling, and Storage of Photographs" (International Federation of Library Associations and Institutions); (15)"Storage and Handling: Storage Enclosures for Photographic Materials" (Northeast Document Conservation Center); and (16) "The Care and Handling of Recorded Sound Materials" (Giles St-Laurent). A bibliography lists 19 selected readings for further study. (SLD)
The Care of Fine Books
Author: Jane Greenfield
Publisher: Simon and Schuster
ISBN: 1629140481
Category : Antiques & Collectibles
Languages : en
Pages : 226
Book Description
The Care of Fine Books is a thorough, readable guide to caring for books of value. From a discussion of the various techniques and materials used in bookbinding to advice on handling and storage, Jane Greenfield has created a succinct yet complete resource for anyone who wants to preserve and protect their fine books. Whether you are a collector, a librarian, or a conservation professional, you will benefit from this expert advice. Learn about appropriate levels of light, temperature, relative humidity, and pollution; how to secure a collection against fire, insect infestation, flood, and theft; and methods for cleaning and repairing books that have already been damaged. Always practical and amply illustrated, this is a must-have reference for anyone who loves fine books.
Publisher: Simon and Schuster
ISBN: 1629140481
Category : Antiques & Collectibles
Languages : en
Pages : 226
Book Description
The Care of Fine Books is a thorough, readable guide to caring for books of value. From a discussion of the various techniques and materials used in bookbinding to advice on handling and storage, Jane Greenfield has created a succinct yet complete resource for anyone who wants to preserve and protect their fine books. Whether you are a collector, a librarian, or a conservation professional, you will benefit from this expert advice. Learn about appropriate levels of light, temperature, relative humidity, and pollution; how to secure a collection against fire, insect infestation, flood, and theft; and methods for cleaning and repairing books that have already been damaged. Always practical and amply illustrated, this is a must-have reference for anyone who loves fine books.
Procedures and Conservation Standards for Museum Collections in Transit and on Exhibition
Author: Nathan Stolow
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68
Book Description