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Author: William THOMSON (Curator of the Museums of Anatomy and Natural History, King's College, London.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Author: William THOMSON (Curator of the Museums of Anatomy and Natural History, King's College, London.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Author: Crystal Palace Company (Sydenham, London, England)
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 16
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Author: Crystal Palace Company (Sydenham, England)
Publisher: London : Crystal Palace Library
ISBN:
Category :
Languages : en
Pages : 92
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Author: Robert Gordon Latham
Publisher:
ISBN: 9781906267223
Category : History
Languages : en
Pages : 98
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Book Description
The Crystal Palace Company published a series of official handbooks in 1854 for displays in its Sydenham pleasure park. The "Natural History Court" had two organising themes. First, ethnology was a new discipline in the 1850s. Displays included material from thirteen exotic human groups. (Sometimes, they also included living visitors from those groups). Latham's guide emphasises what visitors could not see displayed, such as language and religious practices. He also shows his discipline's obsession with rankings - one culture against another - together with the cultural biases inherent in their work. Second, zoology and botany were represented by regional displays. Forbes was a naturalist in the tradition of Alexander von Humboldt. This catalogue mentions most of the specimens displayed. It also stresses fundamental principles of biogeography. Written five years before Darwin's Origin of Species, Forbes' essay nicely shows how naturalists theorized before evolutionary ideas took hold.
Author: Edward Ziter
Publisher: Cambridge University Press
ISBN: 9780521818292
Category : Drama
Languages : en
Pages : 260
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This book explores the impact of the Middle East and the Orient on writing and performance in nineteenth-century British theatre.
Author: James T. Costa
Publisher: Princeton University Press
ISBN: 0691233799
Category : Biography & Autobiography
Languages : en
Pages : 536
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"Alfred Russel Wallace (1823-1913) was perhaps the most famous naturalist in the world by the end of his life-- explorer extraordinaire, co-discoverer with Darwin of the principle of natural selection, collector of thousands of species new to science, and best-selling author. Wallace had fallen into obscurity in the 20th century, largely eclipsed by Darwin, but the 2013 centennial of his death led to renewed interest and Wallace is likely to garner attention again in 2023 with the bicentennial of his birth. Against this backdrop, James Costa is proposing a new biography of Wallace. The chapters are arranged chronologically, treating the arc of Wallace's life in a narrative that interweaves key events with the development of Wallace's thought. He devote extra space to the 8-year Malay Archipelago odyssey as the adventure that Wallace himself declared the "central and controlling incident" of his life and became foundational to modern evolution and biogeography. Costa of course discusses Wallace's famous corresondence with Darwin, and how Wallace graciously applauded Darwin's achievement, and became of his closest friends and defenders. In later years, Wallace became associated with "the spiritualist movement" and taking up a range of social causes including championing better working conditions, land preservation, reform in public education, and legal rights for women. Ultimately, Costa argues that the key to understanding Wallace is to realize that he was singularly open to novel, even radical, ideas in scientific and social realms"--
Author: Sadiah Qureshi
Publisher: University of Chicago Press
ISBN: 0226700984
Category : History
Languages : en
Pages : 391
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In May 1853, Charles Dickens paid a visit to the “savages at Hyde Park Corner,” an exhibition of thirteen imported Zulus performing cultural rites ranging from songs and dances to a “witch-hunt” and marriage ceremony. Dickens was not the only Londoner intrigued by these “living curiosities”: displayed foreign peoples provided some of the most popular public entertainments of their day. At first, such shows tended to be small-scale entrepreneurial speculations of just a single person or a small group. By the end of the century, performers were being imported by the hundreds and housed in purpose-built “native” villages for months at a time, delighting the crowds and allowing scientists and journalists the opportunity to reflect on racial difference, foreign policy, slavery, missionary work, and empire. Peoples on Parade provides the first substantial overview of these human exhibitions in nineteenth-century Britain. Sadiah Qureshi considers these shows in their entirety—their production, promotion, management, and performance—to understand why they proved so commercially successful, how they shaped performers’ lives, how they were interpreted by their audiences, and what kinds of lasting influence they may have had on notions of race and empire. Qureshi supports her analysis with diverse visual materials, including promotional ephemera, travel paintings, theatrical scenery, art prints, and photography, and thus contributes to the wider understanding of the relationship between science and visual culture in the nineteenth century. Through Qureshi’s vibrant telling and stunning images, readers will see how human exhibitions have left behind a lasting legacy both in the formation of early anthropological inquiry and in the creation of broader public attitudes toward racial difference.
Author: Francis Kingston John Shenton
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Author: Kate Nichols
Publisher:
ISBN: 0199596468
Category : Art
Languages : en
Pages : 321
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The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.
Author: Linnean Society of London
Publisher:
ISBN:
Category : Botany
Languages : en
Pages : 730
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