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Author: Alexandra R. Murphy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: Alexandra R. Murphy
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
Author: A.L. Poulet
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Museum of Fine Arts, Boston
Publisher: Museum of Fine Arts Boston
ISBN:
Category : Architecture
Languages : en
Pages : 232
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Book Description
'What colors! what variety! What richness of objects and ideas!' So the great philosopher and art critic Diderot wrote in 1761 about Francois Boucher's enormous painting Halt at the Spring, exhibited that year in Paris and the Salon of the Royal Academy. This is but one of the nearly 90 paintings included in French Paintings in the Museum of Fine Arts, Boston: Volume 1, Artists born before 1790. Incorporated in this volume are the paintings of the sixteenth through the first part of the nineteenth centuries. In addition to Boucher, such notable artists as Poussin, Claude, Le Sueur, Largilliere, Greuze, Watteau, Vigee-Lebrun, Lancret, Baron Gros and Prud'hon are included. The MFA's French painting collection is one of America's greatest, and this catalogue marks the first scholarly publication of many of its highlights. Each work is fully illustrated (many in color), and each entry includes a full bibliography and provenance as well as text discussing the work's significance. An introductory essay also provides background on the history of the collection's formation from the acquisition of the Boucher in 1871 to the present day.
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 0870997696
Category : Painting, French
Languages : en
Pages : 497
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Book Description
Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870992953
Category : Classicism in art
Languages : en
Pages : 420
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Book Description
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Hina Hirayama
Publisher: UPNE
ISBN: 0934552835
Category : History
Languages : en
Pages : 237
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Book Description
A detailed history of the Boston Athenaeum's historic role in the founding of the Museum of Fine Arts, Boston
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994972
Category : Hudson River school of landscape painting
Languages : en
Pages : 367
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Book Description
Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.
Author: Russell T. Clement
Publisher: Bloomsbury Publishing USA
ISBN: 0313369550
Category : Art
Languages : en
Pages : 720
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Book Description
This is the first comprehensive scholarly bibliography/research guide/sourcebook on the major French Fauve painters (Henri Matisse and Georges Braque are treated in separate Greenwood bio-bibliographies). It includes information on 3,120 books and articles as well as chronologies, biographical sketches, and exhibition lists. Each artist receives a primary and secondary bibliography with many annotated entries. Secondary bibliographies include details about each artists' life and career, relationships with other artists, work in various media, iconography, and more. Designed for art historians, art students, museum and gallery curators, and art lovers alike, this volume organizes the vast literature surrounding this fascinating, revolutionary, 20th-century art group. Genuinely new art is always challenging, sometimes even shocking to those unprepared for it. In 1905, the paintings of Matisse, Derain, Vlaminck and their friends shocked conservative museum-goers; hence, the eventual popularity of art critic Louis Vauxcelles's tag les fauves, or wild beasts by which these artists became known. Although it lasted only three or four years, Fauvism is recognized as the first artistic revolution of international consequence in the 20th century. It was based on the glorification of pure saturated colors and the free expression of primitivism. It was a dynamic sensualism; an equilibrium of passion and order, fire and austerity that could not last. By the end of 1908, Fauvism collapsed in the face of Cubism, which, moreover, several Fauve artists helped to form.
