CONTEMPORARY PAINTERS OF SPAIN AT THE NEW YORK WORLD'S FAIR.

CONTEMPORARY PAINTERS OF SPAIN AT THE NEW YORK WORLD'S FAIR. PDF Author:
Publisher:
ISBN:
Category : Art, Spanish, 20th cent
Languages : en
Pages : 0

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CONTEMPORARY PAINTERS OF SPAIN AT THE NEW YORK WORLD'S FAIR.

CONTEMPORARY PAINTERS OF SPAIN AT THE NEW YORK WORLD'S FAIR. PDF Author:
Publisher:
ISBN:
Category : Art, Spanish, 20th cent
Languages : en
Pages : 0

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Contemporary Painters of Spain at the New York World's Fair

Contemporary Painters of Spain at the New York World's Fair PDF Author:
Publisher:
ISBN:
Category : Art, Spanish
Languages : en
Pages : 111

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Contemporary Painters of Spain at the New York Worlds Fair

Contemporary Painters of Spain at the New York Worlds Fair PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Contemporary Painters of Spain at the New York World's Fair

Contemporary Painters of Spain at the New York World's Fair PDF Author: Spain. Comisaría General para la Feria Mundial de Nveva York
Publisher:
ISBN:
Category : Art, Spanish, 20th cent
Languages : en
Pages : 222

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Spanish Painting and Sculpture Today

Spanish Painting and Sculpture Today PDF Author: D'Arcy Galleries (New York, N.Y.)
Publisher:
ISBN:
Category : Painting, Spanish
Languages : en
Pages :

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Maruja Mallo and the Spanish Avant-Garde

Maruja Mallo and the Spanish Avant-Garde PDF Author: Shirley Mangini
Publisher: Routledge
ISBN: 1351559095
Category : Art
Languages : en
Pages : 273

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Book Description
The first book in English on Maruja Mallo, this volume is an insightful examination of the life and work of this seminal artist of the Spanish avant-garde. Previously sidelined by a culture that treated women as "insider-outsiders" and by her own mythmaking, Mallo no longer can be viewed as simply a muse to famous counterparts such as Salvador Dal?nd Federico Garc?Lorca; her role has been re-contextualized to demonstrate that she was a driving force in the flowering of Spanish culture through the 1920s and 1930s. The analysis of Mallo's unique life and extraordinary art is set against the complicated social and political backdrop of interwar Madrid. This book highlights the struggle of Mallo and other women artists against the rampant misogyny of both Spanish culture and the avant-garde community of the time. The effects of the Spanish Civil War are also analyzed-in Mallo's case, Franco's victory forced her into exile in South America for almost 30 years, with profound effects on her art and her life. Added to this rich context, the author's numerous interviews with members of the Mallo family provide essential new background material. Maruja Mallo and the Spanish Avant-Garde recasts this artist as a vital figure in the heretofore all-male establishment of the Spanish artistic vanguard.

Catalog of the Library of the Museum of Modern Art: Neu

Catalog of the Library of the Museum of Modern Art: Neu PDF Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 696

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Spanish Art Now

Spanish Art Now PDF Author: William Dyckes
Publisher: Madrid : W. Dyckes
ISBN:
Category : Art, Modern
Languages : en
Pages : 92

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Twentieth-century European Painting

Twentieth-century European Painting PDF Author: Ann-Marie Cutul
Publisher: Detroit, Mich. : Gale Research Company
ISBN:
Category : Painting
Languages : en
Pages : 846

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Exhibiting Italian Art in the United States from Futurism to Arte Povera

Exhibiting Italian Art in the United States from Futurism to Arte Povera PDF Author: Raffaele Bedarida
Publisher: Taylor & Francis
ISBN: 1000595803
Category : Art
Languages : en
Pages : 320

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Book Description
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.