Author: Austin Asagba
Publisher:
ISBN:
Category : African drama
Languages : en
Pages : 324

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Book Description

Author: Susan Z. Andrade
Publisher: Africa World Press
ISBN: 9780865439542
Category : African literature
Languages : en
Pages : 234

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Book Description
Taken from a poem by Niyi Osumdare, Atlantic Cross Currents: Transatlantiques' was the theme of the 1993 meeting of the African Literature Association held in Guadeloupe, suggesting the movement of people, languages, cultures and ideas. The papers included in this volume are divided into three clusters, the first focusing on forms of linguistic communication and literary genres, the second on the construction of gender, memory, history and revolt against patriarchy, and the third on political change and nation-building.'

Author: Martin Banham
Publisher: Indiana University Press
ISBN: 9780253215390
Category : African drama
Languages : en
Pages : 198

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Book Description
The contributions to this volume in the African Theatre series make clear that the role of women in the theatre across the continent has changed as control is mainly held by literate elites and women's traditional standing has been lost to men.

Author: Kene Igweonu
Publisher: Cambridge Scholars Publishing
ISBN: 1443859214
Category : Performing Arts
Languages : en
Pages : 180

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Book Description
This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 2: Innovation, Creativity and Social Change contains essays that address performativity as a process, particularly in the context of theatre’s engagement with contemporary realities with the hope of instigating social change. The innovativeness of the examples explored within the book points to the ingenuity and adaptive capacity of African theatre in ways that engage indigenous forms in the service of contemporary realities. Contributions in Innovation, Creativity and Social Change explore forms such as Theatre for Development, community and applied theatre, and indigenous juridical performances, as well as the work of contemporary dramatists and performers who set out to instigate change in society.

Author: Kene Igweonu
Publisher: Rodopi
ISBN: 9401200823
Category : Business & Economics
Languages : en
Pages : 458

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Book Description
Trends in Twenty-First Century African Theatre and Performance is a collection of regionally focused articles on African theatre and performance. The volume provides a broad exploration of the current state of African theatre and performance and considers the directions they are taking in the 21st Century. It contains sections on current trends in theatre and performance studies, on applied/community theatre and on playwrights. The chapters have evolved out of a working group process, in which papers were submitted to peer-group scrutiny over a period of four years, at four international conferences. The book will be particularly useful as a key text for undergraduate and postgraduate courses in non-western theatre and performance (where this includes African theatre and performance), and would be a very useful resource for theatre scholars and anyone interested in African performance forms and cultures.

Author: P. O'Neill
Publisher: Palgrave Macmillan
ISBN: 9781349588183
Category : History
Languages : en
Pages : 0

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Book Description
For centuries, African and Irish people have traversed the Atlantic, as slaves, servants, migrants, exiles, political organizers and cultural workers. Their experiences intersected; their cultures influenced one another. These essays explore the connections that have defined the 'Black and Green Atlantic' in culture, politics, race and labour.

Author: Olga Barrios Herrero
Publisher: Universitat de València
ISBN: 8437083982
Category : Literary Criticism
Languages : en
Pages : 245

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Book Description
El creixement dels moviments sociopolítics entre els anys seixanta i noranta als Estats Units i a Sud-àfrica va establir els ferms fonaments sobre els quals, amb una força i ímpetu sense precedents, es va forjar el teatre negre d'aquests anys. Forma i contingut van sorgir a l'una del compromís polític i artístic adoptat per aquests artistes contra l'imperialisme, el colonialisme i el racisme occidentals. Per primera vegada en la història, el teatre negre dels Estats Units i de Sud-àfrica analitzava i valorava les arrels negres per a poder il·luminar la recerca d'un futur de llibertat. No obstant això, el context sociopolític i les circumstàncies específiques de cada país han generat igualment els trets distintius del teatre afronord-americà i negre sud-africà (incloses les diferències de gènere) manifestos en ramificacions artístiques totalment heterogènies i úniques.

