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Author: Keiko S. Hooton
Publisher: Prestel Publishing
ISBN: 9783791348070
Category : Asia
Languages : en
Pages : 0
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Book Description
Global expansion and growing local economies have allowed the obsession with photography to sweep throughout the Asian continent. This volume documents the growing culture of photography as an art form in Asia, including often overlooked countries such as Indonesia, the Philippines, Malaysia, Thailand, Cambodia, Vietnam, Taiwan, and Singapore.
Author: Keiko S. Hooton
Publisher: Prestel Publishing
ISBN: 9783791348070
Category : Asia
Languages : en
Pages : 0
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Book Description
Global expansion and growing local economies have allowed the obsession with photography to sweep throughout the Asian continent. This volume documents the growing culture of photography as an art form in Asia, including often overlooked countries such as Indonesia, the Philippines, Malaysia, Thailand, Cambodia, Vietnam, Taiwan, and Singapore.
Author: Nora A. Taylor
Publisher: Southeast Asia Program Publications
ISBN: 9780877277866
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This anthology explores artistic practices and works from a diverse and vibrant region. Scholars, critics, and curators offer their perspectives on Southeast Asian art and artists, aiming not to define the field but to Illuminate its changing nature and Its Interactions with creative endeavors and histories originating elsewhere. These essays examine a range of new and modern work, from sculptures that Invoke post-conflict trauma In Cambodia to Thai art Installations that Invite audience participation and thereby challenge traditional definitions of the "art obJect." In this way, the authors not only provide a lively stUdy of regional art, but challenge and expand broad debates about international and transnational art.
Author: Melissa Chiu
Publisher:
ISBN: 9780262516235
Category : Art, Asian
Languages : en
Pages : 0
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Book Description
This foundational anthology maps the emergence of a dynamic new global phenomenon: contemporary Asian art. In 2008, Asia stormed the citadel of the New York art world when two major museums presented retrospectives of Asian contemporary artists: Cai Guo-Qiang at the Guggenheim Museum and Takashi Murakami at the Brooklyn Museum. Meanwhile, in Hong Kong, a painting by Zeng Fanzhi sold for $9.5 million, setting a new world auction record for Chinese contemporary art. The Western art world is still coming to grips with the challenge: it is all about Asia now. This book is the first anthology of critical writings to map the shift in both the nature and the reception of Asian art over the past twenty years. Offering texts by leading figures in the field (mostly Asian), and including more than fifty illustrations in color and black and white, it covers developments in East Asia (including China, Korea, and Japan), South Asia (including India and Pakistan), and Southeast Asia (including Vietnam, Indonesia, and Thailand). Together, the twenty-three texts posit an historical and pan-Asian response to the question, "What is Asian contemporary art?" Considering such topics as Asian modernism ("productive mistranslation" of the European original), Asian cubism, and the curating, collecting, and criticism of Asian contemporary art, this book promises to be a foundational reference for many years to come.
Author: Bakirathi Mani
Publisher: Duke University Press
ISBN: 1478012439
Category : Photography
Languages : en
Pages : 142
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Book Description
In Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented.
Author: Carolyn Wakeman
Publisher: Univ of California Press
ISBN: 0520239903
Category : History
Languages : en
Pages : 130
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Book Description
The author's photographs from 1947 Shanghai express the brutality, confusion, and tumult of a country on the verge of major change, capturing the beggars, street executions, refugees, prostitutes, and ordinary people who made this city a spectacular locale for photo-journalists during the revolution. (History)
Author: Russet Lederman
Publisher: 10x10 Photobooks
ISBN: 0692144293
Category : Photography
Languages : en
Pages : 7
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Book Description
A “book on books” anthology that documents How We See, a traveling public and hands-on reading room of a global range of 100 photography books by female photographers. In addition to all one hundred books in the How We See Reading Room, the publication includes three essays, an annotated history, reference lists of historical books by women photographers, an author index and a visual index. Paris Photo-Aperture Foundation Photobook Awards 2019 – Jury’s Special Mention Les Rencontres d’Arles Photobook Award 2019 – Shortlisted 50 Books 50 Covers / AIGA 2019 – Best Book Winner ADC Merit Award 2020
Author: Apinan Poshyananda
Publisher: Asia Society
ISBN: 9780810963313
Category : Art
Languages : en
Pages : 239
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Book Description
Dist. for the asia society galleries. auth: chula-longkorn univ, bangkok. exhib.cat.
Author: Pamela N. Corey
Publisher: University of Washington Press
ISBN: 0295749245
Category : History
Languages : en
Pages : 236
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Book Description
In The City in Time, Pamela N. Corey provides new ways of understanding contemporary artistic practices in a region that continues to linger in international perceptions as perpetually “postwar.” Focusing on art from the last two decades, Corey connects artistic developments with social transformations as reflected through the urban landscapes of Ho Chi Minh City and Phnom Penh. As she argues, artists’ engagements with urban space and form reveal ways of grasping multiple and layered senses and concepts of time, whether aligned with colonialism, postcolonial modernity, communism, or postsocialism. The City in Time traces the process through which collective memory and aspiration are mapped onto landscape and built space to shed light on how these vibrant Southeast Asian cities shape artistic practices as the art simultaneously consolidates the city as image and imaginary. Featuring a dynamic array of creative productions that include staged and documentary photography, the moving image, and public performance and installation, The City in Time illustrates how artists from Vietnam and Cambodia have envisioned their rapidly changing worlds.
Author: Steven Evans (Curator)
Publisher:
ISBN: 9789053309001
Category : Documentary photography
Languages : en
Pages : 272
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Book Description
This book presents 48 contemporary artists and collectives working in dialogue with the long history and emergent future of India and its people. Its focus lies on the contemporary moment through a range of approaches, including art photography, new media, installation, moving image, journalism, and documentary photography. Themes include caste and class, the partitioning of the subcontinent, gender and sexuality, activism and conflict, racism, religion, nationalism, new technologies and development, the environment, human settlement, migration, and integration.
Author: Mami Kataoka
Publisher: Asian Art Museum
ISBN: 9780939117598
Category : Art
Languages : en
Pages : 256
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Book Description
In May 2012 nearly thirty leading contemporary artists from throughout Asia will present arresting and provocative work at the Asian Art Museum in San Francisco. Art objects from the museum's extensive collection of traditional art will be juxtaposed with the contemporary works—not so much to compare the past and present as to expand our imaginations beyond space and time into the spiritual world and the afterlife. Phantoms of Asia, the resulting publication, is a unique and intriguing exploration of the concept of Asia not as a block of political and economic interest but as an interconnected network of "phantoms" of invisible spiritual energy.
