Cuban Dances for Guitar and Flute PDF Download
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Author: IGNACIO CERVANTES
Publisher: Mel Bay Publications
ISBN: 1609741072
Category : Music
Languages : en
Pages : 44
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Book Description
Select Cuban Dances by 19th century Cuban composer Ignacio Cervantes (1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the contradanza. They were conceived by Cervantes as a page in the album of the Romantic Century. This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate pull-out sections for guitar and flute.
Author: IGNACIO CERVANTES
Publisher: Mel Bay Publications
ISBN: 1609741072
Category : Music
Languages : en
Pages : 44
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Book Description
Select Cuban Dances by 19th century Cuban composer Ignacio Cervantes (1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the contradanza. They were conceived by Cervantes as a page in the album of the Romantic Century. This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate pull-out sections for guitar and flute.
Author: Cervantes IGNACIO
Publisher:
ISBN: 9780786689279
Category :
Languages : en
Pages :
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Book Description
Select Cuban Dances by 19th century Cuban composer Ignacio Cervantes(1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the contradanza. They were conceived by Cervantes as a page in the album of the Romantic Century. This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate online PDF sections forguitar and flute
Author: Ignacio Cervantes
Publisher: Mel Bay Publications
ISBN: 0786616784
Category : Music
Languages : en
Pages : 20
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Book Description
Select "Cuban Dances" by 19th century Cuban composer Ignacio Cervantes (1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the "contradanza." They were conceived by Cervantes as "a page in the album of the Romantic Century." This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate pull-out sections for guitar and flute.
Author: Sue Miller
Publisher: Univ. Press of Mississippi
ISBN: 1496832191
Category : Music
Languages : en
Pages : 316
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Book Description
Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as José Fajardo, Johnny Pacheco, George Castro, and Eddy Zervigón dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachachá and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugalú’s development in the late 1960s with little mention of the chachachá and pachanga’s popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.
Author: MANUEL SAUMELL
Publisher: Mel Bay Publications
ISBN: 1609741080
Category : Music
Languages : en
Pages : 28
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Book Description
Select Contradanzas Habaneras by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the Father of nationalism in Cuban music. In more than 50 Contradanzas Habaneras, Saumell never repeated himself, for within those 8 or 16-bar phrases, he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented in standard notation only with separate pull-out sections for guitar and flute.
Author: Leslie Anne Harrison
Publisher: Mel Bay Publications
ISBN: 1513477455
Category : Music
Languages : en
Pages : 141
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Book Description
Volume III of Playing Outside the Lines is the third of a comprehensive four-part Irish flute method book series offering beginning to advanced Irish traditional flute instruction for Boehm and simple system flutists in graduated books, chapters, and exercises. Building on the foundation provided in the first two books of the series, Volume III dives into more complicated Irish traditional flute ornamentation such as rolls, short rolls, crans, and breath-ornament techniques. Volume III contains ornamentation fingering charts; advanced ornamentation options, explanations, and placement guidelines; 62 accompanying audio tracks; and more than 170 exercises. Playing Outside the Lines is the first Irish flute method book series of its kind, containing more than 600 technical exercises, rich and nuanced discussions of Irish flute style and cultural context, previously undocumented techniques, side-by-side explanations for Boehm and simple system flutists (as well as information for musicians transitioning between the two instruments), audio excerpts, simple system flute care and purchasing information, and resources for further study. By the end of the four-part series, Boehm and simple system flutists of any background will have the tools necessary to play Irish music with a deep understanding of the tradition as well as with individual creativity. “A fantastic bible of Irish flute playing. Harrison is a very meticulous and thorough author.” —Viviana Guzman, The Flute View Magazine “An invaluable resource for any flutist.” —Brook Ferguson, Principal Flutist of the Colorado Symphony Orchestra “Leslie Anne Harrison’s Playing Outside the Lines is a marvelous gift to all interested in Irish music. Her clear and detailed writing is a huge boon to those embracing the traditional Irish flute and is truly enlightening to those (like me) who want to delve into this music while playing the Boehm flute. From tiniest detail to largest form, Leslie Anne Harrison is there every step of the way. Playing Outside the Lines is a major contribution to flute pedagogy.” —Robert Dick, Performer and Author of The Other Flute
Author: Scott Wolf
Publisher: Lulu.com
ISBN: 1105862151
Category : Art
Languages : en
Pages : 16
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Book Description
Ignacio Cervantes is one of Cuba's most influential composers and pianists. While studying at the Paris Conservatoire, he won top prizes in composition and performance and was praised by such luminaires as Franz Lizst. His most well-known and respected works are his series of several dozen Cuban dances, in which he synthesized European classical music and African rhythms, like the habanera and tango, into a new and unmistakably Cuban style.This arrangement for guitar presents five of the most distinctive and elegant of these Cuban dances, which we have titled Escenas (Scenes). Each of these dances was given a descriptive title by Cervantes, which creates a colorful narrative when played as set. They suit the intimate and energetic nature of the guitar perfectly, and are arranged in a manner that allows the performer to effortlessly present a unique interpretation."Scott Wolf's editions are so skillfully done, his arrangements sound as if they were written originally for the guitar" -Scott Tennant
Author: Martha Anne Councell-Vargas
Publisher:
ISBN:
Category : Dance music
Languages : en
Pages : 196
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Book Description
Author: Elias Barreiro
Publisher: Mel Bay Publications
ISBN: 1619118130
Category : Music
Languages : en
Pages : 81
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Book Description
This great collection of 19th century music is a recognition of Cuban composers who along with Manuel Saumell and Ignacio Cervantes produced a rich legacy of music in both popular and classical genres. Written in standard notation.
Author: Elias Barreiro
Publisher: Mel Bay Publications
ISBN: 1609745930
Category : Music
Languages : en
Pages : 81
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Book Description
The thirty-eight Danzas Cubanas of Ignacio Cervantes (1847-1905) were originally written for the piano and conceived as "a page in the album of the Romantic Century". Together with improvised components, this music reflects the popular melodic and rhythmic unity which reached its apex in Cuban dances as performed at dance academies. This edition presents all 38 engaging pieces in standard notation for solo guitar.
