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Author: Triffin I. Morris
Publisher: Taylor & Francis
ISBN: 1351052330
Category : Performing Arts
Languages : en
Pages : 223
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Book Description
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
Author: Triffin I. Morris
Publisher: Taylor & Francis
ISBN: 1351052330
Category : Performing Arts
Languages : en
Pages : 223
Get Book Here
Book Description
A History of the Theatre Costume Business is the first-ever comprehensive book on the subject, as related by award-winning actors and designers, and first hand by the drapers, tailors, and craftspeople who make the clothes that dazzle on stage. Readers will learn why stage clothes are made today, by whom, and how. They will also learn how today’s shops and ateliers arose from the shops and makers who founded the business. This never-before-told story shows that there is as much drama behind the scenes as there is in the performance: famous actors relate their intimate experiences in the fitting room, the glories of gorgeous costumes, and the mortification when things go wrong, while the costume makers explain how famous shows were created with toil, tears, and sweat, and sometimes even a little blood. This is history told by the people who were present at the creation – some of whom are no longer around to tell their own story. Based on original research and first-hand reporting, A History of the Theatre Costume Business is written for theatre professionals: actors, directors, producers, costume makers, and designers. It is also an excellent resource for all theatregoers who have marveled at the gorgeous dresses and fanciful costumes that create the magic on stage, as well as for the next generation of drapers and designers.
Author: Margy Johnson
Publisher: Xlibris Corporation
ISBN: 1493175165
Category : Business & Economics
Languages : en
Pages : 89
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Book Description
Most people want to work at home, do something they enjoy, yet still make enough money to live a comfortable lifestyle. Working for other people has become less practical, as traditional jobs are paying less and offering reduced incomes, benefits, flexibility and retirement. Anyone can start a costume character business and become successful. It's fun and creative and can become profitable quickly. Start-up costs are low, and you have the flexibility to set your own hours and make your own decisions. Being your own boss is the true American Dream. Why not dream it for yourself?
Author: Ann Holmes
Publisher: Ballantine Books
ISBN: 0812975588
Category : Business & Economics
Languages : en
Pages : 322
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Book Description
“Ann Holmes has created the perfect guide to help women turn their dreams into a reality.” –Donna Mullen Good, CEO of the Center for Women & Enterprise If you’ve ever dreamed of starting your own business, or if you’ve ever wondered about how to build up the business you already run, but worry because you don’t have an MBA or a couple of years of college business courses, this book is for you. Based on extensive interviews with more than eighty women entrepreneurs from around the country, There’s a Business in Every Woman offers inspiring success stories (and instructive missteps) in a wide range of businesses–from catering, landscaping, personal training, and wedding and events planning to interior and clothing design, staffing, manufacturing, and product design. What the trailblazing women in this book have in common is a good idea and the courage to turn a dream into a money-making reality through hard work, passion, and drive. Take, for instance, the woman who started an IT consulting company in her basement and now has more than a thousand employees in three states; two jogging buddies who commiserated about their uncomfortable bras and went on to design and produce a jog bra, creating a company that Playtex ultimately bought for millions; the mom whose hand-made birthday-party invitations made such a splash that she launched her own custom party invitation company, which she expanded to include holiday cards, gift tags, bags, and more; the sixty-five-year-old corporate wife and mother who applied her domestic talents to opening a profitable B&B; the twenty-three-year-old who bought a fledging real estate franchise and now earns a healthy six figures annually. These success stories highlight the practical: focusing on what you’re good at; setting up your business properly–even if you are starting out from your basement or garage; getting financial backing when you need it; marketing your products with sizzle; networking like the “good old boys”; understanding how and when to diversify your products or services; managing your growth; and, most important, knowing what your company is worth and when it might be lucrative to cash out. An accessible crash course in starting and running your own business, There’s a Business in Every Woman will teach you everything you need to know to turn your pipedream into serious profits.