Author: Patrick Ebewo
Publisher:
ISBN: 9781443898690
Category : Blacks in the theater
Languages : en
Pages : 249

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Book Description
"In spite of the rich repertoire of artistic traditions in Southern Africa, particularly in the areas of drama, theatre and performance, there seems to be a lack of a corresponding robust academic engagement with these subjects. While it can be said that some of the racial groups in the region have received substantial attention in terms of scholarly discussions of their drama and theatre performances, the same cannot be said of the black African racial group. As such, this collection of twelve chapters represents a compendium of critical and intellectual discourses on black African drama, theatre and performance in Botswana, Lesotho, South Africa, and Swaziland. The topics covered in the book include, amongst others, ritual practices, interventionist approaches to drama, textual analyses, and the funeral rites (viewed as performance) of the South African liberation icon Nelson Mandela. The discussions are rooted mainly using African paradigms that are relevant to the context of African cultural production. The contributions here add to the aggregate knowledge economy of Southern Africa, promote research and publication, and provide reading materials for university students specialising in the performing arts. As such, the book will appeal to academics, theatre scholars, cultural workers and arts administrators, arts practitioners and entrepreneurs, the tourism industry, arts educators, and development communication experts."

Author: Akinloyè Òjó
Publisher: Lexington Books
ISBN: 1498534317
Category : Literary Criticism
Languages : en
Pages : 213

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Book Description
Africans and Globalization: Linguistic, Literary, and Technological Contents and Discontents considers the substance and dissatisfactions of globalization on Africa and its Diaspora. Although variously framed across disciplines, globalization has generally entailed non-milieu bound interactions, which alters the existence of its participants. The concerns about the impact of globalization have been raised in relation to Africa and have related to the helpful and deleterious effects. Increasingly, industrialization (without consideration of environmental impacts) and westernization (including erosion of indigenous values) are perceived as synonymous with globalization. This multidisciplinary collection contends that in theory, globalization linked Africa with the world through trade and information sharing, thereby increasing development. This collection provides reflections based on contemporary research within the linguistic, literary, and technological areas of study. It illustrates that globalization is not a single process but rather a complex set of processes that seemingly operate in an oppositional manner. The collected works make for exciting appraisal as they highlight some of the contents and discontents of globalization across multiple areas of human endeavor in Africa and its diaspora.

Author: Loren Kruger
Publisher: Bloomsbury Publishing
ISBN: 135000801X
Category : History
Languages : en
Pages : 289

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Book Description
“Theatre is not part of our vocabulary”: Sipho Sepamla's provocation in 1981, the year of famous anti-apartheid play Woza Albert!, prompts the response, yes indeed, it is. A Century of South African Theatre demonstrates the impact of theatre and other performances-pageants, concerts, sketches, workshops, and performance art-over the last hundred years. Its coverage includes African responses to pro-British pageants celebrating white Union in 1910, such as the Emancipation Centenary of the abolition of British colonial slavery in 1934 organized by Griffiths Motsieloa and HIE Dhlomo, through anti-apartheid testimonial theatre by Athol Fugard, Maishe Maponya, Gcina Mhlophe, and many others, right up to the present dramatization of state capture, inequality and state violence in today's unevenly democratic society, where government has promised much but delivered little. Building on Loren Kruger's personal observations of forty years as well as her published research, A Century of South African Theatre provides theoretical coordinates from institution to public sphere to syncretism in performance in order to highlight South Africa's changing engagement with the world from the days of Empire, through the apartheid era to the multi-lateral and multi-lingual networks of the 21st century. The final chapters use the Constitution's injunction to improve wellbeing as a prompt to examine the dramaturgy of new problems, especially AIDS and domestic violence, as well as the better known performances in and around the Truth and Reconciliation Commission. Kruger critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer William Kentridge, and Handspring Puppet Company, and highlights the local and transnational impact of major post-apartheid companies such as Magnet Theatre.