Contemporary Ceramics in South Africa PDF Download
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Author: Wilma Cruise
Publisher: Struik-Winchester
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Author: Wilma Cruise
Publisher: Struik-Winchester
ISBN:
Category : Art
Languages : en
Pages : 216
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Book Description
Author: Felix Gottlieb Ernst Nilant
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 146
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Book Description
Author: Tapiwa Matsinde
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 201
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Book Description
"Contemporary African Design offers a refreshing challenge to rigid perceptions of what African design looks like. Focusing primarily on interior decoration, the book presents fifty designers, artisans, and cooperatives based on the continent or part of the diaspora who are creating sophisticated and innovative products and interiors." --Publisher.
Author: Olivia Barrell
Publisher:
ISBN: 9780639779744
Category : Art pottery
Languages : en
Pages : 0
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Book Description
"This publication offers enthusiasts and collectors a glimpse into the studios of thirty important South African artists, born between 1941 and 1998, revealing the richness of both contemporary clay and ceramic tradition within South African art. This book is the fruit of countless conversations with each featured artist including Hylton Nel, Belinda Blignaut, Jabulile Nala, Ian Garrett, Andile Dyalvane, Katherine Glenday, Zizipho Poswa, Madoda Fani, Marlene Steyn, Hennie Meyer, Astrid Dahl, Chuma Maweni and Ruan Hoffmann amongst others."--Provided by publisher.
Author: Elizabeth Perrill
Publisher: Jacana Media
ISBN: 9780980260991
Category : Artists
Languages : en
Pages : 0
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Book Description
"A brief history of and guide to contemporary Zulu pottery"--Back cover
Author: Elizabeth Perrill
Publisher: African Expressive Cultures
ISBN: 9780253061867
Category : Art
Languages : en
Pages : 304
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Book Description
When Zulu women potters innovate or move to a more urban setting, they are asked why they have abandoned tradition. Yet when they continue to follow convention or choose to stay in rural areas, art historians speak of their work as unchanging symbols of the past. Burnished rejects both stereotypes, giving agency back to the artists. Featuring 90 beautiful color images, Burnished engages directly with specific vessels and artists and fractures assumptions that Zulu ceramicists are insulated from rural transformation and urban realities. Elizabeth Perrill shares the fascinating stories of women potters and the ceramic beer pots they create--their aesthetics, audiences, production, and artistic lives. Simultaneously, Perrill documents the manner in which ceramic arts, and at times the artists themselves, capitalize upon bucolic stereotypes of rural womanhood, are constrained by artistic methods, or chafe against definitions of what qualifies as a Zulu pot. By revealing how White South Africa and global art gatekeepers have continually twisted the designation of Zulu ceramics before, during, and after apartheid, Burnished provides an engaging look at the entrepreneurial artistry of Black women who are often erased from historical records.
Author: David Riep
Publisher:
ISBN: 9781732347632
Category :
Languages : en
Pages :
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Book Description
Published to accompany the exhibition "Shattering Perspectives: A Teaching Collection of African Ceramics," this is a collaborative, student generated project exploring ceramic arts from across the African continent through vessels and objects from the permanent collection of the Gregory Allicar Museum at Colorado State University.The exhibition and catalogue features 141 objects by artists from 57 cultures, representing 19 countries across present day Africa. Shattering Perspectives takes a unique approach to discussing African ceramics through the lens of a teaching collection and was conceived by Colorado State University students enrolled in an art history seminar course in Spring 2020. The students, who also served as co-curators, authors, and exhibition designers, explored the politics and poetics of museum display while delving into the methods, functions, and symbolism surrounding pottery, as well as the roles of ceramic artists across the African continent. The result is a dynamic exhibition and publication that presents unique viewpoints on approaching and discussing these fascinating objects through hands-on engagements and theoretical dialog.The project is organized around the themes of art v. artifact, misconceptions about the "unknown" African artist, pot making techniques across the continent, and visual expressions of identity. These perspectives present viewers with insights on working with a teaching collection and the resulting dialog that develops through encounters with art objects and critical texts.
Author: Ashraf Jamal
Publisher: Skira
ISBN: 9788857235639
Category : Art
Languages : en
Pages : 416
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Book Description
An inclusive exercise in cultural analysis, this book deals with the gravitas and folly of identity politics, the boom of so-called African art, and the fetish and fascination with a global Esperanto. Designed to provoke thought and feeling, it is hoped that this collection of essays on South African art will reach a wide audience. The book's strength lies in its diversity of focus and cultural frameworks. It offers no defining system or divining rod. Rather, it is hoped that this book will provide a healthy contribution to an already thriving debate regarding the value and purpose of contemporary art, the on-going significance of the decolonising project, and the importance of art from Africa in the global pantheon.
Author: Juliette Leeb-du Toit
Publisher: NYU Press
ISBN: 1776147677
Category : Art
Languages : en
Pages : 376
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Book Description
China and Africa have long shared a history of allegiance and contact points through global political forces from the time of colonialism and the Cold War. With China’s rise as the new superpower, its presence in Africa has expanded, leading to significant economic, geopolitical and cultural shifts. While issues such as trade, aid and development have received much attention, Chinese and African encounters through the lens of the visual arts and material culture is a neglected field. Visualising China in Southern Africa: Biography, Circulation, Transgression is a ground-breaking volume that addresses this deficit through engaging with the work of contemporary African and Chinese artists while analysing broader material production that prefigures the current relationship. The essays are wide-ranging in their analysis of ceramics, photography, painting, etching, sculpture, film, performance, postcards, stamps, installations, political posters, cartoons and architecture. Visualising China in Southern Africa confines its focus to southern Africa, yet even within this region, the context is complex. Ethnicity and nationalism, the lingering influence of Cold War allegiances and colonial configurations all continue to play a role. The various visual cultures discussed in this volume emphasise the commonality of these categories, but also point towards other shared histories that transcend the nation-state category. The collection includes scholarly chapters, photo essays, interviews, and artists’ personal accounts, organised around four themes: material flows, orientations and transgressions, spatial imaginaries, and biographies. The artists, photographers, filmmakers, curators and collectors in this volume include: Stary Mwaba, Hua Jiming, Anawana Haloba, Gerald Machona, Nobukho Nqaba, Marcus Neustetter, Brett Murray, Diane Victor, William Kentridge, Kristin NG-Yang, Kok Nam, Mark Lewis, the Chinese Camera Club of South Africa, Wu Jing, Henion Han and Shengkai Wu.
Author: Susan Peterson
Publisher: Laurence King Publishing
ISBN: 9781856693547
Category : Crafts & Hobbies
Languages : en
Pages : 438
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Book Description
Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.