Author: Tanyss Malabar
Publisher: FriesenPress
ISBN: 1038302986
Category : History
Languages : en
Pages : 83
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Book Description
For many, costumes represent only one day a year—Halloween. But not for anyone born into the Malabar family! Being a Malabar meant you were an active participant in forming the history of Canada’s premier theatrical supplier, one costume at a time. From its humble beginnings in Winnipeg Manitoba, to the recent closing of its flagship store in Toronto, the Malabar name holds its rightful place in the echelon of Canadian costuming. The Malabar Story began in 1904 when movies were barely present and the main source of entertainment was live theatre. Whether a small troupe or a large ensemble, there was a growing demand for costume rentals. This urgency took root across Canada contributing to stores opening in Toronto, Montreal and Winnipeg. Fuelling this need was the patriotic duty to use live forms of amusement to offset the brutalities often presented during the First and Second World Wars. Many groups, including military authorities, would routinely perform songs skits and cross-dressing acts dependent on costumed performers. After the wars in the late 1940’s and early 50’s, high schools across Canada often staged various Gilbert and Sullivan shows and by late 1950, formal wear came into vogue. The late 50’s also spawned popular shows such as Bonanza, and its spin-offs, that required Western-themed costumes for their actors. This era also included indoor and outdoor Canadian festivals such as Theatre Under the Stars in Vancouver, Stratford and Shaw Festivals in Southern Ontario. All used Malabars when they were initially formed. Further into the 50’s and 60’s, large productions such as the Canadian Football League’s halftime shows at the Canadian National Exhibition continued to be fan favourites which included the largest chorus line ever assembled in North America. None of these premier productions had the impact as late twentieth-century opera which went on to represent the largest client base the Malabar Costumes Company ever had. As a member of the North American Costume Association, my father never lost sight of his roots. Through meaningful work with local theatre groups, valuable industry insights and ideas were shared. In closing, there have been, and will continue to be, many costume companies in Canada. However, because of the drive and ambition of my grandmother, her two sons, and her daughter, Malabar Costume Company became an icon in the Canadian theatrical world. And to think, it all started with a trunk of costumes and an idea for a niche business! A passion that grew into several successful costume companies throughout this great country. And yes, one of the main reasons I wrote this book was to instil the memory of a dedicated Canadian entrepreneur, but more importantly, it’s for all those to relive the magic and wonderment of putting on a costume. This story is for you. –Tanyss Malabar
Author: Jennifer Flitton Adams
Publisher: Taylor & Francis
ISBN: 100088399X
Category : Education
Languages : en
Pages : 447
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Book Description
Teaching Costume Design and Costume Rendering: A Guide for Theatre and Performance Educators clarifies the teaching process for Costume Design and Costume Rendering courses and offers a clear and tested path to success in the classroom. Drawing on the knowledge and experience of the author’s twenty-five years of teaching as well as many decades of work by multiple other educators, this book provides a clear roadmap for teaching these two popular Theatre courses. It includes information on pedagogical theory, creating syllabi, preparing and structuring classes, crafting lectures, and analyzing students’ work, with a heavy focus on specific teaching projects that have been proven to work in the classroom. All aspects of teaching costume design and rendering are considered, including body awareness, cultural sensitivities, script analysis, elements and principles of design, psychology of dress, choosing fabrics, period styling, and requirements of dance costumes. Included in the appendices are sample syllabi, and additional reading and research resources. Teaching Costume Design and Costume Rendering is a guide for theatre and performance educators ranging from secondary education to undergraduate programs and graduate studies. It is a valuable resource both for costume educators approaching costume design and rendering classes for the first time and for experienced instructors looking for new material for these courses.
Author: Bulan Prabawani
Publisher: European Alliance for Innovation
ISBN: 1631902393
Category : Education
Languages : en
Pages : 728
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Book Description
Hosted by the Faculty of Social and Political Sciences, Universitas Diponegoro - Indonesia, International Conference on Indonesian Social and Political Enquiries (ICISPE) serves as a strategic venue for academicians and practitioners whose interest is Indonesian social and political studies to get interconnected with other academicians and other fields of study. It is also intended to be a venue for scholars from various backgrounds to connect and initiate collaborative and interdisciplinary studies. The papers presented at the ICISPE provide research findings and recommendations that are both directly and indirectly beneficial for public needs, especially policy makers and practitioners in Indonesia. The 4th ICISPE 2019 was held in the Semarang, Indonesia, bringing up a theme of "People, Nature, and Technology: Promoting Inclusive Environmental Governance in the Era of Digital Revolution" as a response to the current dynamics of social and political issues in this millennial era. This theme aims at looking more closely on how the relations between social and political aspects on development in this region. It is indeed an emerging situation and a robust area for research. Some compelling sub-themes were offered and participated by a great number of presenters and participants including, among others are Social Movement Communication Approach, Global Environmental Issues, Environmental Governance, Millennials and Internet, Green Economy also Culture and Environmental Development. They share their insights, study results, or literature studies on those topics in a very dynamic discussion.
Author: Christian Esquevin
Publisher: University Press of Kentucky
ISBN: 0813197929
Category : Design
Languages : en
Pages : 281
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Book Description
Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unraveling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen.
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521564441
Category : Drama
Languages : en
Pages : 448
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Book Description
"This new and updated Guide, with over 2,700 cross-referenced entries, covers all aspects of the American theatre from its earliest history to the present. Entries include people, venues and companies scattered through the U.S., plays and musicals, and theatrical phenomena. Additionally, there are some 100 topical entries covering theatre in major U.S. cities and such disparate subjects as Asian American theatre, Chicano theatre, censorship, Filipino American theatre, one-person performances, performance art, and puppetry. Highly illustrated, the Guide is supplemented with a historical survey as introduction, a bibliography of major sources published since the first edition, and a biographical index covering over 3,200 individuals mentioned in the text."--BOOK JACKET.
Author: Cheralyn Lambeth
Publisher: Taylor & Francis
ISBN: 1317597966
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
Many beginning and hobbyist costumers believe that professional costume/prop builders have unlimited and specialized resources with which to ply their craft. Actually, the pros create things in much the same way that hobbyists do, working as resourcefully and creatively as possible with a limited budget. Creating the Character Costume dives into these methods to showcase how to achieve expert looks with limited means and lots of creativity. Part One explores tools, materials, and construction methods.
Author: M. Tolini Finamore
Publisher: Springer
ISBN: 023038949X
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
This exploration of fashion in American silent film offers fresh perspectives on the era preceding the studio system, and the evolution of Hollywood's distinctive brand of glamour. By the 1910s, the moving image was an integral part of everyday life and communicated fascinating, but as yet un-investigated, ideas and ideals about fashionable dress.
