Consolations du sanctuaire, ou Méditations avant et après la communion, tirées des offices de l'Eglise, de l'Ecriture sainte et des saints Pères, pour tous les dimanches et principales fêtes de l'année PDF Download
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Author: Charles-Auguste Auber
Publisher:
ISBN:
Category :
Languages : fr
Pages : 422
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Book Description
Author: Charles-Auguste Auber
Publisher:
ISBN:
Category :
Languages : fr
Pages : 422
Get Book Here
Book Description
Author: Charles Auguste Auber
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Get Book Here
Book Description
Author: Charles-Auguste Auber
Publisher:
ISBN:
Category :
Languages : fr
Pages :
Get Book Here
Book Description
Author: Charles-Auguste Auber
Publisher:
ISBN:
Category :
Languages : fr
Pages : 768
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 586
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Book Description
Author: Nicholas Patrick Wiseman
Publisher:
ISBN:
Category :
Languages : en
Pages : 578
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1254
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 576
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Book Description
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892362049
Category : Art
Languages : en
Pages : 273
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Book Description
Presented at a symposium held in 1990 to celebrate the Getty Museum's acquisition of the only known illuminated copy of The Visions of Tondal, twenty essays address the celebrated bibliophilic activity of Margaret of York; the career of Simon Marmion, a favorite artist of the Burgundian court; and The Visions of Tondal in relation to illustrated visions of the Middle Ages. Contributors include Maryan Ainsworth, Wim Blockmans, Walter Cahn, Albert Derolez, Peter Dinzelbacher, Rainald Grosshans, Sandra Hindman, Martin Lowry, Nigel Morgan, and Nigel Palmer.
Author: Jeanice Brooks
Publisher: Cambridge University Press
ISBN: 1107328314
Category : Music
Languages : en
Pages : 307
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Book Description
Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. Her concerts and recordings with her vocal ensemble introduced audiences on both sides of the Atlantic to unfamiliar historical works and new compositions. This book considers how gender shaped the possibilities that marked Boulanger's performing career, tracing her meteoric rise as a conductor in the 1930s to origins in the classroom and the salon. Brooks investigates Boulanger's promotion of structurally motivated performance styles, showing how her ideas on performance of historical repertory and new music relate to her teaching of music analysis and music history. The book explores the way in which Boulanger's musical practice relied upon her understanding of the historically transcendent masterwork, in which musical form and meaning are ideally joined, and shows how her ideas relate to broader currents in French aesthetics and culture.
