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Author: Janet McKenzie
Publisher: Macmillan Art Pub
ISBN: 9781921394539
Category : Art
Languages : en
Pages : 239
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Book Description
Scotland-based Dr Janet McKenzie, long-term deputy editor of the renowned art journal Studio International, first published on Australian drawing with Macmillan back in 1986. Twenty-one years later she met Dr Irene Barberis, an Australian artist who was in the UK representing Metasenta, an international arts research organisation focused on drawing and based at Melbournes RMIT University. Dr Christopher Heathcote's contribution also focuses on the teaching of drawing in Australia. Janet McKenzie visited Australia in 2008 to update her research and exercise a global perspective on the current state of drawing in this country. Her book introduces works by 78 selected artists from across the country. They include prominent figures such as Peter Booth, Allan Mitelman, John Olsen, Mirka Mora, Mike Parr, Kevin Lincoln, Jenny Watson, Jan Senbergs and Wendy Stavrianos, among many others. Recognition of the importance of drawing has sometimes wavered in recent times, but most artists would agree that drawing, in whatever medium and however it is executed, is an essential process in the development of ideas leading to creative outcomes. Often, as art history suggests and this book demonstrates, drawing can be an art in and of itself. This timely account of the art of drawing in Australia is lavishly illustrated and will have wide appeal.
Author: Janet McKenzie
Publisher: Macmillan Art Pub
ISBN: 9781921394539
Category : Art
Languages : en
Pages : 239
Get Book Here
Book Description
Scotland-based Dr Janet McKenzie, long-term deputy editor of the renowned art journal Studio International, first published on Australian drawing with Macmillan back in 1986. Twenty-one years later she met Dr Irene Barberis, an Australian artist who was in the UK representing Metasenta, an international arts research organisation focused on drawing and based at Melbournes RMIT University. Dr Christopher Heathcote's contribution also focuses on the teaching of drawing in Australia. Janet McKenzie visited Australia in 2008 to update her research and exercise a global perspective on the current state of drawing in this country. Her book introduces works by 78 selected artists from across the country. They include prominent figures such as Peter Booth, Allan Mitelman, John Olsen, Mirka Mora, Mike Parr, Kevin Lincoln, Jenny Watson, Jan Senbergs and Wendy Stavrianos, among many others. Recognition of the importance of drawing has sometimes wavered in recent times, but most artists would agree that drawing, in whatever medium and however it is executed, is an essential process in the development of ideas leading to creative outcomes. Often, as art history suggests and this book demonstrates, drawing can be an art in and of itself. This timely account of the art of drawing in Australia is lavishly illustrated and will have wide appeal.
Author: Art Gallery of New South Wales
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 6
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Book Description
Author: Kelly Gellatly
Publisher:
ISBN: 9780724103621
Category : Art, Australian
Languages : en
Pages : 230
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Book Description
Showcases some of Australia's most celebrated contemporary practitioners. Their engaging work, across a variety of media including painting, drawing, prints, sculpture, installation, new media and the moving image, photography, fashion and textiles, and Indigenous art, reveals the vital creativity of Australian artists today.
Author: Jane Hylton
Publisher: South Australia State Government Publications
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
In the mid-1920s when Australian art was beginning to atrophy into clichéd conservative landscapes, it was saved by women, who injected vitality and a new approach to style and subject matter.Artists such as Margaret Preston, Thea Proctor, Grace Crowley, Dorrit Black and Ethel Spowers were the pioneers and promoters of modernism in Australia, exploring new ideas about what art could portray and introducing artistic developments such as Cubism. Their paintings and prints challenged other artists and certainly challenged Australian audiences.Many of these 'modern' women led adventurous and unconventional lives. They travelled and studied in Europe. Many were financially independent and did not need to conform to the requirements of a (largely male) conventional and conservative art-buying public. Most chose to remain unmarried and childless so as to devote themselves to their art.Modern Australian Women: paintings and prints 1925-1945 is a major exhibition focussing on Australia's great women artists of the modernist period. It includes important and iconic works by the well-known names of Australian art history - Margaret Preston, Grace Crowley, Grace Cossington Smith - as well as works by artists such as Clarice Beckett and Stella Bowen who have only recently begun to receive the attention they deserve.Modern Australian Women: paintings and prints 1925-1945 is an Art Gallery of South Australia Travelling Exhibition. This exhibition is supported by Marsh, the Australian Women's Weekly and Visions of Australia.
Author: Rachel Kent
Publisher:
ISBN: 9781760761981
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Art is one of the tools we have to sculpt time and create experiences that are highly concentrated, or open and infinite. - Doug Aitken American artist Doug Aitken is internationally recognised for his ambitious practice that incorporates objects, installations, photographs and vast, multi-screen environments that envelop viewers within a kaleidoscope of moving imagery and sound. Aitken has realised museum projects around the world, as well as monumental interventions within the natural landscape and below the ocean's surface. This beautifully designed book encompasses the breadth of Aitken's artistic practice and is produced on the occasion of his survey at the Museum of Contemporary Art (MCA) Australia. Edited by chief curator Rachel Kent, it features a series of in-depth interviews that provide fascinating insights into Aitken's creative thinking and his wider engagement with the creative communities around him; and a series of image plates documenting his acclaimed museum works, landscape interventions and live happenings. Informative and visually compelling, it is sure to be a favourite among Aitken's collectors, as well as those interested in contemporary art.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author: Art Gallery of South Australia
Publisher:
ISBN:
Category : Prints, Australian
Languages : en
Pages : 16
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Book Description
Author: Franz Kempf
Publisher: Melbourne : Landsdowne
ISBN:
Category : Printmakers
Languages : en
Pages : 152
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Book Description
Author: Sachiko Tamai
Publisher: Balboa Press
ISBN: 1504317580
Category : Art
Languages : en
Pages : 116
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Book Description
In the 1970s, 1980s and 1990s, Tokyo served as a host city for a vital community of Australian artists, many of whom worked in the Australia Council’s Artist-in-Residence Studio, which opened in 1987. Upon that studio’s closure in 2016, Sachiko Tamai and Emiko Namikawa, who had served as managers and consultants at the time, realized it held an important history that should be preserved. Reflections: Australian Artists Living in Tokyo presents a series of essays by artists, curators, and organisers involved in international art exchanges between Australia and Japan. It documents the history of more than three decades and includes contributions by contemporary Australian artists who lived in Japan between the 1980s and the opening of the twenty-first century, such as Stelarc, Caroline Turner, Emiko Namikawa, Noelene Lucas, Anna Waldmann, and many others. This timely and culturally relevant collection documents those artistic exchanges between Australia and Japan through the voices of those involved, including artists and curators.
Author: National Gallery of Australia
Publisher: University of Washington Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 460
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Book Description
This broad-sweeping survey of the National Gallery's paintings, sculptures, drawings, prints, photographs, and decorative arts and design collections features more than 400 works. Indigenous and non-Indigenous works are represented, with iconic favourites such as Sidney Nolan's 'Ned Kelly' series set alongside important but lesser-known acquisitions. The works are arranged in chronological order, from 1770 to 2002--'Pre-colonial and Colonial' through to 'Art Now'. Insightful essays from over 50 artists, curators and scholars, range from personal reflections by artists discussing their own works to more discursive or critical commentaries placing works in their historical context.
